Alfred of St. Ruan's Abbey is a monk and a scholar, a religious man whose vocation is beyond question. But Alfred is also, without a doubt, one of the fair folk, for though he is more than seventy years old by the Abbey's records, he seems to be only a youth. But Alfred is drawn from the haven of his monastery into his dangerous currents of politics when an ambassador from the kingdom of Rhiyana to Richard Coeur de Leon is wounded and Alfred himself is sent to complete the mission. There he encounters the Hounds of God, who believe that the fair folk have no souls, and must be purged from the Church and from the world.
Contains the letters between Antonia White - a lapsed Catholic - and a former Jesuit novice. Although Antonia White returned to Church, these letters record the conflicts which preceded and followed this reconversion. They also chart the unfolding of an intimate relationship between them.
An examination of a number of English women novelists who portrayed the crises and conflicts in the development of the female consciousness as a response to the anomalies of the rapidly changing world of the early twentieth century when opportunities for self-expression and fulfilment were beginning to open up for women but nineteenth-century values and prejudices still widely prevailed. May Sinclair, Radclyffe Hall, Rosamond Lehmann, Antonia White and Dorothy Richardson are seen as outspoken and innovative writers often marginalised or ignored by serious criticism.
They call it Deadtown: the city’s quarantined section for its inhuman and undead residents. Most humans stay far from its borders—but Victory Vaughn, Boston’s only professional demon slayer, isn’t exactly human…. Boston’s zombies have suddenly become inexplicably violent—horror movie-style—resulting in a catastrophic all-out battle against humans. More troubling to Vicky is that she’s had dreams and visions of herself fighting alongside the demons. At least, she hopes they’re just visions—otherwise, that puts her on the front lines of the wrong side of the war. Vicky’s not surprised to discover that Pryce, her demi-demon cousin and loathed adversary, is behind the outbreak of the zombie plague, having formed an unholy pact with the Old Ones. Now, as the violence escalates and alliances shift, Vicky knows she’s the only one who can stop the plague. Unless the pack of hellhounds on her trail finds her first.
Tracing the History of the Oldest Breed of Dog In 1992, two Russian movie makers left a cryptic note for New Mexican writer Stephen Bodio at his local bar. It led him to Brighton Beach in Brooklyn, where he saw a film about the ancient breed of Central Asian sighthounds known as tazis. He would end up chasing these leads to Kazakhstan, where these beautiful dogs may have existed 6000 years ago. He found evidence in ancient rock paintings that these hounds, ancestors of such modern breeds as salukis and Afghans, were and still are used to hunt with birds of prey and horses in the Bronze Age, all along the old Silk Road. He brought back several pups to his home in New Mexico, bred them, and placed them with friends, some of whom wanted to use them to increase the genetic diversity of the saluki. Soviets tried to wipe out the breed, valued by tribal people as a symbol of their independence. But the greatest threat to them today might be the show-dog breeder’s closed stud books, though modern attacks on hunting with hounds might destroy their “work.” The Hounds of Heaven is a celebration of the Asian sighthound in all its names and glorious variety, a lament for disappearing ways, and an adventure. Its characters include scientists, hunters, and memorable dogs; Lashyn, the jealous girlfriend, who destroyed the bonsai; Ataika, the Kazakh princess who rules the world, who taught herself to hunt with hawk, falcon, and gun, entirely without commands; Kyran, who came speaking only Russian. Bodio blends science, history, and art to tell a tale that has not reached an end yet. As he says, “The hounds are still running.”
