The Incomplete Art of Why Things Are
Author: Richard Thompson
Publisher:
Published: 2017-09-16
Total Pages: 346
ISBN-13: 9780990693284
DOWNLOAD EBOOKRead and Download eBook Full
Author: Richard Thompson
Publisher:
Published: 2017-09-16
Total Pages: 346
ISBN-13: 9780990693284
DOWNLOAD EBOOKAuthor: Kelly Baum
Publisher: Metropolitan Museum of Art
Published: 2016-03-01
Total Pages: 342
ISBN-13: 1588395863
DOWNLOAD EBOOKThis groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
Author: Nico Van Hout
Publisher: Harry N. Abrams
Published: 2013-03-05
Total Pages: 0
ISBN-13: 9781419707513
DOWNLOAD EBOOKTravelling through the history of art from the 15th to the 20th century, this book is a survey of works of art by Old and Modern Masters including Van Eyck, Leonardo, Michelangelo, Rubens, David, Manet, Cézanne, Matisse and Mondrian that have remained deliberately or unintentionally unfinished, and that are usually marginalized in traditional art history. They remain incomplete for various reasons: illness or death of the artist; political turmoil forcing him to flee; disagreements with the commissioner or dissatisfaction with the artistic result. However, from the 16th century onwards, artists started to use the non finito as a tool of expression. Unfinished pictures therefore gained a certain reputation in the romantic era, when they were thought to offer the spectator a glimpse of artistic genius. In the 20th century, these paintings were discovered by cubists, expressionists and abstract painters who were fascinated by their rough and incoherent appearance, often unaware of their history.
Author: Kit White
Publisher: MIT Press
Published: 2011-08-19
Total Pages: 224
ISBN-13: 0262300133
DOWNLOAD EBOOKLessons, demonstrations, definitions, and tips on what to expect in art school, what it means to make art, and how to think like an artist. What is the first thing to learn in art school? “Art can be anything.” The second thing? “Learn to draw.” With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. “Art can be anything” is illustrated by a drawing of Duchamp's famous urinal; a description of chiaroscuro art is illuminated by an image “after Caravaggio”; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca's arrow-pierced Saint Sebastian. 101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Author: Bill Watterson
Publisher: Andrews McMeel Publishing
Published: 2014-11-25
Total Pages: 227
ISBN-13: 1449453465
DOWNLOAD EBOOKRichard Thompson is renowned among cartoonists as an "artist's" cartoonist. Little known to all but those close to him is the extent of his art talent. This is the book that will enlighten the rest of us and delight us with the sheer beauty of his work. Divided into six sections, each beginning with an introductory conversation between Thompson and six well-known peers, including Bill Watterson, the book will present Thompson's illustration work, caricatures, and his creation, Richard's Poor Almanack. Each section is highly illustrated, many works in color, most of them large and printed one-to-a-page. The diversity of work will help cast a wider net, well beyond Cul de Sac fans.
Author: Megan Dunn
Publisher: Penguin Random House New Zealand Limited
Published: 2021-08-17
Total Pages: 333
ISBN-13: 0143774867
DOWNLOAD EBOOKPart memoir, part essay collection, Megan Dunn’s ingenious, moving, hilariously personal Things I Learned at Art School tells the story of her early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s. From her parents’ divorce to her Smurf collection, from the mean girls at school to the mermaid movie Splash!, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this is a dazzling, killer read from a contemporary voice of comic brilliance. Chapters include: The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room and Submerging Artist. Praise for Tinderbox: “Tinderbox is deadpan hilarious and Megan Dunn is a comic genius.” - Susanna Andrew, Metro “Megan Dunn's wry, whip-smart memoir about Fahrenheit 451, literary ambition & the last days of Borders Bookstores is funny & insightful as hell. Like Kathy Acker meets Sue Townsend. The read of the summer! ... already one of my favourite New Zealand books.” - Hera Lindsay Bird “Witty, highly entertaining.” - Philip Matthews, Stuff "Tinderbox is such a shape-shifter, such a sui generis work, that to call it a memoir does it a disservice ... [Dunn’s] voice is hard to resist – sardonic, brazen, sagacious – recalling, in places, Nora Ephron, John Jeremiah Sullivan, and Maggie Nelson.” - James Cook, Review 31
Author: Leonard Koren
Publisher: Imperfect Publishing
Published: 2008
Total Pages: 194
ISBN-13: 0981484603
DOWNLOAD EBOOKBeskrivelse: Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete. It is a beauty of things modest and humble. It is a beauty of things unconventional.
