The Japanese Novel of the Meiji Period and the Ideal of Individualism
The Japanese Novel of the Meiji Period and the Ideal of Individualism

Author: Janet A. Walker

Publisher: Princeton University Press

Published: 2019-01-29

Total Pages: 331

ISBN-13: 0691656444

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The Western ideal of individualism had a pervasive influence on the culture of the Meiji period in Japan (1868-1912). Janet Walker argues that this ideal also had an important influence on the development of the modern Japanese novel. Focusing on the work of four late Meiji writers, she analyzes their contribution to the development of a type of novel whose aim was the depiction of the modern Japanese individual. Professor Walker suggests that Meiji novels of the individual provided their readers with mirrors in which to confront their new-found sense of individuality. Her treatment of these novels as confessions allows her to discuss the development of modern Japanese literature and "the modern literary self" both in themselves and as they compare their prototypes and analogues in European literature. The author begins by examining the evolution of a literary concept of the inner self in Futabatei Shimei's novel Ukigumo (The Floating Clouds), Kitamura Tokoku's essays on the inner life, and Tayama Katai's I-novel Futon (The Quilt). She devotes the second half of her book to Shimazaki Toson, the Meiji novelist who was most influenced by the ideal of individualism. Here she traces Toson's development of a personal ideal of selfhood and analyzes in detail two examples of the lengthy confessional novel form that he created as a vehicle for its expression. Janet A. Walker is Associate Professor of Comparative Literature at Livingston College, Rutgers University. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Japanese Novel of the Meiji Period and the Ideal of Individualism
The Japanese Novel of the Meiji Period and the Ideal of Individualism

Author: Janet A. Walker

Publisher: Princeton University Press

Published: 2019-01-29

Total Pages: 332

ISBN-13: 069119663X

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The Western ideal of individualism had a pervasive influence on the culture of the Meiji period in Japan (1868-1912). Janet Walker argues that this ideal also had an important influence on the development of the modern Japanese novel. Focusing on the work of four late Meiji writers, she analyzes their contribution to the development of a type of novel whose aim was the depiction of the modern Japanese individual. Professor Walker suggests that Meiji novels of the individual provided their readers with mirrors in which to confront their new-found sense of individuality. Her treatment of these novels as confessions allows her to discuss the development of modern Japanese literature and "the modern literary self" both in themselves and as they compare their prototypes and analogues in European literature. The author begins by examining the evolution of a literary concept of the inner self in Futabatei Shimei's novel Ukigumo (The Floating Clouds), Kitamura Tokoku's essays on the inner life, and Tayama Katai's I-novel Futon (The Quilt). She devotes the second half of her book to Shimazaki Toson, the Meiji novelist who was most influenced by the ideal of individualism. Here she traces Toson's development of a personal ideal of selfhood and analyzes in detail two examples of the lengthy confessional novel form that he created as a vehicle for its expression. Janet A. Walker is Associate Professor of Comparative Literature at Livingston College, Rutgers University. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Kiso Road
The Kiso Road

Author: William E. Naff

Publisher: University of Hawaii Press

Published: 2010-11-30

Total Pages: 693

ISBN-13: 082486073X

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William E. Naff, the distinguished scholar of Japanese literature widely known and highly regarded for his eloquent translations of the writings of Shimazaki Toson (1872–1943), spent the last years of his life writing a full-length biography of Toson. Virtually completed at the time of his death, The Kiso Road provides a rich and colorful account of this canonic novelist who, along with Natsume Soseki and Mori Ogai, formed the triumvirate of writers regarded as giants in Meiji Japan, all three of whom helped establish the parameters of modern Japanese literature. Professor Naff’s biography skillfully places Toson in the context of his times and discusses every aspect of his career and personal life, as well as introducing in detail a number of his important but as yet untranslated works. Toson’s long life, his many connections with other important Japanese artists and intellectuals, his sojourn in France during World War I, and his later visit to South America, permit a biography of depth and detail that serves as a kind of cultural history of Japan during an often turbulent period. The Kiso Road, as approachable and exciting as any novel, with Toson himself as its complex protagonist, is arguably the most thorough account of any modern Japanese writer presently available in English.

The Rhetoric of Confession
The Rhetoric of Confession

Author: Edward Fowler

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 363

ISBN-13: 0520912764

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The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts.

