She was just 17, a high school dropout named Milly Jones, found walking down the middle of the highway, engulfed in flames. Even in a tough Mississippi county like Tibbehah, it shatters the community, and it is up to Sheriff Quinn Colson, back on the job after a year away, and his deputy Lillie Virgil, to investigate what happened, and why. Before long, however, accusations start to fly; national media and federal authorities descend; and what seemed like a senseless act of violence begins to appear like something even more disturbing - with more victims waiting in the shadows.
Even the innocent don't kiss and tell... “…the quick pacing will keep readers engrossed in this series kickoff as Alice and Charlie try to sort through the soap opera that is their new lives and figure out who they can trust. It’s Gossip Girl for Connecticut’s Gold Coast.” –Publishers Weekly The Innocents weaves a saga of nail-biting drama, breathless romance, and gothic mystery perfect for fans of ABC's Revenge. Though they share the same blood, Alice and Charlie couldn’t be more different. Alice is older (by one year and one day), shy and reserved, a cool blonde, a painter, a reader, a thinker. Charlie is feisty and uninhibited, a wild brunette, the kind of girl who punches a bully right in the mouth. They hate each other. They love each other. They stand by each other, when no one else will. They’re sisters. Then their parents divorce. Soon, Alice, Charlie, and their mother are leaving their old life behind. They’re saying goodbye to their cramped Cambridge apartment and driving along the rocky Connecticut coastline—to their stepfather's summer estate in the wealthy town of Serenity Point. The minute they drive through the gates, they wish they never had. Their arrival reopens old wounds, memories of lost loves, best friends—and bitter rivals. The people of Serenity Point thought the past was dead and buried. They were wrong.
Jack Clayton's gothic masterpiece The Innocents, though not a commercial success on its release in 1961, has been hailed as one of the greatest psychological thrillers of all time. Dividing reviewers with its ambiguous depiction of ghosts, the film ignited a debate about the aesthetics of horror which still rages today. In this stimulating introduction to The Innocents, Sir Christopher Frayling traces the film from its genesis in the original novel The Turn of The Screw by Henry James, via contemporary critical contexts and William Archibald's 1950 stage adaptation of the same name, to the screenplay by William Archibald, Truman Capote and John Mortimer. Drawing on unpublished material from Jack Clayton's archive – including Capote's handwritten drafts for the film – and interviews with Deborah Kerr, Freddie Francis, and John Mortimer, Frayling explores how this classic ghost story came to life on screen. This special edition features original cover artwork by Matthew Young.
The Turn of the Screw by Henry James is a classic ghost story that continues to captivate readers over a century after its initial publication. Set in the late 19th century, the novella follows a young governess who is hired to care for two young children, Flora and Miles, at the remote and eerie Bly Manor. As the governess begins her duties, she becomes increasingly convinced that the manor is haunted by the spirits of the previous governess, Miss Jessel, and her lover, Peter Quint, who both died under mysterious circumstances. The story unfolds as the governess tries to protect the children from the malevolent ghosts, while also questioning her own sanity and the motives of the children in their interactions with the spirits. One of the most intriguing aspects of The Turn of the Screw is its unreliable narrator. The story is told through the perspective of the governess, whose mental state and perceptions of events are constantly called into question. This creates a sense of ambiguity and uncertainty, leaving readers to question whether the ghosts are real or just figments of the governess's imagination. James masterfully plays with the theme of perception and reality, leaving readers to draw their own conclusions about the events at Bly Manor. Another striking element of the novella is its use of Gothic elements. The isolated location, the decaying mansion, and the presence of ghosts all contribute to the eerie atmosphere of the story. James also incorporates psychological horror, as the governess's fears and paranoia intensify throughout the story, building tension and suspense. The Turn of the Screw is a prime example of Gothic literature, with its exploration of the dark side of human nature and the blurred lines between the living and the dead. One of the most controversial aspects of the novella is its ambiguous ending. The governess's final confrontation with the ghosts and the fate of the children are left open to interpretation, inviting readers to ponder the true meaning of the story. Some critics argue that the ghosts are a product of the governess's overactive imagination, while others believe that they are real and that the children are in danger. This open-ended conclusion has sparked countless debates and interpretations, making The Turn of the Screw a thought-provoking and enduring piece of literature. In addition to its literary merits, The Turn of the Screw also offers insight into the societal norms and expectations of the time period in which it was written. James explores themes of gender roles and class distinctions through the character of the governess, who is expected to be subservient and obedient to her male employer and to maintain the social hierarchy between herself and the children. The story also touches on the taboo subject of sexual relationships, particularly in regards to the ghosts and their influence on the children. Ultimately, The Turn of the Screw is a haunting and enigmatic work that continues to captivate readers with its complex characters, Gothic atmosphere, and thought-provoking themes. It is a testament to Henry James's mastery of storytelling and his ability to create a sense of unease and suspense that lingers long after the final page. A must-read for anyone interested in Gothic literature, psychological thrillers, or the blurred lines between reality and the supernatural.
