Brennan, a critically acclaimed author, has collected the stories of his fellow Headhunters--the men who fought with Vietnam's first helicopter reconnaissance squadron. They recall the war in their own words, providing oral history at its most exciting and most unforgettable.
Headhunters are third-party agents paid a fee by companies for locating job candidates perform a unique sales role. The product they sell is people, matching candidates with jobs and companies with candidates. Headhunters affect the professional lives of thousands of employees every day, and their work has a profound, though hidden, effect on the employment picture in the United States. William Finlay and James E. Coverdill draw on interviews with and observations of headhunters and on analysis of headhunting training seminars, lectures, industry newsletters, and a mail survey of headhunting firms. The result is a frank and sometimes unsettling portrait of the aims, attitudes, and tactics of practitioners. The payment of fees has shifted from candidates to employers, and recruiters now find people to fit jobs rather than the other way around. Finlay and Coverdill address what they feel is a serious lack of research about the work headhunters do and how they do it. Their book is built around three major questions: What advantages do employers derive from using third-party agents to handle candidate search and recruitment? How are headhunters able to accomplish the double sale ('selling' candidates to employers and employers to candidates)? What criteria do headhunters use for selecting candidates? In the process, Finlay and Coverdill link their findings to larger issues of institutional and historical context, revealing the economic and political reasons clients use headhunters, demonstrating how headhunters manipulate clients and candidates, and assessing the impact of headhunters' actions on hiring decisions.
All Schools are the same and Spencer Pendleton expects no less from Greenfield Middle. But Spencer hasn't met them yet-the Tribe, a group of runaway students who secretly own the school. They live off cafeteria food and wield weapons made out of everyday school supplies. Strangely, no one seems to know they exist, except for Spencer. And the group wants him to join their ranks. All he has to do is pass the initiations . . . and leave his mother and life behind. Can Spencer go through with it? Better yet, what will happen if he says no?
The biography of the last Ranee of Sarawak, born into the aristocracy as Sylvia Brett in 1885 and destined to become 'Queen of the Headhunters'. 'Jaw-dropping ... If you thought White Mischief the last word in English expatriate decadence, you haven't yet met Sylvia and the Brookes' The Times Sylvia Brooke was the consort of His Highness Sir Vyner Brooke, Rajah of Sarawak, the last in a bizarre dynasty of English despots who ruled their jungle kingdom on Borneo until 1946. The White Rajahs were long held up as model rulers, but the spectacularly eccentric behaviour of Ranee Sylvia - self-styled Queen of the Headhunters - changed everything. This is the compelling story of her part in their downfall.
Four female friends, posing as rich ladies on a trip to Monte Carlo, play their part to the hilt and attract four very handsome suitors. However, are these guys just gold-diggers or someone with whom they will find true romance?
- The first time such intensive research and documentation on Konyak tattoo art has been undertaken - An overall view of the Konyak people, their society, way of life and the culture in detail The Konyaks - a once fearsome headhunting tribe in Nagaland on the border of Myanmar in northeast India - are well known for their iconic body and facial tattoos, originally earned for taking an enemy's head. This book - over four years in the making - is the personal journey of a Konyak woman who retraces the steps of her grandfather and great-grandfather by documenting her tribe's tattooing practices. She explores the Konyak's concept of beautification of the body using it as a canvas for art, with inscriptions marked on the skin as a form of rite of passage and cycle of life. With elegant and powerful portraits of elders, both men and women, this book preserves the unique but vanishing practices of the culture, together with tattoo patterns, their meanings, and the oral traditions attached to them in folktales, songs, poems and sayings. It includes descriptions and information on headhunting and tattooing practices; reasons behind them; techniques used; tattoo artists; different tattoo groups; types of tattoos; and personal stories. Contents: The Konyaks; Headhunting; Traditional Tattooing Art; Tattoo Artist; Face Tattoo Group SHEN-TU; Body Tattoo Group TANGTA-TU; Nose Tattoo Group KONG-TU; The Last of the Tattooed Headhunters; Glossary.
Flying the notorious "Hump" route between India and China in 1943, a twin-engine plane suffered mechanical failure and crashed in a dense mountain jungle, deep within Japanese-held territory. Among the passengers and crew were celebrated CBS journalist Eric Sevareid, an OSS operative who was also a Soviet double agent, and General Joseph "Vinegar Joe" Stilwell's personal political adviser. Against the odds, all but one of the twenty-one people aboard the doomed aircraft survived-it remains the largest civilian evacuation of an aircraft by parachute. But they fell from the frying pan into the fire. Disentangling themselves from their parachutes, the shocked survivors discovered that they had arrived in wild country dominated by a tribe with a special reason to hate white men. The Nagas were notorious headhunters who routinely practiced slavery and human sacrifice, their specialty being the removal of enemy heads. Japanese soldiers lay close by, too, with their own brand of hatred for Americans. Among the Headhunters tells-for the first time-the incredible true story of the adventures of these men among the Naga warriors, their sustenance from the air by the USAAF, and their ultimate rescue. It is also a story of two very different worlds colliding-young Americans, exuberant apostles of their country's vast industrial democracy, coming face-to-face with the Naga, an ancient tribe determined to preserve its local power based on headhunting and slaving.
This is the story of one of the most influential and controversial jazz recordings of the twentieth century. Head Hunters captures a transitional moment in music history, a time when jazz and rock combined to create a whole new, often controversial, genre. Symbolizing that genre was Herbie Hancock's 1973 album Head Hunters, this was hancock's foray into the fusion jazz market, the first jazz album to go platinum, and the best-selling jazz album of all time to that point. The album became a flash point for a major shift, in both the production and reception of jazz; the sales numbers were unprecedented, and the music industry quickly responded to the expanded market, with production and promotion budgets rising tenfold. Such a radical shift helped musicians pry open the door to the control booth, permanently enlarging their role in production.
The second case for DCI Hen Mallin, introduced in The House Sitter. When widowed parcel-force worker Bob Naylor plucks up the courage to join a writers' circle, he discovers a motley collection of wannabe authors whom he would rather avoid at all costs. But when a publisher is found murdered, after recently addressing the group, Bob feels compelled to stay. Investigating Officer Hen Mallin attempts to investigate the group, despite their amateur sleuthing efforts and exhaustingly dramatic outbursts. And as another death casts the bewildered Bob in suspicion, the sinister secret of this circle finally starts to come to light . . . Jo and Gemma are friends who meet for coffee every Saturday to gossip and discuss the state of the world. At one such meeting, Gemma mentions killing her boss and Jo goes along with the joke. But Jo is not amused when she finds a real body on the beach at Selsey soon afterwards - an unidentified nearly-naked woman, who has been drowned. It take DCI Hen Mallin and her team some time to discover who the woman is, and as they are investigating, Jo and Gemma are getting into more trouble - they keep coming across dead bodies... Peter Lovesey's thirtieth novel explores one of his favourite themes - the innocent caught up in sinister events.