A bold transatlantic history of American independence revealing that 1776 was about far more than taxation without representation Revolution Against Empire sets the story of American independence within a long and fierce clash over the political and economic future of the British Empire. Justin du Rivage traces this decades-long debate, which pitted neighbors and countrymen against one another, from the War of Austrian Succession to the end of the American Revolution. As people from Boston to Bengal grappled with the growing burdens of imperial rivalry and fantastically expensive warfare, some argued that austerity and new colonial revenue were urgently needed to rescue Britain from unsustainable taxes and debts. Others insisted that Britain ought to treat its colonies as relative equals and promote their prosperity. Drawing from archival research in the United States, Britain, and France, this book shows how disputes over taxation, public debt, and inequality sparked the American Revolution—and reshaped the British Empire.
This book examines attempts by the Conservative party in the interwar years to capture the ‘brains’ of the new electorate and create a counter-culture to what they saw as the intellectual hegemony of the Left. It tells the fascinating story of the Bonar Law Memorial College, Ashridge, founded in 1929 as a ‘College of citizenship’ to provide political education through both teaching and publications. The College aimed at creating ‘Conservative Fabians’ who were to publish and disseminate Conservative literature, which meant not only explicitly political works but literary, historical and cultural work that carried implicit Conservative messages. This book modifies our understanding of the history of the Conservative party and popular Conservatism, but also more generally of the history of intellectual debate in Britain. It sheds new light on the history of the ‘middlebrow’ and how that category became a weapon for the Conservatives.
In the eighteenth and early nineteenth centuries, it seemed to many that England was being transformed by various kinds of 'improvements' in agriculture and industry, in gardening and the ornamentation of landscape. Such changes were understood to reflect matters of the greatest importance in the moral, social and political arrangements of the country. In the area of landscape design, to clear a wood, or plant one, to build a folly or a cottage, to design in the formal style or the picturesque, was to express a political orientation of one kind or another. To choose to employ Capability Brown, Humphry Repton or one of their lesser-known competitors, was to make a statement regarding the history of England, its constitutional organisation and the relationships that ought to exist between its citizens. Although many landowners may have been oblivious to this, there was a large body of critical opinion, poetry, theology and social discourse that offered to inform and correct them. In this illuminating and stimulating book, Nigel Everett reviews the entire debate, from about 1760 to 1820, emphasising in particular the attempts of various writers to defend a 'traditional' or tory view of the landscape against the aggressive, privatising tendency of improvement. Challenging the narrow implications of the existing schools of landscape historians - the 'establishment' historians, concerned primarily with currents of 'taste', who ignore the wider issues involved, and the commentators on the Left who have tended to see landscape politics as the politics of class - Everett reveals the history of English landscape as a political struggle between, on the one hand, the mechanical, universal and impersonal - whig - point of view and, on the other, the natural, Christian, particular and organic point of view. Everett depicts a lively, intelligent debate regarding the development of English society, as active among cultivated clergymen and landowners as among the theoreticians. Furthermore, analysing the languages of tory political thought, Everett engages in a dialogue between the present and the past, identifying in the detached, artificial and utilitarian attitudes of the whig 'improvers' the philosophical and historical origins of a dominant set of values of the late twentieth century - most recently expressed in the Conservative Party - in which the interests of private enterprise and commercial utility preponderate over any other conception of the public good. This important and passionate book makes an essential and original contribution to the study of eighteenth-century cultural history in Britain.
Part of The Oxford Illustrated History of Britain, this book spans from the aftermath of the Revolution of 1688 to Pitt the Younger's defeat at attempted parliamentary reform.
The idea of a 'Whig interpretation' of English history incorporates the two fundamental notions of progress and continuity. The former made it possible to read English history as a 'success story', the latter endorsed a pragmatic, gradualist political style as the foundation of English freedom. Dr Burrow's book explore these ideas, and the tensions between them in studies of four major Victorian historians: Macaulay, Stubbs, Freeman and (as something of an anti type) Froude. It analyses their works in terms of their rhetorical suggestiveness as well as their explicit arguments, and attempts to place them in their cultural and historiographical context. In doing so, the book also seeks to establish the significance for the Victorians of three great crises of English history - the Norman conquest, the reformation and the revolution of the seventeenth century - and the nature and limits of the self-confidence they were able to derive from the national past. The book will interest students and teachers working on nineteenth-century English history, literature or social and political thought, the history of ideas, and legal and constitutional history. It will also be of value to the general reader interested in Victorian literature and cultural history.