The Intertwining of Aesthetics and Ethics
The Intertwining of Aesthetics and Ethics

Author: Jadranka Skorin-Kapov

Publisher: Lexington Books

Published: 2016-04-21

Total Pages: 217

ISBN-13: 1498524575

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The Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity analyzes the common experiential ground for both aesthetics and ethics by considering experiential environment (both nature and art), the precedents to desire, the notion of experience incorporating a break, and the reverberations of surprise leading to the intertwining of aesthetics and ethics. Jadranka Skorin-Kapov discusses different philosophical positions on the relationship between nature and art, in conversation with Kant, Hegel, Goethe, Gadamer, and Adorno. She argues that Kantian sublimity can carry over from nature to art. As part of the discussions of expectations and authenticity, the author interprets Husserl’s view on expectations, Heidegger’s view on death and authenticity, Blanchot’s view on death, and Arendt’s view on natality. As for understanding the aesthetic experience as the paradigmatic experience, Skorin-Kapov is informed by Dewey’s work on art as experience, Gadamer’s work on experience of art, and Jauss’s work on the aesthetics of reception and the horizon of expectations. After our sensibility and representational capability are broken, recuperation then leads to sublimity and the subsequent feelings of admiration and/or responsibility, allowing for the intertwining of aesthetics and ethics. Additionally, elements of Kantian morality, Foucault’s ethics, and Kierkegaard’s work on interactions between aesthetics and ethics together help to characterize the relation between aesthetics and ethics. Since we often encounter surprise due to unexpectedness in comedy, Skorin-Kapov also interprets philosophical views on the comedy and laughter (including Aristotle, Kierkegaard, Meredith, and Bergson), using the theatrical work of Dario Fo as an example. The novel analysis in The Intertwining of Aesthetics and Ethics will be of particular interest to students and scholars working or teaching in aesthetics, phenomenology, art history, cultural studies, and ethics.

Aesthetics and Business Ethics
Aesthetics and Business Ethics

Author: Daryl Koehn

Publisher: Springer Science & Business Media

Published: 2013-09-03

Total Pages: 157

ISBN-13: 9400770707

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Ludwig Wittgenstein famously said, “Ethics is aesthetics.” It is unclear what such a claim might mean and whether it is true. This book explores contentious issues arising at the interface of ethics and aesthetics. The contributions reflect on the status of aesthetic en ethical judgments, the relation of aesthetic beauty and ethical goodness and art and character development. The book further considers the potential role art could play in ethical analysis and in the classroom and explores in what respects aesthetics and ethics might be intertwined and even mutually supportive.

Aesthetics and Ethics
Aesthetics and Ethics

Author: Jerrold Levinson

Publisher: Cambridge University Press

Published: 1998

Total Pages: 344

ISBN-13: 9780521788052

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This major collection of essays examines issues surrounding aesthetics and ethics.

Between Ethics and Aesthetics
Between Ethics and Aesthetics

Author: Dorota Glowacka

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 323

ISBN-13: 0791489493

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This forum of current discussions of ethics and aesthetics addresses a cross-section of disciplines including literary theory, philosophy, women's studies, postcolonial theory, art history, Holocaust studies, theology, and others. Contributors, ranging from philosophers and literary critics to practicing artists and art curators, answer such questions as: In the age of the collapse of metaphysics, what is the relation between philosophical reflection and art? If we question the privilege accorded to the aesthetic, can ethics alone offer a solution to the crisis of representation? Is it possible and ethically viable to represent the other in speech and image? What happens at the conjunction of aesthetics and politics? Can one speak of aesthetic configurations of the space of community? Are the concepts of ethics and aesthetics gendered and repressive of sexual difference? Considering the many works that consider either ethics or aesthetics almost exclusively within the confines of particular disciplines, this collection crosses the boundaries and continues the debate outside the rigid parameters of specialized discourses.

