A “soul-stirring debut,” Boys of Alabama tells the “bewitching” (Michelle Hart, O, The Oprah Magazine) tale of sixteen-year-old Max’s first year in America. “Daring, unusual . . . and startlingly fresh” (Don Noble, Alabama Public Radio), Boys of Alabama announced Genevieve Hudson’s place in the canon of the southern gothic alongside Donna Tartt and Harper Lee. Newly arrived in Alabama, Max falls in love, questions his faith, and navigates a strange power. Although his German parents don’t know what to make of a South pining for the past, shy Max thrives after being taken in by the football team. But when he meets fishnet-wearing Pan in physics class, they embark on a quixotic, consuming relationship. Writing in “prose that is always imaginative and sensual” (Sarah Neilson, Believer), Hudson offers a complex portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.
The author grew up in all-encompassing, grinding and often dehumanizing poverty. Twenty years later, her life is unrecognizable. She's a prizewinning novelist who has travelled the world. Lowborn is her exploration of where she came from. She revisits the towns she grew up in to try to discover what being poor really means in Britain today and whether anything has changed
From the Upper West Side to Miami's pastel resorts, "Shadows on the Hudson" traces the intertwined destiny of survivors in the aftermath of the Holocaust.
NATIONAL BESTSELLER A thrilling new telling of the story of modern Canada's origins. The story of the Hudson's Bay Company, dramatic and adventurous and complex, is the story of modern Canada's creation. And yet it hasn't been told in a book for over thirty years, and never in such depth and vivid detail as in Stephen R. Bown's exciting new telling. The Company started out small in 1670, trading practical manufactured goods for furs with the Indigenous inhabitants of inland subarctic Canada. Controlled by a handful of English aristocrats, it expanded into a powerful political force that ruled the lives of many thousands of people--from the lowlands south and west of Hudson Bay, to the tundra, the great plains, the Rocky Mountains and the Pacific northwest. It transformed the culture and economy of many Indigenous groups and ended up as the most important political and economic force in northern and western North America. When the Company was faced with competition from French traders in the 1780s, the result was a bloody corporate battle, the coming of Governor George Simpson--one of the greatest villains in Canadian history--and the Company assuming political control and ruthless dominance. By the time its monopoly was rescinded after two hundred years, the Hudson's Bay Company had reworked the entire northern North American world. Stephen R. Bown has a scholar's profound knowledge and understanding of the Company's history, but wears his learning lightly in a narrative as compelling, and rich in well-drawn characters, as a page-turning novel.
When Hattie's singing rouses a giant beast from the lake, everyone in town is terrified except Hattie, who works to convince the townsfolk that Hudson is not dangerous.
A New York Times Bestseller This is a full-length companion novel to the International Bestselling Phenomenon, The Fixed Trilogy. It is not meant to be read as a stand-alone. This book includes new scenes as well as a few scenes from the Fixed Trilogy in Hudson's point of view. I can easily divide my life into two parts—before her and after. I’ve led a life few others could even imagine. With all the money and power of the Pierce empire at my fingertips, I’ve wanted for almost nothing. The only thing I’ve never experienced is love, however, not that I’ve seen many examples of it in my dysfunctional family. The ridiculous notion of romance has always intrigued me. I’ve studied it, controlled it, manipulated it, and have yet to understand it. Until I meet Alayna Withers. Now, the games I’ve played in my quest for comprehension can finally come to an end. Or are they just beginning? This is my side of the epic love story—my past with Celia, my courtship with Alayna, and the secrets I’ve kept from them both...even now. (Or you could keep the original third person wrap-up) Told from his point of view, Hudson fills the holes in his love story with Alayna Withers. His past and relationship with his long-time friend Celia is further revealed and light is shed on his actions during his courtship with Alayna. MUST BE READ IN ORDER. Book One: FIXED ON YOU Book Two: FOUND IN YOU Book Three: FOREVER WITH YOU Book Four: HUDSON Book Five: FIXED FOREVER
From the prize-winning author of Tony Hogan Bought Me An Ice-Cream Float Before He Stole My Ma Winner of the Prix Femina Etranger London, in the frayed heat of summer. Alena is shoplifting shoes when Dave catches her in the act and so begins an unlikely relationship between two people with little in common and everything to lose. But the past is a dark place. And both of them have secrets they’ve no idea how to live with – or leave behind. Yet still they find themselves fighting with all they’ve got for a future together. But is love enough? 'Accomplished... Beautiful... Heart-wrenching' Independent on Sunday Shortlisted for the Prix Femina Prize
In her debut collection of stories, Pretend We Live Here, Genevieve Hudson explores the idea of home and what it means to find one: in the body, in the world, in other people. Her characters are seekers, whose actions are influenced by their slippery identities and by the strange landscapes that surround them. In "Boy Box," a young woman yearns to test her luck with a wild punk girl crush. In "God Hospital," a character journeys deep into the woods of Alabama in search of an infamous religious healer, hoping he can fix her teeth. In "Adorno," someone in need of forgiveness crosses paths with a band of radical vegan activists and gets subsumed into their world. In "Dance!," a recluse writes a breakthrough song for her pink dolphin, but the song's success only drives her further away from society. Set in Amsterdam, the Pacific Northwest, and the Deep South, these stories hum with sexual tension, queerness, displacement, longing, humor, and dark nostalgia. "A terrific collection of stories. There are echoes here of Flannery O'Connor, Barry Hannah, and Denis Johnson, but Genevieve Hudson is her own writer--impressively and gloriously so. Her eye for the clinching detail is unnerving and her sympathies are fascinatingly conflicted. I hope, and suspect, this book will be the start of a long and inspiring career." -Tom Bissell, author of The Disaster Artist and Magic Hours "In Pretend We Live Here, characters bleed and breathe with a caustic energy that dares the reader to keep pace as they are taken from the Deep South to Western Europe and back again. Genevieve Hudson is a new, coming-of-age voice that spotlights rural America, injecting it with a queer freshness that makes her writing impossible to forget." -Jing-Jing Lee, author of How We Disappeared Genevieve Hudson is also the author of A Little in Love with Everyone (Fiction Advocate, 2018), a book on Alison Bechdel's Fun Home. Her writing has been published in Catapult, Hobart, Tin House online, Joyland, Vol.1 Brooklyn, Split Lip, The Collagist, No Tokens, Bitch, The Rumpus, and other places. Her work has been supported by the Fulbright Program and artist residencies at the Dickinson House, Caldera Arts, and the Vermont Studio Center. She received an MFA in Creative Writing from Portland State University, where she occasionally teaches Fiction Writing and Gender Studies courses. She lives in Amsterdam.
One spring day in 2012, fresh from his circumnavigation of the British Isles, English designer Nick Hand set off on his bicycle from Brooklyn, New York, and pedaled north along the Hudson River toward its source in the Adirondack Mountains. His leisurely pace suited his simple agenda—to talk to the artists and craftspeople he met along the way. Conversations on the Hudson is a visual record of his five-hundred-mile journey through the hills, mountains, and countryside of the Hudson Valley. Hand's casual approach brings out the best in people, who eagerly open up their studios and workshops and share their personal stories. This one-of-a-kind collection pairs Hand's beautiful photographs alongside visits to a seed librarian, a printer and publisher, a brewer, a stone sculptor, a sheep farmer, a distiller, a maple syrup producer, and a boat restorer, among others.
Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity. Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time. A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself. Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today.
