In his narrative of his fruitless labor as a "pick and shovel" worker in America, D'Angelo, who immigrated from the Abruzzi region of Italy, describes the harsh, often inhumane working conditions that immigrants had to endure at the beginning of the twentieth century.
I am the villain, the psycho, the monster. And I'm obsessed with the woman that shattered me to pieces and married my father. He's left me to pay for all his mistakes with blood, pain, loneliness and heartache while he lives like a king and gets the girl MY GIRL War is in order. Sins of the father never die. I'll fight to the last drop of my blood, but I vow I won't be the only one bleeding. The finale is here. Are you ready? The Italian Son is a DARK Mafia Romance and the finale of the Mafia world in The Italians series. This is Leo's book and CANNOT be read as a standalone. You have to, at least, read The Italian Dom and preferably The Italian Obsession and Savage Crown first. One-Click now. Reading Order 1-The Italian Marriage (standalone and can be read in any order) 2-The Italian Obsession (standalone and can be read in any order) 3-The Italian Dom (duet, better read AFTER The Italian Obsession) 3.5-Savage Crown (standalone novella better read BETWEEN The Italian Dom and The Italian Son) 4-The Italian Son (duet, MUST be read AFTER The Italian Dom) Spin-off non Mafia books 1- The Italian Heartthrob (standalone, better read BEFORE The Italian Obsession) 2- The Italian Happy Ever After (standalone, better read AFTER The Italian Son) Read them all now
This long-awaited final novel in the bestselling Grazia dei Rossi Trilogy follows Grazia dei Rossi’s only son, Danilo del Medigo, as he returns to the Republic of Venice at the height of Christendom’s persecution of the Jews. April, 1536. Danilo del Medigo arrives incognito in Venice from Istanbul, with two assassins hot on his trail. Western civilization is in crisis. Jews and “New Christians” — people whose families had converted from Judaism — are threatened with expulsion, imprisonment, and death. Danilo seeks refuge in the Venetian Ghetto, and promptly falls in love with the beautiful Miriamne Hazan. But soon Danilo is blackmailed into becoming a spy for Venice, which means he must abandon Miriamne in order to save her. The only safe place is hiding in plain sight, so embeds himself within an itinerant group of actors travelling the Italian countryside. With assassins close behind, Danilo, together with a cast of libertines, courtesans, and fellow spies, witnesses the agony of the Renaissance: Protestants warring with Catholics, the Inquisition threatening everyone, and the Ottoman Empire poised to invade the heart of Europe. As fear and panic spread throughout the Jewish communities of Italy, a promise of a new lifeline emerges, and Danilo may be the only one who can ensure it.
She kicked me in the nuts at her sister's wedding. I vowed to make her my bride. I'm a man who gets what he wants. No matter what it takes. Punto. And I want Nicky Baldi. The only woman who said no to me. The forced to become Mafia princess who hates our kind. The firecracker that thinks she can burn me away. She tries to play me, but she doesn't know what she's up against. I'm Domenico Lanza, little kitten. Wait until you get a taste of what The Italian Dom can do to you...and your body. And when she learns I'm the only winner in our hate game When she submits to me, the only man she'll ever beg and purr under, I'll give her everything But first...revenge is in order. The Italian Dom is an enemies to lovers, age gap, forced marriage Mafia Romance. If you loved Enzio or Tino, you'll love Domenico, too. Read now! P.S. This is Nicky and Dom's book. You don't have to read The Italian Obsession (Tino and Angel's book) first unless you want to avoid spoilers. The Italian Dom ends on a cliffy and the story concludes in The Italian Son. Read the complete series now.
Cesar Villon de Falcon: the world's finest racing-car driver and Monaco's most notorious playboy. But a terrifying crash has left him fighting for his life. Sarah Priestley: the enchanting woman at his bedside, who has a secret she hopes will help revive him—Cesar has a son! The little boy who has his daddy's eyes gives Cesar a new lease on life. But it is his convenient marriage to Sarah that has the potential to make this courageous man whole again….
The New York Times bestseller: “Venice shines through the pages of this novel. . . . Coupled with unexpected twists and turns [it] doesn’t disappoint” (Tulsa Book Review). A Los Angeles Times Bestseller • A Library Journal Mystery Bestseller • A Booklist Best Crime Novel of the Year • A Crime Reads Most Anticipated Book of the Year Guido Brunetti is urged by his father-in-law to investigate—and preferably intervene in—the seemingly innocent plan of the elderly Gonzalo Rodríguez de Tejeda to adopt a much younger man as his son. Under Italian inheritance laws, this man would then be heir to Gonzalo’s entire fortune, a prospect Gonzalo’s friends find appalling. For his part, Brunetti wonders why the old man, a close family friend, can’t be allowed his pleasure in peace. And yet, what seems innocent on the Venetian surface can cause tsunamis below. Gonzalo unexpectedly drops dead on the street, and one of his friends—who just arrived in Venice for the memorial service—is strangled in her hotel room. Now with an urgent case to solve, Brunetti reluctantly untangles the long-hidden mystery in Gonzalo’s life that has ultimately led to murder . . . a resolution that brings him more pain than satisfaction. “Like Louise Penny, Leon has cultivated an utterly devoted audience, ever anxious to get to know more about her characters.” ―Booklist (starred review) “Redolent, as always, with the sights, smells, sounds, and mealtimes of the water-immersed city. . . . In Leon’s latest, a pleasantly deceptive lull . . . is dissolved with deadly force.” ―The Seattle Review of Books
She's too young. Jailbait young.Her innocence and purity don't belong in my world.I killed her father.None of it matters. Angelina Baldi is the bane of my existence and my absolute obsession.She belongs to me. She's safe only with me.But her wedding bells are ringing, and I'm not the man waiting at the altar.I've killed for her before. I'd do it again. Except that her groom is the only man on earth I can't kill.My own blood.The Italian Obsession is a stalker forbidden obsessive jealous possessive DARK DARK DISTURBING Mafia romance Standalone. Do NOT read if you're not a fan of dark romance.All the books in The Italians series can be read in any order.One-Click now. Because you have to.
