Boorstin believes that every movie is really three movies running at once: the voyeuristic movie (the emotional thrills the film elicits). Here he examines these elements using his own experiences as well as the experiences of legend ary filmmakers to demonstrate how the moviemaking process works. 100 black-an d-white illustrations.
"Once a guarded cinematic secret, this definitive history reveals for the first time the art and craft of Hollywood's hand painted-backdrops, and pays homage to the scenic artists who brought them to the big screen." -- Slipcase.
Our eyes see flies. Our eyes see ants. Sometimes they see pink underpants. Oh, say can you see? Dr. Seuss’s hilarious ode to eyes gives little ones a whole new appreciation for all the wonderful things to be seen!
Hollywood is a cutthroat town. Nobody knows that better than the Landis brothers. It's time for them to step out of their parents' shadow. IT'S TIME FOR THEM TO BECOME LEGENDS. NATE LANDIS likes being the anonymous Landis brother. He's a stuntman. Period. So why is someone trying to kill him? Paige Chamberlain prefers to do things on her own. She hates asking, but Nate Landis is the only one who can help The heat is instantaneous. So is the danger that follows Nate to Montana. Can he keep Paige safe? Can she protect her heart from a notorious heartbreaker? Their lives aren't the only things on the line. The real danger is to their hearts. No matter what, they will be DREAMING WITH THEIR EYES WIDE OPEN
MAKING MOVIES WORK is a fascinating and accessible guide for both filmmakers and serious film fans. It is about how filmmakers think about film. "Through thoughtful examination of the filmmaker's art, Jon Boorstin enhances our sense of enjoyment and appreciation of the results.--Robert Redford.
When it comes to Hollywood, Christians too quickly wash their hands of popular culture and leave this immensely influential media to unbelievers. In truth, the industry is listening. There is a church in Hollywood, but too often their work is unrecognized. Behind the Screen offers a glimpse of Hollywood insiders who, through their jobs on movie sets, behind TV shows, and in radio broadcasts, work together to give glory to God. With contributions from the writers and producers of such productions as Joan of Arcadia, Mission Impossible, Batman Forever, That '70s Show, and others, believers everywhere are encouraged to join with the church in Hollywood and do their part in closing the gap between Christianity and culture.
This book analyzes the ways in which sport reflects, imitates, and questions cultural values. It examines the representation of team sports, heroes, race, families, and gender in films and other media. Analysis of the ways in which broadcast media and films create such images allows us to map the ways in which traditional cultural beliefs and practices resist and accommodate changes. Films about sport do not reproduce a simple, unified set of values-rather, they exhibit the complications of attempting to negotiate ideological contradictions. During the last 50 years, sports films have shifted from the heroic idealization of The Babe Ruth Story (1948) to films revealing complexities, controversies, and uncertainties within the sports world, like Everybody's All American (1988). These contradictions are especially strong in the areas of race and gender, which are related major changes in the traditional notion of the hero. The book traces the transformation of the image of the hero in sports films within the context of the development of the sports celebrity, epitomized by Michael Jordan.