This 1869 text details the horrific murders of the London Burkers to sell bodies as cadavers. In the 19th century, there was a lack of medical cadavers due to the small number of executions. The London Burkers resorted to murdering innocent people, even killing young children, in the style of Burke and Hare. This horrifying account of the related interviews is straightforward, baring every graphic and minute detail for readers' discretion.
From the Middle-Ages onwards, London’s notorious Bedlam lunatic hospital saw the city’s ‘mad’ locked away in dank cells, neglected and abused and without any real cure and little comfort. The unprecedented growth of the metropolis after the Industrial Revolution saw a perceived ‘epidemic’ of madness take hold, with ‘county asylums’ seen by those in power as the most humane or cost-effective way to offer the mass confinement and treatment believed necessary. The county of Middlesex – to which London once belonged – would build and open three huge county asylums from 1831, and when London became its own county in 1889 it would adopt all three and go on to build or run another eight such immense institutions. Each operated much like a self-contained town; home to thousands and often incorporating its own railway, laundries, farms, gardens, kitchens, ballroom, sports pitches, surgeries, wards, cells, chapel, mortuary, and more, in order to ensure the patients never needed to leave the asylum’s grounds. Between them, at their peak London’s eleven county asylums were home to around 25,000 patients and thousands more staff, and dominated the physical landscape as well as the public imagination from the 1830s right up to the 1990s. Several gained a legacy which lasted even beyond their closure, as their hulking, abandoned forms sat in overgrown sites around London, refusing to be forgotten and continuing to attract the attention of those with both curious and nefarious motives. Hanwell (St Bernard’s), Colney Hatch (Friern), Banstead, Cane Hill, Claybury, Bexley, Manor, Horton, St Ebba’s, Long Grove, and West Park went from being known as ‘county lunatic asylums’ to ‘mental hospitals’ and beyond. Reflecting on both the positive and negative aspects of their long and storied histories from their planning and construction to the treatments and regimes adopted at each, the lives of patients and staff through to their use during wartime, and the modernisation and changes of the 20th century, this book documents their stories from their opening up to their eventual closure, abandonment, redevelopment, or destruction.
A true crime travel guide to the haunts and hangouts of the most notorious gangsters of London’s East End. There are many conflicting stories about who Ronnie and Reggie Kray were. Films depicting their lives have made the public vilify them, adore them and even admire them. This guidebook will dig a little deeper into the places they spent their time. Many of the places are renowned as the stomping grounds of the devious duo, but there are one or two exclusives that are not yet covered anywhere else, including the untold story of their lifelong hairdresser. Chapter by chapter, a map of their lives will reveal itself, making this the perfect read for anybody around the world interested in London’s gangster scene. “I remember going home from a cinema visit to London in the early 1960s with police sirens all over the place as we went through the East End. I remember the newspaper reports of the time, and wondering how the police could allow such people to control the East End to such an extent, and to apparently countenance the horrors this evil gang inflicted on their own and their enemies. It was a horrendous time to be alive in the East End of London, and Caroline’s superb book brings it all back to life.” —Books Monthly
This true crime history of Georgian England reveals the scandalous lives—and unceremonious deaths—of more than 100 women who faced execution. In the last four decades of the Georgian era, 131 women were sent to the gallows. Unlike most convicted felons, none of them were spared by an official reprieve. Historian Naomi Clifford examines the crimes these women committed and asks why their grim sentences were carried out. Women and the Gallows, 1797–1837 reveals the harsh and unequal treatment women could expect from the criminal justice system of the time. It also brings new insight into the lives and the events that led these women to their deaths. Clifford explores cases of infanticide among domestic servants, counterfeiting, husband poisoning, as well as the infamous Eliza Fenning case. This volume also includes a complete chronology of the executed women and their crimes.
If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices? Doctoring the Novel explores the ways in which language constructs and stabilizes these slippery terms by examining medical quackery and orthodoxy in works such as Mary Shelley’s Frankenstein, Charles Dickens’s Bleak House and Little Dorrit, Charlotte Brontë’s Villette, Wilkie Collins’s Armadale, and Arthur Conan Doyle’s Stark Munro Letters. Contextualized in both medical and popular publishing, literary analysis reveals that even supposedly medico-scientific concepts such as orthodoxy and quackery evolve not in elite laboratories and bourgeois medical societies but in the rough-and-tumble of the public sphere, a view that acknowledges the considerable, and often underrated, influence of language on medical practices.
Lady Darby returns to London with her new husband, Sebastian Gage, but newlywed bliss won't last for long when her past comes back to haunt her in the latest exciting installment in this national bestselling series. November 1831. After fleeing London in infamy more than two years prior, Lady Kiera Darby's return to the city is anything but mundane, though not for the reasons she expected. A gang of body snatchers is arrested on suspicion of imitating the notorious misdeeds of Edinburgh criminals, Burke and Hare--killing people from the streets and selling their bodies to medical schools. Then Kiera's past--a past she thought she'd finally made peace with--rises up to haunt her. All of London is horrified by the evidence that "burkers" are, indeed, at work in their city. The terrified populace hovers on a knife's edge, ready to take their enmity out on any likely suspect. And when Kiera receives a letter of blackmail, threatening to divulge details about her late anatomist husband's involvement with the body snatchers and wrongfully implicate her, she begins to apprehend just how precarious her situation is. Not only for herself, but also her new husband and investigative partner, Sebastian Gage, and their unborn child. Meanwhile, the young scion of a noble family has been found murdered a block from his home, and the man's family wants Kiera and Gage to investigate. Is it a failed attempt by the London burkers, having left the body behind, or the crime of someone much closer to home? Someone who stalks the privileged, using the uproar over the burkers to cover his own dark deeds?
London: City of the Dead is a groundbreaking account of London's dealing with death, covering the afterlife, execution, bodysnatching, murder, fatal disease, spiritualism, bizarre deaths and cemeteries. Taking the reader from Roman London to the 'glorious dead' of the First World War, this is the first systematic look at London's culture of death, with analysis of its customs and superstitions, rituals and representations. The authors of the celebrated London: The Executioner's City (Sutton, 2006) weave their way through the streets of London once again, this time combining some of the capital's most curious features, such as London's Necropolis Railway and Brookwood Cemetery, with the culture of death exposed in the works of great writers such as Dickens. The book captures for the first time a side of the city that has always been every bit as fascinating and colourful as other better known aspects of the metropolis. It shows London in all its moods - serious, comic, tragic and heroic-and celebrates its robust acceptance of the only certainty in life.
