Chaplin's "Limelight" and the Music Hall Tradition
Chaplin's

Author: Frank Scheide

Publisher: McFarland

Published: 2006-10-12

Total Pages: 229

ISBN-13: 0786424257

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Charles Spencer Chaplin was a stage performer before he was a filmmaker, and it was in English music hall that he learned the rudiments of his art. The last film he made in the United States, Limelight, was a tribute to the music hall days of his youth. As a parallel to Chaplin's past, the film was set in 1914, the year he left the stage for a Hollywood career. This collection of essays examines Limelight and the history of English music hall. Featuring contributions from the world's top Chaplin and music hall historians, as well as previously unpublished interviews with collaborators who worked on Limelight, the book offers new insight into one of Chaplin's most important pictures and the British form of entertainment that inspired it. Essays consider how and why Chaplin made Limelight, other artists who came out of English music hall, and the film's international appeal, among other topics. The book is filled with rare photographs, many published for the first time, sourced from the Chaplin archives and the private collections of other performers and co-stars.

Chaplin
Chaplin

Author: Stephen M. Weissman

Publisher: Skyhorse Publishing Inc.

Published: 2011-01-01

Total Pages: 400

ISBN-13: 1611450403

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A penetrating psychological perspective on the life of Charlie Chaplin.

Slapstick Comedy
Slapstick Comedy

Author: Tom Paulus

Publisher: Routledge

Published: 2010-06-09

Total Pages: 288

ISBN-13: 1135966230

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From Chaplin's tramp to the Bathing Beauties slapstick comedy supplied many of the most enduring icons of American cinema in the silent era. This collection of fourteen essays by film scholars challenges longstanding critical dogma and offers new conceptual frameworks for thinking about silent comedy's place in film history and American culture.

Music and Social Movements
Music and Social Movements

Author: Ron Eyerman

Publisher: Cambridge University Press

Published: 1998-02-28

Total Pages: 208

ISBN-13: 1139936263

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Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement. This highly readable book is among the first to link the political sociology of social movements to cultural theory.