The Life and Death of Images
The Life and Death of Images

Author: Diarmuid Costello

Publisher: Cornell University Press

Published: 2008

Total Pages: 260

ISBN-13: 9780801474552

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The 1990s witnessed a return to aesthetics, but one that stressed the independent claims of beauty in reaction to its perceived suppression by ethical and political imperatives. Beauty, however, is just one aspect of the aesthetic. In recent years, increasing attention has been paid to the ways in which aesthetics and ethics are intertwined. In The Life and Death of Images some of the world's leading cultural thinkers engage in dialogue with one another concerning this [beta]new[gamma] aesthetics. In provocative and accessible fashion, they demonstrate its relevance to a range of disciplines including analytic and continental philosophy, art history, theory and practice, cultural history and visual culture, rhetoric and comparative literature.

The Line of the Arch
The Line of the Arch

Author: Marcello Ghilardi

Publisher: Mimesis

Published: 2015

Total Pages: 0

ISBN-13: 9788869770005

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This collection of essays turnings around aesthetic and ethical questions, and intertwining them, is intended to foster and elaborate the notion of intercultural philosophy. The author wants to show how interculturality is neither a comprehensive system of thoughts, nor a disconnected plurality of opinions.

The Line of Arch
The Line of Arch

Author: Marcello Ghilardi

Publisher: Mimesis

Published: 2015-11-05T00:00:00+01:00

Total Pages: 119

ISBN-13: 8869770451

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The essays that compose this book turn around aesthetic and ethical questions, intertwining the two dimensions. They are intended to elaborate an interculturalphilosophy: without idealizing any single way of thinking or any tradition, without idolizing any lazy relativism, the author wants to show how interculturalityis neither an ultimate system of thought, nor a disconnected plurality of opinions. Surmounting both monism and dualism, this work leads to deal with thephilosophical character of cultural “dribblings”, through which we can grasp the links and relations between identity and difference. As the Italian writer Italo Calvino writes in his novel The Invisible Cities, when we build an arch we cannot forget that its line is necessarily composed by the plurality of its stones. Thinkingthrough different languages and traditions aims to manifest the unspeakable ground on which all the elements of reality meet, and at the same time it aims to caretheir contingency.

Considering Ethics in Dance, Theatre and Performance
Considering Ethics in Dance, Theatre and Performance

Author: Fiona Bannon

Publisher: Springer

Published: 2018-08-01

Total Pages: 267

ISBN-13: 3319917315

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This book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter. In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.

Lecture on Ethics
Lecture on Ethics

Author: Ludwig Wittgenstein

Publisher: John Wiley & Sons

Published: 2014-08-25

Total Pages: 166

ISBN-13: 1118842677

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The most complete edition yet published of Wittgenstein’s 1929 lecture includes a never-before published first draft and makes fresh claims for its significance in Wittgenstein’s oeuvre. The first available print publication of all known drafts of Wittgenstein’s Lecture on Ethics Includes a previously unrecognized first draft of the lecture and new transcriptions of all drafts Transcriptions preserve the philosopher’s emendations thus showing the development of the ideas in the lecture Proposes a different draft as the version read by Wittgenstein in his 1929 lecture Includes introductory essays on the origins of the material and on its meaning, content, and importance

Ethics and the Arts
Ethics and the Arts

Author: Paul Macneill

Publisher: Springer

Published: 2014-05-12

Total Pages: 273

ISBN-13: 9401788162

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This book proposes that the highest expression of ethics is an aesthetic. It suggests that the quintessential performance of any field of practice is an art that captures an ethic beyond any literal statement of values. This is to advocate for a shift in emphasis, away from current juridical approaches to ethics (ethical codes or regulation), toward ethics as an aesthetic practice—away from ethics as a minimal requirement, toward ethics as an aspiration. The book explores the relationship between art and ethics: a subject that has fascinated philosophers from ancient Greece to the present. It explores this relationship in all the arts: literature, the visual arts, film, the performing arts, and music. It also examines current issues raised by ‘hybrid’ artists who are working at the ambiguous intersections between art, bio art and bioethics and challenging ethical limits in working with living materials. In considering these issues the book investigates the potential for art and ethics to be mutually challenged and changed in this meeting. The book is aimed at artists and students of the arts, who may be interested in approaching ethics and the arts in a new way. It is also aimed at students and teachers of ethics and philosophy, as well as those working in bioethics and the health professions. It will have appeal to the ‘general educated reader’ as being current, of considerable interest, and offering a perspective on ethics that goes beyond a professional context to include questions about how one approaches ethics in one’s own life and practices.