Corrag, a Scottish woman imprisoned in 1692 for her involvement in a massacre and accused of witchcraft, tells her story to an Irish propagandist seeking to condemn the Protestant King William, who he believes is responsible for the massacre.
Seated majestically upon a hill overlooking the Atlantic Ocean, Highlands, one of New Jersey's most famous and romantic coastal towns, has served, in turns, as sanctuary, battlefield, resort destination, and home to generations of Americans, both immigrant and native. Its history, in many ways, mirrors the epic tale of America's evolution: an untamed wilderness yielding under the determination and sacrifice of a people laboring to create an enduring community--and in Highlands, they succeeded. Highlands, Ney Jersey chronicles this town's remarkable journey across four centuries of adventure, adversity, and prosperity, from the first New World explorers, such as Verrazano and Henry Hudson, to the present-day men and women who work, live, and play along these picturesque shores. This illustrated volume provides a rare glimpse into the Highlands of yesteryear and introduces readers to a cast of unique characters against a backdrop of major local and nation events, such as the Revolutionary War, the luxury era of Highlands in the nineteenth century, its incorporation in 1900, and the gold rush of 1948. Through these stories and their vivid images, the personality and charm of Highlands come to life, reminding today's residents and visitors why this setting has served as a source of inspiration for scores of writers, artists, and businessmen over the years.
Religion is at the very core of Scotland's turbulent history and unique cultural heritage. In a fast-paced enthralling celebration of this heritage, Harry Reid introduces us to a spiritual landscape of incredible richness and variety.
Pointed Encounters establishes the literary significance of representations of dance in poetry, song, dance manuals, and fiction written between 1750 and 1830. Presenting original readings of canonical texts and fresh readings of neglected but significant literary works, this book traces the complicated role of social dancing in Scottish culture and identifies the hitherto unexplored motif of dance as an outwardly conforming, yet covertly subversive, expression of Scottish identity during the period. The volume draws upon diverse yet mutually revealing texts, from traditional dance and music to Sir Walter Scott and contemporary Scottish women novelists, to offer students and scholars of Scottish and English literature a fresh insight into the socio-cultural context of the British state after 1746.
Harry Shaw’s aim is to promote a fuller understanding of nineteenth-century historical fiction by revealing its formal possibilities and limitations. His wide-ranging book establishes a typology of the ways in which history was used in prose fiction during the nineteenth century, examining major works by Sir Walter Scott—the first modern historical novelist—and by Balzac, Hugo, Anatole France, Eliot, Thackeray, Dickens, and Tolstoy.