The History of Theater in Iran

The History of Theater in Iran

Author: Willem M. Floor

Publisher:

Published: 2005

Total Pages: 348

ISBN-13:

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Although most people do not speak of theatre and Iran in the same breath, dramatic expression has always been a fixture of Iranian culture. In traditional Iranian theatre, there was no real difference between high and low culture, although artists attached to the royal court and sponsored by the rich tended to be more competent than those who performed for the public at large. With the exception of religious and narrative drama, written texts were seldom used. The artists whether comedian, mime, puppeteer, elegist or storyteller performed both in public and private spaces. The arrival of European theatre, with its reliance on a written text and normative rather than improvisatory acting, was part of the modernisation process in Iran. European theatre was introduced to the country in 1878, enjoyed a hey-day in the early years of the twentieth century, and has experienced many ups-and-downs since then. Today, it once again enjoys great popularity. At the same time, traditional theatre is being rediscovered, and playwrights are using some of its forms to develop indigenous modern Iranian theatre-- a melding of the deep past and dynamic present.


A Social History of Sexual Relations in Iran

A Social History of Sexual Relations in Iran

Author: Willem M. Floor

Publisher:

Published: 2008

Total Pages: 484

ISBN-13:

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Preface -- 1. Marriage in Iran: a family affair -- 2. Temporary marriage: a formal affair -- 3. Prostitution: an extra-marital affair -- 4. Homosexual relations: a common affair -- 5. Venereal diseases in Iran: a public affair -- Afterword -- Bibliography -- Index -- Figures


A Man of the Theater

A Man of the Theater

Author: Nasser Rahmaninejad

Publisher: New Village Press

Published: 2020-02-18

Total Pages: 276

ISBN-13: 1613321139

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Life in Iran as an artist under the Shah and during the Iranian Revolution A Man of the Theater tells the personal story of a theater artist caught between the two great upheavals of Iranian history in the 20th century. One is the White Revolution of the 1960s, the incomplete and uneven modernization imposed from the top by the dictatorial regime of the Shah, coming in the wake of the overthrow of the popular Mosaddegh government with the help of the CIA. The other one is the Iranian Revolution of 1979, a great rising of Iranian society against the rule of the Shah in which Khomeini’s Islamist faction ends up taking power. Written in a simple direct style, Rahmaninejad’s memoir describes his fraught creative life in Tehran during these decades, founding a theater company and directing plays under the increasing pressure of the censorship authorities and the Shah’s secret police. After being arrested and tortured by the SAVAK and after spending years in Tehran’s infamous Evin prison and being a cause célèbre of Amnesty International, Rahmaninejad is freed by the Revolution of 1979. But his new-found freedom is short-lived; the progressive intellectuals and artists find themselves overpowered and outmaneuvered by the better organized Islamists, leading to renewed terror and to exile. In Western perception, the Iranian Revolution, which this year has its 40th anniversary, often overshadows the decades of Iran’s modern history that preceded it. A Man of the Theater fills this gap. The title derives from a time of torture in prison when interrogators ordered him to write everything about his activities. To avoid revealing anything incriminating he took pen in hand and wrote and wrote about all his artistic passions, beginning, "Here it is—this is my life! I am an artist! A man of the theater!"


Theater State and the Formation of Early Modern Public Sphere in Iran

Theater State and the Formation of Early Modern Public Sphere in Iran

Author: Babak Rahimi

Publisher: BRILL

Published: 2011-11-11

Total Pages: 404

ISBN-13: 9004207562

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During the Safavid period, the Shi'i Muharram commemorative rites which had been publically practiced since the 7th century, became a manifestation of state power. Already during the reign of Shah 'Abbas I (1587-1629) the Muharram rituals had transformed into an extraordinary rich repertoire of ceremonies and ceremonial spaces that can be defined as 'theater state'. Under Shah Safi I (1629-1642) these ceremonies ultimately led to carnivalesque celebrations of misrule and transgression. This first systematic study of a wide range of Persian and European archival and primary sources, analyzes how the Muharram rites changed from being an originally devotional practice to an ambiguous ritualization that in combination with other public arenas, such as the bazaar, coffeehouses or travel lodges, created distinct spaces of communication whereby the widening gap between state and society gave way to the formation of the early Iranian public sphere. Ultimately, the Muharram public spaces allowed for a shift in individual and collective identities, opening the way to multifaceted living fields of interaction, as well as being sites of contestation where innovative expressions of politics were made. In particular, the construction of the new Isfahan in 1590 is linked with the widespread proliferation of the Muharram mortuary rites by discussing rituals performed in major urban spaces.