Detective Fiction and the Rise of the Japanese Novel, 1880-1930
Detective Fiction and the Rise of the Japanese Novel, 1880-1930

Author: Satoru Saito

Publisher: BRILL

Published: 2020-03-17

Total Pages: 333

ISBN-13: 1684175216

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In Detective Fiction and the Rise of the Japanese Novel, Satoru Saito sheds light on the deep structural and conceptual similarities between detective fiction and the novel in prewar Japan. Arguing that the interactions between the two genres were not marginal occurrences but instead critical moments of literary engagement, Saito demonstrates how detective fiction provided Japanese authors with the necessary frameworks through which to examine and critique the nature and implications of Japan’s literary formations and its modernizing society. Through a series of close readings of literary texts by canonical writers of Japanese literature and detective fiction, including Tsubouchi Shoyo, Natsume Soseki, Shimazaki Toson, Sato Haruo, Kuroiwa Ruiko, and Edogawa Ranpo, Saito explores how the detective story functioned to mediate the tenuous relationships between literature and society as well as between subject and authority that made literary texts significant as political acts. By foregrounding the often implicit and contradictory strategies of literary texts—choice of narrative forms, symbolic mappings, and intertextual evocations among others—this study examines in detail the intricate interactions between detective fiction and the novel that shaped the development of modern Japanese literature.

The Dilemma of Faith in Modern Japanese Literature
The Dilemma of Faith in Modern Japanese Literature

Author: Massimiliano Tomasi

Publisher: Routledge

Published: 2018-04-19

Total Pages: 351

ISBN-13: 1351228048

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The first book-length study to explore the links between Christianity and modern Japanese literature, this book analyses the process of conversion of nine canonical authors, unveiling the influence that Christianity had on their self-construction, their oeuvre and, ultimately, the trajectory of modern Japanese literature. Building significantly on previous research, which has treated the intersections of Christianity with the Japanese literary world in only a cursory fashion, this book emphasizes the need to make a clear distinction between the different roles played by Catholicism and Protestantism. In particular, it argues that most Meiji and Taishō intellectuals were exposed to an exclusively Protestant and mainly Calvinist derivation of Christianity and so it is against this worldview that the connections between the two ought to be assessed. Examining the work of authors such as Kitamura Tōkoku, Akutagawa Ryūnosuke and Nagayo Yoshirō, this book also contextualises the spread of Christianity in Japan and challenges the notion that Christian thought was in conflict with mainstream literary schools. As such, this book explains how the dualities experienced by many modern writers were in fact the manifestation of manifold developments which placed Christianity at the center, rather than at the periphery, of their process of self-construction. The Dilemma of Faith in Modern Japanese Literature will be of great interest to students and scholars of Japanese modern literature, as well as those interested in Religious Studies and Japanese Studies more generally.

The Dilemma of the Modern in Japanese Fiction
The Dilemma of the Modern in Japanese Fiction

Author: Dennis C. Washburn

Publisher: Yale University Press

Published: 1995-03-11

Total Pages: 332

ISBN-13: 9780300105254

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This book looks at modernity in Japanese literary culture as a continuing historical dynamic rather than as merely the product of the intense Westernization of the nineteenth and early twentieth centuries. The author links the modern in Japan to a sense of cultural discontinuity that may be located in fictional narratives before the encounter of Japan with the West, and he argues that modernity in Meiji Japan can be understood in terms of cultural conflict--not only Japan versus the West, but also Japan's present versus its past. Washburn compares readings from Meiji literature with readings from pre-Meiji and post-Meiji works. He begins with Genji monogatari (early eleventh century) and the Hojoki (1212), continues with stories by Saikaku (late seventeenth century), and ends with a consideration of selected texts from the Meiji period (1868-1912) through the end of the Second World War. Washburn focuses on common thematic elements that recur over time and on such formal considerations as voice and perspective that evolve historically to give expression to the sense of the modern. Using this approach, he is able to look at many individual authors in a new way and to present significant reevaluations of many important texts. This book is also a study of the East Asian Institute, Columbia University.

Nikolai Chernyshevskii and Ayn Rand
Nikolai Chernyshevskii and Ayn Rand

Author: Aaron Weinacht

Publisher: Rowman & Littlefield

Published: 2021-10-07

Total Pages: 183

ISBN-13: 1793634785

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Nikolai Chernyshevskii and Ayn Rand: Russian Nihilism Travels to America argues that the core commitments of the nihilist movement of the 1860’s made their way to 20th century America via the thought of Ayn Rand. While mid-nineteenth-century Russian nihilism has generally been seen as part of a radical tradition that culminated in the Bolshevik Revolution of 1917, the author argues that nihilism’s intellectual trajectory was in fact quite different. Analysis of such sources as Nikolai Chernyshevskii’s What is to Be Done? (1863) and Ayn Rand’s Atlas Shrugged (1957), archival research in Rand’s papers, and broad attention to late-nineteenth century Russian intellectual history all lead the author to conclude that nihilism’s legacy is deeply implicated in one of America’s most widely-read philosophers of capitalism and libertarian freedom.