The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries

Author: Charles E. Brewer

Publisher: Routledge

Published: 2016-12-05

Total Pages: 473

ISBN-13: 1351887599

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Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.

The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries

Author: Charles E. Brewer

Publisher: Taylor & Francis

Published: 2016-12-05

Total Pages: 440

ISBN-13: 1351887602

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Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.

Music, Piety, and Political Power in 17th-Century Salzburg
Music, Piety, and Political Power in 17th-Century Salzburg

Author: Kimberly Beck Hieb

Publisher: Taylor & Francis

Published: 2024-08-20

Total Pages: 165

ISBN-13: 1040111203

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Music, Piety, and Political Power in 17th-Century Salzburg traces the role of sacred music in the service of politics at the archbishopric of Salzburg, one of many jurisdictions that made up the Holy Roman Empire in the second half of the 17th century. The author reveals that the use of music to present political, cultural, and religious meanings was not limited to cross-confessional communities, the Imperial capital of Vienna, or other early modern metropolitan centers such as Munich and Paris. Presenting music as a powerful cultural artifact that informs our understanding of the religious and political relationships shaping the history of central Europe, this study expands our understanding of the history of music, absolutism, and Catholicism in the 17th century and will be of interest to scholars working in those areas.

Yesterday Once More
Yesterday Once More

Author: Randy L. Schmidt

Publisher: Chicago Review Press

Published: 2012-10-01

Total Pages: 394

ISBN-13: 161374417X

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With a string of number-one hits showcasing Karen Carpenter's warm and distinctive vocals and Richard Carpenter's sophisticated compositions and arrangements, the Carpenters were responsible for some of the most popular music of the 1970s, and this compendium collects more than 50 articles, interviews, essays, reviews, and reassessments that chronicle the lives and career of this brother-sister musical team. Writings from pop journalists and historians such as Daniel J. Levitin, John Tobler, Digby Diehl, Ray Coleman, Robert Hilburn, and Lester Bangs provide insight into the music and personalities of the duo who produced such timeless pop music. From serious musical analyses of the Carpenters' arrangements to lighter pieces in which Karen and Richard discuss dating, cars, and high school, this new edition has been revised and expanded to include nearly a dozen additional pieces, some of which have never been published.

The Amadeus Book of the Violin
The Amadeus Book of the Violin

Author: Walter Kolneder

Publisher: Amadeus

Published: 1998

Total Pages: 608

ISBN-13:

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Available for the first time in English, this book has been considered the best single encyclopedia of the violin for 20 years. All aspects of the violin are covered: construction, history, and literature; violin playing and teaching; and violin virtuosos through the ages.

A History of the Trombone
A History of the Trombone

Author: David M. Guion

Publisher: Rowman & Littlefield

Published: 2010

Total Pages: 269

ISBN-13: 0810874458

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A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument--the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.