Reform Cinema in Iran

Reform Cinema in Iran

Author: Blake Atwood

Publisher: Columbia University Press

Published: 2016-11-08

Total Pages: 274

ISBN-13: 023154314X

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It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007. Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami's Taste of Cherry (1997) and Mohsen Makhmalbaf's Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami's presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.


New Iranian Plays

New Iranian Plays

Author: Torange Yeghiazarian

Publisher:

Published: 2021-09-21

Total Pages: 300

ISBN-13: 9781912430475

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A new collection of plays from voices of Iran and Iranian heritage, covering a varied spectrum of themes, from modern relationships, to migration, to the effects of war. The Plays provide a necessary insight into a misunderstood nation and its people. Includes: A Moment of Silence by Mohammad Yaghoubi - (Iran) Home by Naghmeh Samini - (Iran) Shame by Sholeh Wolpe -(Iran-USA) Manus by Leila Hekmatnia (Iran), Keyvan Sarreshteh (Iran), Nazanin Sahamizadeh (Australia) Isfahan Blues Torange Yeghiazarian - (Iran-USA)


Iranian Cosmopolitanism

Iranian Cosmopolitanism

Author: Golbarg Rekabtalaei

Publisher: Cambridge University Press

Published: 2019-01-17

Total Pages: 321

ISBN-13: 1108418511

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A unique look at how cinema shaped the cosmopolitan society in Tehran through cultural exchanges between Iran and the world.


Persian Gulf Command

Persian Gulf Command

Author: Ashley Jackson

Publisher: Yale University Press

Published: 2018-06-26

Total Pages: 451

ISBN-13: 0300235364

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“Offers us a fascinating new perspective on the Second World War—its impact on local societies in the Middle East.” (Richard J. Aldrich, author of The Black Door) This dynamic history is the first to construct a total picture of the experience and impact of World War II in Iran and Iraq. Contending that these two countries were more important to the Allied forces’ war operations than has ever been acknowledged, historian Ashley Jackson investigates the grand strategy of the Allies and their operations in the region and the continuing legacy of Western intervention in the Middle East. Iran and Iraq served as the first WWII theater in which the U.S., the U.K., and the U.S.S.R. fought alongside each other. Jackson charts the intense Allied military activity in Iran and Iraq and reveals how deeply the war impacted common people’s lives. He also provides revelations about the true nature of Anglo-American relations in the region, the beginnings of the Cold War, and the continuing corrosive legacy of Western influence in these lands. “Skillfully brings together the complex range of developments that took place in Iraq and Iran during the Second World War.” —Evan Mawdsley, author of December 1941 “A brilliant book that confirms Ashley Jackson’s place among the preeminent scholars of the British empire.” —Joe Maiolo, author of Cry Havoc “Consistently fascinating and thought-provoking.” —Simon Ball, author of The Bitter Sea “In this lucid work, filled with telling details and well-crafted arguments, Jackson has finally revealed the undoubted significance of Iran and Iraq to the wider war.” —Niall Barr, author of Eisenhower's Armies


A Social History of Modern Tehran

A Social History of Modern Tehran

Author: Ashkan Rezvani Naraghi

Publisher: Cambridge University Press

Published: 2023-01-05

Total Pages: 489

ISBN-13: 1009188895

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Outlines how Tehran's social spaces were transformed by shifting discourses and practices from the nineteenth to the mid-twentieth century.


Theater in the Middle East

Theater in the Middle East

Author: Babak Rahimi

Publisher: Anthem Press

Published: 2020-07-27

Total Pages: 186

ISBN-13: 1785274473

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The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.