The unlikely hero of His Only Son, Bonifacio Reyes, is a romantic and a flautist by vocation—and a failed clerk and kept husband by necessity—who dreams of a novelesque life. Tied to his shrill and sickly wife by her purse strings, he enters timidly into a love affair with Serafina, a seductive second-rate opera singer, encouraged by her manager who mistakes Bonifacio for a potential patron. Meanwhile, Bonifacio’s wife experiences a parallel awakening and in the midst of a long-barren marriage, surprises them both with a son—but is it Bonifacio’s? In the accompanying novella, Doña Berta, the heroine of the title, an aged, poor, but well-born woman, forfeits her beloved estate in search of a portrait that may be all that remains of the secret love of her life. While largely unknown outside of Spain, Leopoldo Alas was one of the most celebrated writers of criticism in nineteenth-century Spain and employed his satirical talents to powerful and humorous effect in fiction. His Only Son was Alas’s second and final novel, full of characteristic humor, naturalistic detail, descriptive beauty, and moral complexity. His frail and pitiful characters—irrational, emotional actors drawn inexorably toward their foolish fates—are yet multidimensional individuals, often conscious of their own weaknesses and stymied by their very yearnings to be more than the parts they find themselves playing.
London may have Savile Row and Paris its luxury houses, but nowhere can compete with the essence of Italy's nonchalant elegance: sprezzatura. This book presents the most in-depth look at the designers, tailors and artisans who for generations have defined the very notion of Italian style. From such fabled names as Rubinacci and Kiton to highly sought-after global brands like Zegna, more than fifty iconic Italian menswear houses are featured for their individual style and commitment to upholding the values of quality and timelessness. Featuring lavish photographs, with close-ups of subtle, exquisite details, most taken specially for this publication, The Italian Gentleman explores the world behind the finished garments - the ateliers and hidden shops where legends are born. Including iconic brands alongside fabric mills, shirting, accessories and shoemaking, this timely publication is a tribute to true Italian style with today's modern man in mind.
Collected classic writings on, about, and from the formative years of the Italian-American experience, featuring fiction, nonfiction, poetry, and drama. To appreciate the life of the Italian immigrant enclave from the great heart of the Italian migration to its settlement in America requires that one come to know how these immigrants saw their communities as colonies of the mother country. Edited with extraordinary skill, Italoamericana: The Literature of the Great Migration, 1880-1943 brings to an English-speaking audience a definitive collection of classic writings on, about, and from the formative years of the Italian-American experience. Originally published in Italian, this landmark collection of translated writings establishes a rich, diverse, and mature sense of Italian-American life by allowing readers to see American society through the eyes of Italian-speaking immigrants. Filled with the voices from the first generation of Italian-American life, the book presents a unique treasury of long-inaccessible writing that embodies a literary canon for Italian-American culture—poetry, drama, journalism, political advocacy, history, memoir, biography, and story—the greater part of which has never before been translated. Italoamericana introduces a new generation of readers to the “Black Hand” and the organized crime of the 1920s, the incredible “pulp” novels by Bernardino Ciambelli, Paolo Pallavicini, Italo Stanco, Corrado Altavilla, the exhilarating “macchiette” by Eduardo Migliaccio (Farfariello) and Tony Ferrazzano, the comedies by Giovanni De Rosalia, Riccardo Cordiferro’s dramas and poems, the poetry of Fanny Vanzi-Mussini and Eduardo Migliaccio. Edited by a leading journalist and scholar, Italoamericana presents an important but little-known, largely inaccessible Italian-language literary heritage that defined the Italian-American experience. Organized into five sections—”Annals of the Great Exodus,” “Colonial Chronicles,” “On Stage (and Off-Stage),” “Anarchists, Socialist, Fascists, Anti-Fascists,” and “Apocalyptic Integrated / Integrated Apocalyptic Intellectuals” —the volume distinguishes a literary, cultural, and intellectual history that engages the reader in all sorts of archaeological and genealogical work. “An addition to the great tradition of Italian-American literature and culture, this anthology of fiction, poetry, plays memoir and articles features the writing of Italians in America, writing from the “Little Italys” of the period, in their mother tongue, and fills a huge gap in the canon. A sophisticated, critical look at the writings of Italian immigrants to America across all genres, includes social and political commentary, a long labor of love for American editor Robert Viscusi . . . . A massive work of extraordinary power, that while scholarly and comprehensive, will have wide appeal.” —Publishers Weekly