From the 1870s to the 1930s, American cartoonists devoted much of their ink to outlandish caricatures of immigrants and minority groups, making explicit the derogatory stereotypes that circulated at the time. Members of ethnic groups were depicted as fools, connivers, thieves, and individuals hardly fit for American citizenship, but Jews were especially singled out with visual and verbal abuse. In The Implacable Urge to Defame, Baigell examines more than sixty published cartoons from humor magazines such as Judge, Puck, and Life and considers the climate of opinion that allowed such cartoons to be published. In doing so, he traces their impact on the emergence of anti-Semitism in the American Scene movement in the 1920s and 1930s.
The turn of the nineteenth century in the United States saw the substantial influx of immigrants and a corresponding increase in anti-immigration and nativist tendencies among longer-settled Americans. Jewish immigrants were often the object of such animosity, being at once the object of admiration and anxiety for their perceived economic and social successes. One result was their frequent depiction in derogatory caricatures on the stage and in print. Smoothing the Jew investigates how Jewish artists of the time attempted to “smooth over” these demeaning portrayals by focusing on the first Jewish comic strip published in English, Harry Hershfield’s Abie the Agent. Jeffrey Marx demonstrates how Hershfield created a Jewish protagonist who in part reassured nativists of the Jews’ ability to assimilate into American society while also encouraging immigrants and their children that, over time, they would be able to adopt American customs without losing their distinctly Jewish identity.
Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stańczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stańczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive analysis of these sources, the first of this kind in English, the author examines how major satirical magazines intervened in the ongoing events and contributed to the racialized political climate of the time. Paying close attention to the antisemitic tropes that were both local and global, Stańczyk reflects on the role of pictorial humor in the transmission of visual antisemitism across historical and geographical borders. As she discusses the communities of artists, publishers, and political commentators who made up the visual culture of the day, Stańczyk tells a captivating story of people who served the antisemitic cause, and those who chose to oppose it.
Following diamonds from African mines to the necklines of high society women, this international history shows why Jews were central to the transatlantic gem trade and its growth into a global industry. During the late nineteenth century, tens of thousands of diggers, prospectors, merchants, and dealers extracted and shipped over 50 million carats of diamonds from South Africa to London. The primary supplier to the world, South Africa's diamond fields became one of the formative sites of modern capitalist production. At each stage of the diamond's route through the British empire and beyond-from Cape Town to London, from Amsterdam to New York City-carbon gems were primarily mined, processed, appraised, and sold by Jews. In A Brilliant Commodity, historian Saskia Coenen Snyder traces how once-peripheral Jewish populations became the central architects of a new, global exchange of diamonds that connected African sites of supply, European manufacturing centers, American retailers, and western consumers. Centuries of restrictions had limited Jews to trade and finance, businesses that often heavily relied on internal networks. Jews were well-positioned to become key players in the earliest stage of the diamond trade and its growth into a global industry, a development fueled by technological advancements, a dramatic rise in the demand of luxury goods, and an abundance of rough stones. Relying on mercantile and familial ties across continents, Jews created a highly successful commodity chain that included buyers, brokers, cutters, factory owners, financiers, and retailers. Working within a diasporic ethnic community that bridged city and countryside, metropole and colony, Jews helped build a flourishing diamond industry, notably Hatton Garden in London and the Diamond District of New York City, and a place for themselves in the modern world.
This volume provides a compendium of the history of and discourse about antisemitism - both as a unique cultural and religious category. Antisemitic stereotypes function as religious symbols that express and transmit a belief system of Jew-hatred, which are stored in the cultural and religious memories of the Western and Muslim worlds, migrating freely between Christian, Muslim and other religious symbolic systems.
Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.
This book examines the history of antisemitism in the United States and Germany in a novel way by placing the two countries side by side for a sustained comparison of the anti-Jewish environments in both countries from the 1880s to the end of World War II. Author Richard E. Frankel shatters the widely held notion of exceptionalism in Germany and America: the belief that antisemitism in Germany was uniquely murderous and led inevitably to the Holocaust and that antisemitism in the United States was uniquely benign, making an American Holocaust all but unthinkable. In a series of new and previously published essays that have been revised, updated, and expanded, the book relates antisemitism to issues including Jewish and Chinese immigration, discrimination and exclusion, World War I and its aftermath, Hitler and Henry Ford, Nazis, the American Right, and the Roosevelt Administration, and a German Ku Klux Klan. Taken together, these essays reveal that antisemitism in Germany was less aberrant than commonly believed and that American antisemitism was indeed dangerous and more similar to what existed in Germany during the same period. Antisemitism Before the Holocaust is an essential volume for students and scholars alike interested in European and American history, the history of the Holocaust and World War I.