Author: Philip Wyeth
Publisher: Philip Wyeth
Published: 2021-03-12
Total Pages: 213
ISBN-13:
DOWNLOAD EBOOKAn evening at the art gallery... The clinking of wine glasses... The hopeful thrill of a first date... But someone has murder on their mind! All that Detective Ashley Westgard wanted was a night off—and maybe a little romance later on. But when a body is discovered during an event with dozens of wealthy art collectors in attendance, her fairy tale dream turns into a nightmare for everyone. Now Ash must put her hopes on hold, flash her police badge, and take control of the crime scene... “This is my gallery now!” In the hi-tech world of 2045, where even artists are threatened by the encroaching tide of automation, a self-proclaimed anachronistic group called Movement 24 both asserts and defends the value of human creativity. But along with popular acclaim come the temptations of greed, and now M-24's idealistic quirks risk crossing over into fanaticism. Or... have they already gone too far? While Ash explores this peculiar niche of society to track down a killer, she is also forced to confront some of her own worst flaws. Her heart, her mind, and her instincts all vie for center stage in a battle of conflicting priorities—but can the pursuit of truth and justice coexist with personal ambition and the quest for contentment? An intense, complex, and enigmatic heroine, Ashley Westgard is well on her way to earning a place in the pantheon of famous female sleuths. Here, in his seventh novel, author Philip Wyeth once again delivers a full-immersion experience complete with polished prose, vividly drawn characters, and an imaginative plot. As always, he balances his prescient visions with touches of humor to remain grounded and digestible for readers. With The Incomplete Artist, Wyeth offers more than the average murder mystery through a unique blend of police procedural, fairy tale, science fiction, and psychological elements. At the same time, it is very much a treatise on the philosophy of art, and pays tribute to artists of all stripes who engage in that noble and often lonely struggle to bring their creative visions into the world. This is Book Two of the Ashley Westgard series, but was written as a standalone story. 49,000 words. “If something so terrible could happen here, then maybe no corner of the world was safe from the horrors which were Ash's stock-in-trade...”
Author: Peter Sagal
Publisher: Simon & Schuster
Published: 2019-09-10
Total Pages: 224
ISBN-13: 1451696256
DOWNLOAD EBOOKPeter Sagal, the host of NPR’s Wait Wait...Don’t Tell Me! and a popular columnist for Runner’s World, shares “commentary and reflection about running with a deeply felt personal story, this book is winning, smart, honest, and affecting. Whether you are a runner or not, it will move you” (Susan Orlean). On the verge of turning forty, Peter Sagal—brainiac Harvard grad, short bald Jew with a disposition towards heft, and a sedentary star of public radio—started running seriously. And much to his own surprise, he kept going, faster and further, running fourteen marathons and logging tens of thousands of miles on roads, sidewalks, paths, and trails all over the United States and the world, including the 2013 Boston Marathon, where he crossed the finish line moments before the bombings. In The Incomplete Book of Running, Sagal reflects on the trails, tracks, and routes he’s traveled, from the humorous absurdity of running charity races in his underwear—in St. Louis, in February—or attempting to “quiet his colon” on runs around his neighborhood—to the experience of running as a guide to visually impaired runners, and the triumphant post-bombing running of the Boston Marathon in 2014. With humor and humanity, Sagal also writes about the emotional experience of running, body image, the similarities between endurance sports and sadomasochism, the legacy of running as passed down from parent to child, and the odd but extraordinary bonds created between strangers and friends. The result is “a brilliant book about running…What Peter runs toward is strength, understanding, endurance, acceptance, faith, hope, and charity” (P.J. O’Rourke).
Author: Eric R. Kandel
Publisher: Columbia University Press
Published: 2016-08-30
Total Pages: 237
ISBN-13: 0231542089
DOWNLOAD EBOOKAre art and science separated by an unbridgeable divide? Can they find common ground? In this new book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism—the distillation of larger scientific or aesthetic concepts into smaller, more tractable components—has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize-winning work revealing the neurobiological underpinnings of learning and memory in sea slugs to shed light on the complex workings of the mental processes of higher animals. In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time—the brain—has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other.