Fashionista. Comedian. Thief? Brand-new school, brand-new me? Try again. Having a famous sister doesn’t make me special at my posh Beverly Hills academy. But I am getting a lot of attention. Photos are disappearing faster than MTV swag bags from my classmates’ lockers–and blaming the new girl is the reaction du jour. I can't bother my almost-boyfriend Jeremy with my problems–and solving Project Photo Frame-Up is only one of them. The rest of my schedule: convincing my friends that I’m not a kleptomaniac, helping Eva nail her Serious Actress audition, and doing Jeremy a favor that makes my brain hurt. Is a Hollywood ending in sight? Not. Even. Close.
Only in L.A. would a school internship involve celebrity guest stars and hitting your mark. Acting is not my thing (can you say shy spasm?) . . . but mysteries are. I’m working as an extra on my sister’s latest movie, and legend has it that the mansion we’re filming in is haunted. With disappearing paintings, a glowing ghost, and Eva acting possessed (by love?), I’m starting to believe the stories are true! Chills. Thrills. Things that go bump in the night. Is my jinx on overdrive or have I stepped into a real-life horror flick?
When gutsy redhead Millie McLancey defies her humble beginnings to pursue a life on the stage, she becomes the first of four generations of inspiring women to taste success in the glossy, yet precarious, world of show business. Taking us on a thrilling ride from the West End, to Broadway, to Hollywood, and a breathtaking finale in New York, Star Quality is a stirring tale of ambition, betrayal, sex and survival that is as gripping and fascinating as the celebrity world itself.
JEREMY. :) ALEX. :( HEATHCLIFF?Now that we're living in Hollywood, Eva thinks anything is possible - including casting the part of my boyfriend! As for the players: one's an actor (bad sign), one's a snobby rich kid (worse sign), and one doesn't even exist (stop sign). Guess who my sister picked?
Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.
Indexes popular fiction series for K-6 readers with groupings based on thematics, consistant setting, or consistant characters. Annotated entries are arranged alphabetically by series name and include author, publisher, date, grade level, genre, and a list of individual titles in the series. Volume is indexed by author, title, and subject/genre and includes appendixes suggesting books for boys, girls, and reluctant/ESL readers.
The classic guide to who-did-what-where in Los Angeles, on- and off-screen, including: Film & TV locations: the Hollywood Hills house where Barbara Stanwyck seduced Fred MacMurray in Double Indemnity...the funky apartment building where William Holden lived in Sunset Boulevard...the exotic Frank Lloyd Wright mansion that's housed everyone from Harrison Ford in Blade Runner to David Boreanaz on TV's Buffy the Vampire Slayer....the landmark Art Deco former department store that has doubled for a glamorous hotel in Topper (1936) and an elegant nightclub in The Aviator (2004)... the Halloween and Nightmare on Elm Street houses... the Seinfeld and Alias apartment buildings... the Six Feet Under funeral home...The Brady Bunch and Happy Days houses...the Charlie's Angels office...the real Melrose Place...and many more VIP tours: from legendary studios like Warner Bros., MGM (now Sony Pictures), and Universal to movie-star homes like Barbra Streisand's former Malibu compound… Crime scenes and scandal spots: the driveway where Sal Mineo was murdered, the Nicole Brown Simpson condo, the Sharon Tate estate, Marilyn Monroe's last address, the Beverly Hills Mansion where Bugsy Siegal was rubbed out…the Hollywood hotel where Janice Joplin O.D.’d… Plus: Remarkable new museums...Superstar cemeteries...Historic hotels...Hip clubs and restaurants....Fabulous restored movie palaces… Spectacular movie star mansions and château apartments… Taking movie lovers behind the gates of the exclusive, often hidden world of Tinsel Town, Hollywood: The Movie Lover's Guide is the ultimate insider's guide to L.A.'s reel attractions.
Although he was a visual stylist who once referred to actors as cattle, Alfred Hitchcock also had a remarkable talent for innovative and creative casting choices. The director launched the careers of several actors and completely changed the trajectory of others, many of whom created some of the most iconic screen performances in history. However, Hitchcock’s ability to fit his leading men and women into just the right parts has been a largely overlooked aspect of his filmmaking skills. In Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System, Lesley L. Coffin looks at how the director made the most of the actors who were at his disposal for several decades. From his first American production in 1940 to his final feature in 1976, Hitchcock’s films were examples of creative casting that strayed far from the norm during the structured Hollywood star system. Rather than examining the cinematic aspects of his work, this book explores the collaboration the director engaged in with some of the most
