Judge Dee and his entourage, seeking refuge from a mountain storm, become trapped in a Taoist monastery, where the Abbott Jade mysteriously dies after delivering an ecstatic sermon. The monks call it a supernatural experience, but the judge calls it murder. Recalling the allegedly accidental deaths of three young women in the same monastery, Judge Dee seeks clues in the eyes of a cat to solve cases of impersonation and murder. A painting by one of the victims reveals the truth about the killings, propelling the judge on a quest for justice and revenge. "Entertaining, instructive, and impressive."—Times Literary Supplement
In 'The Haunted Monastery', Judge Dee and his wives seek refuge from a violent mountain storm and are plunged into a bizarre series of interrelated crimes. Three women have been murdered in the monastery; Dee has seen something impossible, perhaps supernatural, and inexplicable events flash forth in the dark tangle of corridors and the Taoist Hell - a hall filled with statuary showing realistically the torments of Hell.
An ill-fated journey, a long-lost uncle, and a mysterious cathedral mark the next chapter in the life of Xan, an orphan in search of his destiny. For a year, he has lived in the care of Benedictine monks at Harwood Abbey. Now he learns that he has an uncle, said to live in the far-off city of Lincoln. Will Xan survive the trip alongside the prisoner Carlo and his cruel guards? