A Blues Bibliography

A Blues Bibliography

Author: Robert Ford

Publisher: Routledge

Published: 2008-03-31

Total Pages: 1401

ISBN-13: 1135865086

DOWNLOAD EBOOK

This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.


Songsters and Saints

Songsters and Saints

Author: Paul Oliver

Publisher: Cambridge University Press

Published: 1984-09-27

Total Pages: 356

ISBN-13: 9780521269421

DOWNLOAD EBOOK

Paul Oliver rediscovers the wealth of neglected vocal traditions represented on Race records.


Catalogue

Catalogue

Author: Peabody Museum of Archaeology and Ethnology. Library

Publisher:

Published: 1963

Total Pages: 598

ISBN-13:

DOWNLOAD EBOOK


Catalogue

Catalogue

Author: Baker, G.A. & Co., Inc., Firm, Booksellers, New York

Publisher:

Published: 1929

Total Pages: 928

ISBN-13:

DOWNLOAD EBOOK


Library Journal

Library Journal

Author: Melvil Dewey

Publisher:

Published: 1972

Total Pages: 686

ISBN-13:

DOWNLOAD EBOOK

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.


Ellen Glasgow and a Woman's Traditions

Ellen Glasgow and a Woman's Traditions

Author: Pamela R. Matthews

Publisher: University of Virginia Press

Published: 1994

Total Pages: 280

ISBN-13: 9780813915395

DOWNLOAD EBOOK

Ellen Glasgow wrote and published nineteen novels as well as poems, short stories, essays, reviews, and an autobiography (published posthumously) in a career that spanned nearly fifty years. Until now, her writings have not been subject to feminist revaluation in the way that works of such writers as Charlotte Perkins Gilman or Willa Cather have been. In Ellen Glasgow and a Woman's Traditions Pamela R. Matthews initiates such a revaluation by taking into account not only Glasgow's gender and her perception of her role as a woman writer but the reader's gender and (mis)understanding of Glasgow. Using current feminist psychological theory, she assesses what Glasgow faced as a woman writer caught between the nineteenth and twentieth centuries, examines the traditions in place at these times, and analyzes the influence on Glasgow of her female friendships. This shifting of critical perspective yields entirely new interpretations and closes the gap that has existed between standard criticisms of Glasgow and the effect that Glasgow has had on her readers.