Presents the story of Eliza Scidmore, a world traveler, writer, photographer, and peace advocate who, after years of persistence, planted cherry trees all across Washington, D.C.
This book is a stunningly beautiful record of the nation's biggest springtime festival. As the 100th anniversary of the National Cherry Blossom Festival approaches in the Spring of 2012, millions of people from across the country will gather to revel in the beauty of the Cherry Blossoms. Capturing the true essence of spring, Blunt's striking photography will also allow those who are unable to travel to the festival the chance to experience the splendor of the blooming cherry blossoms through his photography.
The most significant of the more than 175 varieties of Japanese ornamental trees featured, along with a discussion of Japanese garden design, and cultivation tips for home gardeners.
The animals that live in Washington, D.C. describe the history of the cherry blossom trees that grow there, given to the United States from Japan as a sign of friendship in 1912.
Looks at the life cycle of a cherry tree, the history behind the gift of the Japanese cherry trees to our nation's capital, and the association of cherry trees and spring.
Each year, the flowering of cherry blossoms marks the beginning of spring. But if it weren’t for the pioneering work of an English eccentric, Collingwood “Cherry” Ingram, Japan’s beloved cherry blossoms could have gone extinct. Ingram first fell in love with the sakura, or cherry tree, when he visited Japan on his honeymoon in 1907 and was so taken with the plant that he brought back hundreds of cuttings with him to England. Years later, upon learning that the Great White Cherry had virtually disappeared from Japan, he buried a living cutting from his own collection in a potato and repatriated it via the Trans-Siberian Express. In the years that followed, Ingram sent more than 100 varieties of cherry tree to new homes around the globe. As much a history of the cherry blossom in Japan as it is the story of one remarkable man, The Sakura Obsession follows the flower from its significance as a symbol of the imperial court, through the dark days of the Second World War, and up to the present-day worldwide fascination with this iconic blossom.
Provides a historical narrative documenting in detail the origin & history of the Japanese flowering cherry trees in Washington, D.C., discussing in particular their introduction & planting along the Tidal Basin in West Potomac Park. Of historical as well as scientific interest, this multifaceted story is accompanied by vintage photographs, biographical profiles of the major participants in the introduction of the trees, transcripts of correspondence regarding the original shipment of trees from Japan, a glossary of terms, a descriptive list of the tree shipments, & notes & selected references.
A jewel-like collection of the most exquisite cherry blossoms in Japanese art celebrates the enduring power of spring. Drawn from the Freer Gallery of Art and the Arthur M. Sackler Gallery, the Smithsonian's museums of Asian art, these rare reproductions of gilded screens, woodblock prints, and ink on silk works offer sublimely rendered buds and blooms for all who cherish them. Since the eighteenth century, parties in Japan, from royal maidens to farmers, have gathered to view cherry trees, an essential symbol of the cycle of life. The flowers feature prominently in Japanese art; magnificent renderings by masters—including Hiroshige and Hokusai—show serene blossoms among tall evergreens, at the epicenter of national celebrations, or as surreal showers of petals. In 1912, Japan gifted more than 3,000 of these trees to Washington, D.C., as a symbol of friendship between nations. Today, we celebrate cherry blossom festivals across the United States and the world and see our cities framed by blossoming branches that herald spring. Text by the Freer|Sackler’s senior curator of Japanese art James T. Ulak explores this flowering tree’s timeless appeal and deep-rooted symbolism. In association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C.