Edward Hopper's New York
Edward Hopper's New York

Author: Avis Berman

Publisher: Pomegranate Communications

Published: 2005

Total Pages: 112

ISBN-13: 0764931547

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Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.

Edward Hopper's New England
Edward Hopper's New England

Author: Carl Little

Publisher: Pomegranate

Published: 1993

Total Pages: 100

ISBN-13: 1566403154

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Edward Hopper (1882-1967), one of the most important American painters of the twentieth century, spent nearly every summer of his long artistic career in New England. This book presents many of Hopper's finest paintings of the region and examines the crucial role New England played in Hopper's development as an artist. Carl Little is author of Paintings of Maine and is a regular contributor to Art New England and Art in America.

Edward Hopper in Vermont
Edward Hopper in Vermont

Author: Bonnie T. Clause

Publisher: UPNE

Published: 2012

Total Pages: 326

ISBN-13: 1611683297

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A delightful account of Edward Hopper's sojourns in Vermont with his wife, Jo, illustrated by the watercolors and drawings that he made there

Modern Life
Modern Life

Author: Edward Hopper

Publisher: Hirmer Verlag GmbH

Published: 2009

Total Pages: 0

ISBN-13: 9783777434018

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This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.

Edward Hopper
Edward Hopper

Author: Deborah Lyons

Publisher: Schirmer Mosel

Published: 2012

Total Pages: 0

ISBN-13: 9783829606028

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In his ledger books, Edward Hopper recorded paintings made and sold, accountings made and payments received, materials used and subjects considered. Juxtaposing selected ledger pages with reproductions of the respective paintings, this original Schirmer/Mosel publication documents the making of and fate of Hopper's most revered works.

The First Collection of Criticism by a Living Female Rock Critic
The First Collection of Criticism by a Living Female Rock Critic

Author: Jessica Hopper

Publisher: Featherproof Books

Published: 2015-05-12

Total Pages: 209

ISBN-13: 0983186367

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Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

How, When, and Why Modern Art Came to New York
How, When, and Why Modern Art Came to New York

Author: Marius de Zayas

Publisher: MIT Press

Published: 1998

Total Pages: 284

ISBN-13: 9780262540964

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Marius de Zayas (1880-1961), a Mexican artist and writer whose witty caricatures of New York's theater, dance, and social elite brought him to the attention of Alfred Stieglitz and his circle at "291," was among the most dedicated and effective propagandists of modern art during the early years of this century. His writings were the first to provide the American public with an intellectual basis upon which to understand and eventually appreciate the newest artistic developments. How, When, and Why Modern Art Came to New York, originally written in the 1940s, is a fascinating chronicle assembled from de Zayas's personal archive of photographs and from newspaper reviews of the exhibitions he discusses, beginning with those held at the Stieglitz gallery and including important shows mounted in his own galleries: the Modern Gallery (1915-1918) and the De Zayas Gallery (1919-1921)

American Modern: Hopper to O'Keeffe
American Modern: Hopper to O'Keeffe

Author: Esther Adler

Publisher: The Museum of Modern Art

Published: 2013-08-11

Total Pages: 145

ISBN-13: 087070852X

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The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.