"Photographer Taryn Simon brings us face-to-face with individuals falsely accused and convicted. While mugshots and photo arrays are used to condemn and imprison these innocents, Simon has turned the camera around to document these victims of mistaken identity and perverted justice. Through Simon's interviews with each, the men and women in this book confront the paradox of innocence and imprisonment, the inability to recover the years stolen from them, and the states' unconscionable refusal to compensate them or ease their traumatic transition to civilian life."--BOOK JACKET.
1968. Vietnam. Social turmoil. Drugs. Music. Four young musicians are determined to escape a ravaged industrial landscape by playing rock and roll...and they play it with a passion and brilliance that contrasts with their poverty. Music is the only hope they have. Set against a fleeting age when music seemed about to change the world, Robert Paston's The Hour of the Innocents tells the story of the band known as The Innocents and captures the true drama of the late 1960s—not the glitter of famous names, but the yearning of the heartland guitarists and drummers who believed...and the lovers, friends, and lives crushed along the way. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
NOW THE NETFLIX ORIGINAL SERIES EL INOCENTE! The bestselling author and creator of the hit Netflix drama The Stranger takes readers on an electrifying ride in this thriller that peeks behind the white picket fences of suburbia—where one mistake can change your life forever. One night, Matt Hunter innocently tried to break up a fight—and ended up a killer. Now, nine years later, he’s an ex-con who takes nothing for granted. His wife, Olivia, is pregnant, and the two of them are closing on their dream house. But all it will take is one shocking, inexplicable call from Olivia’s cell phone to shatter Matt’s life a second time...
Winner of the Commonwealth Writers’ Prize for Best Book, Caribbean & Canada and the Canadian Authors Association Literary Award; Finalist for the Governor General’s Literary Award for Fiction, the Thomas Head Raddall Atlantic Book Award, and the Winterset Award When a whale beaches itself on the shore of the remote coastal town of Paradise Deep, the last thing any of the townspeople expect to find inside it is a man, silent and reeking of fish, but remarkably alive. The discovery of this mysterious person, soon christened Judah, sets the town scrambling for answers as its most prominent citizens weigh in on whether he is man or beast, blessing or curse, miracle or demon. Though Judah is a shocking addition, the town of Paradise Deep is already full of unusual characters. King-me Sellers, self-appointed patriarch, has it in for an inscrutable woman known only as Devine’s Widow, with whom he has a decades-old feud. Her granddaughter, Mary Tryphena, is just a child when Judah washes ashore, but finds herself tied to him all her life in ways she never expects. Galore is the story of the saga that develops between these families, full of bitterness and love, spanning two centuries. With Paradise Deep, award-winning novelist Michael Crummey imagines a realm where the line between the everyday and the otherworldly is impossible to discern. Sprawling and intimate, stark and fantastical, Galore is a novel about the power of stories to shape and sustain us.
Sr Helen Prejean has accompanied five men to execution since she began her work in 1982. She believes the last two, Dobie Williams in Louisiana and Joseph O'Dell in Virginia, were innocent, but their juries were blocked from seeing all the evidence and their defence teams were incompetent. 'The readers of this book will be the first "jury" with access to all the evidence the trail juries never saw', she says. The Death of Innocents shows how race, prosecutorial ambition, poverty and publicity determine who dies and who lives. Prejean raises profound constitutional questions about the legality of the death penalty.