Canadian Multiculturalism and the Far Right examines a neglected aspect of the history of 20th century Canadian multiculturalism and the far right to illuminate the ideological foundations of the concept of ‘third force’. Focusing on the particular thought of ultra-conservative Ukrainian Canadian Walter J. Bossy during his time in Montreal (1931–1970s), this book demonstrates that the idea that Canada was composed of three equally important groups emerged from a context defined by reactionary ideas on ethnic diversity and integration. Two broad questions shape this research: first, what the meaning originally attached to the idea of a ‘third force’ was, and what the intentions behind the conceptualization of a trichotomic Canada were; and second, whether Bossy’s understanding of the ‘third force’ precedes, or is related in any way to, postwar debates on liberal multiculturalism at the core of which was the existence of a ‘third force’. This book will be of interest to students and researchers of multiculturalism, radical-right ideology and the far right, and Canadian history and politics.
Winner, 2019 Saul Viener Book Prize, given by the American Jewish Historical Society A groundbreaking history of the practice of Jewish name changing in the 20th century, showcasing just how much is in a name Our thinking about Jewish name changing tends to focus on clichés: ambitious movie stars who adopted glamorous new names or insensitive Ellis Island officials who changed immigrants’ names for them. But as Kirsten Fermaglich elegantly reveals, the real story is much more profound. Scratching below the surface, Fermaglich examines previously unexplored name change petitions to upend the clichés, revealing that in twentieth-century New York City, Jewish name changing was actually a broad-based and voluntary behavior: thousands of ordinary Jewish men, women, and children legally changed their names in order to respond to an upsurge of antisemitism. Rather than trying to escape their heritage or “pass” as non-Jewish, most name-changers remained active members of the Jewish community. While name changing allowed Jewish families to avoid antisemitism and achieve white middle-class status, the practice also created pain within families and became a stigmatized, forgotten aspect of American Jewish culture. This first history of name changing in the United States offers a previously unexplored window into American Jewish life throughout the twentieth century. A Rosenberg by Any Other Name demonstrates how historical debates about immigration, antisemitism and race, class mobility, gender and family, the boundaries of the Jewish community, and the power of government are reshaped when name changing becomes part of the conversation. Mining court documents, oral histories, archival records, and contemporary literature, Fermaglich argues convincingly that name changing had a lasting impact on American Jewish culture. Ordinary Jews were forced to consider changing their names as they saw their friends, family, classmates, co-workers, and neighbors do so. Jewish communal leaders and civil rights activists needed to consider name changers as part of the Jewish community, making name changing a pivotal part of early civil rights legislation. And Jewish artists created critical portraits of name changers that lasted for decades in American Jewish culture. This book ends with the disturbing realization that the prosperity Jews found by changing their names is not as accessible for the Chinese, Latino, and Muslim immigrants who wish to exercise that right today.
A reissue of the controversial novel about middle-class Jewish life in Old San Francisco. Originally published in 1900 and set in fin-de-siècle California, Heirs of Yesterdayby Emma Wolf (1865–1932) uses a love story to explore topics such as familial loyalty, the conflict between American individualism and ethno-religious heritage, and anti-Semitism in the United States. The introduction, co-authored by Barbara Cantalupo and Lori Harrison-Kahan, includes biographical background on Wolf based on new research and explores key literary, historical, and religious contexts for Heirs of Yesterday.It incorporates background on the rise of Reform Judaism and the late nineteenth-century Jewish community in San Francisco, while also considering Wolf’s relationship to the broader literary movement of realism and to other writers of her time. As Cantalupo and Harrison-Kahan demonstrate, the publication history and reception of Heirs of Yesterdayilluminate competing notions of Jewish American identity at the turn of the twentieth century. Compared to the familiar ghetto tales penned by Yiddish-speaking, Eastern European immigrant writers, Heirs of Yesterdayoffers a very different narrative about turn-of-the-twentieth-century Jewish life in the United States. The novel’s central characters, physician Philip May and pianist Jean Willard, are not striving immigrants in the process of learning English and becoming American. Instead, they are native-born citizens who live in the middle-class community of San Francisco’s Pacific Heights, where they interact socially and professionally with their gentile peers. Tailored for students, scholars, and readers of women’s studies, Jewish studies, and American literature and history, this new edition of Heirs of Yesterday highlights the art, historical value, and controversial nature of Wolf’s work.
