"After burying their sister and mother, two brothers embark on a journey to the city in search of their only remaining family. On the brink of manhood, Ash must protect eight-year-old Zuko, who does not speak, his words stuck somewhere between his thoughts and his mouth. But Zuko, enchanted by nature and the rhythms of walking, seems more interested in the patterns he sees in the clouds, the stones, and the arc of the light, than in when their journey will end. When Ash finally realises who he is, - and who he is not - he must make his first authentic choices as an independent being. But can he offer his brother the same freedom, the same choices, in the face of those who have mapped out Zuko's future?"--
Three-time Newbery Honor author Jacqualine Woodson explores race and sexuality through the eyes of a compelling narrator Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him--is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family?
In May’s debut collection, poems buzz and purr like a well-oiled chassis. Grit, trial, and song thrum through tight syntax and deft prosody. From the resilient pulse of an abandoned machine to the sinuous lament of origami animals, here is the ever-changing hum that vibrates through us all, connecting one mind to the next. “Linguistically acrobatic [and] beautifully crafted. . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel.” —Publishers Weekly “The elegant and laconic intelligence in these poems, their skepticism and bent humor and deliberately anti-Romantic stance toward experience are completely refreshing. After so much contemporary writing that seems all flash, no mind and no heart, these poems show how close observation of the world and a gift for plain-spoken, but eloquent speech, can give to poetry both dignity and largeness of purpose, and do it in an idiom that is pitch perfect to emotional nuance and fine intellectual distinctions. Hard-headed and tough-minded, Hum is the epitome of what Frost meant by ‘a fresh look and a fresh listen.’” —Tom Sleigh "Jamaal May’s debut collection, Hum, is concerned with what’s beneath the surfaces of things—the unseen that eats away at us or does the work of sustaining us. Reading these poems, I was reminded of Ellison’s ‘lower frequencies,’ a voice speaking for us all. May has a fine ear, acutely attuned to the sonic textures of everyday experience. And Hum—a meditation on the machinery of living, an extended ode to sound and silence—is a compelling debut.” —Natasha Trethewey "In his percussive debut collection Hum, Jamaal May offers a salve for our phobias and restores the sublime to the urban landscape. Whether you need a friend to confide in, a healer to go to, or a tour guide to take you there, look no further. That low hum you hear are these poems, emanating both wisdom and swagger.” —A. Van Jordan From "Mechanophobia: Fear of Machines": There is no work left for the husks. Automated welders like us, your line replacements, can't expect sympathy after our bright arms of cable rust over. So come collect us for scrap, grind us up in the mouth of one of us. Let your hand pry at the access panel with the edge of a knife, silencing the motor and thrum. Jamaal May is a poet, editor, and filmmaker from Detroit, MI where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, The Believer, NER, and The Kenyon Review. Jamaal has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.
A New York Times Notable Book of the Year Winner of the LAMBDA Literary Award for Lesbian Fiction Named a Best Book of 2016 by NPR, Entertainment Weekly, Buzzfeed, Bustle, San Francisco Chronicle, The Root, BookRiot, Kirkus Reviews, NYLON, Amazon, WBUR's "On Point", the Barnes & Noble Review, and Amazon (Fiction & Literature) Finalist for the NYPL Young Lions Fiction Award and the Center for Fiction's First Novel Prize Selected for the Grand Prix Litteraire of the Association of Caribbean Writers Longlisted for the ALA Over the Rainbow Award Longlisted for the Dublin Literary Award In this radiant, highly anticipated debut, a cast of unforgettable women battle for independence while a maelstrom of change threatens their Jamaican village. Capturing the distinct rhythms of Jamaican life and dialect, Nicole Dennis- Benn pens a tender hymn to a world hidden among pristine beaches and the wide expanse of turquoise seas. At an opulent resort in Montego Bay, Margot hustles to send her younger sister, Thandi, to school. Taught as a girl to trade her sexuality for survival, Margot is ruthlessly determined to shield Thandi from the same fate. When plans for a new hotel threaten their village, Margot sees not only an opportunity for her own financial independence but also perhaps a chance to admit a shocking secret: her forbidden love for another woman. As they face the impending destruction of their community, each woman—fighting to balance the burdens she shoulders with the freedom she craves—must confront long-hidden scars. From a much-heralded new writer, Here Comes the Sun offers a dramatic glimpse into a vibrant, passionate world most outsiders see simply as paradise.
Celebrate creativity, introversion, summer sun-- and the beauty of a little peace and quiet! It's a glorious summer day at the shore, and all Jamie wants is to finish her art project in the sand. A little time to herself is all she needs. But everyone around keeps asking her pesky questions she doesn't know how to answer: what are you making? Aren't you clever? Jamie does her best to tune it all out and focus on her creation . . . until she finds a like-minded friend, who's as happy to work quietly as she is. Widely respected artist Matt Myers makes his debut as an author in this charming story about introversion, art, and the quiet joy of finding a kindred spirit. Creative, clever, and funny, Hum and Swish is a perfect summer read-aloud, with detailed, colorful artwork you'll love to pore over. A Bank Street Best Book of the Year
The Hum of the World is an invitation to contemplate what would happen if we heard the world as attentively as we see it. Balancing big ideas, playful wit and lyrical prose, this imaginative volume identifies the role of sound in Western experience as the primary medium in which the presence and persistence of life acquires tangible form. The positive experience of aliveness is not merely in accord with sound, but inaccessible, even inconceivable, without it. Lawrence Kramer’s poetic book roves freely over music, media, language, philosophy, and science from the ancient world to the present, along the way revealing how life is apprehended through sounds ranging from pandemonium to the faint background hum of the world. This warm meditation on auditory culture uncovers the knowledge and pleasure waiting when we learn that the world is alive with sound.
“How do we recognize the moment our future has been written for us? In To Keep the Sun Alive, as the Islamic Revolution looms just outside the gate of an Iranian family orchard, Rabeah Ghaffari has built a world so lush, so precise that you will find yourself rewriting history if only to imagine it could still exist.”—Mira Jacob, author of The Sleepwalker’s Guide to Dancing "[A] tenderhearted début novel . . . A wide–ranging narrative, showing the enduring ramifications of filial and political violence." —The New Yorker The year is 1979. The Iranian Revolution is just around the corner. In the northeastern city of Naishapur, a retired judge and his wife, Bibi–Khanoom, continue to run their ancient family orchard, growing apples, plums, peaches, and sour cherries. The days here are marked by long, elaborate lunches on the terrace where the judge and his wife mediate disputes between aunts, uncles, nieces, and nephews that foreshadow the looming national crisis to come. Will the monarchy survive the revolutionary tide gathering across the country? Will the judge’s brother, a powerful cleric, take political control of the town or remain only a religious leader? And yet, life goes on. Bibi–Khanoom’s grandniece secretly falls in love with the judge’s grandnephew and dreams of a career on the stage. His other grandnephew withers away on opium dreams. A widowed father longs for a life in Europe. A strained marriage slowly unravels. The orchard trees bloom and fruit as the streets in the capital grow violent. And a once–in–a–lifetime solar eclipse, set to occur on one of the holiest days of year, finally causes the family—and the country—to break. Told through a host of unforgettable characters, ranging from servants and young children to intimate friends, To Keep the Sun Alive reveals the personal behind the political, reminding us of the human lives that animate historical events.
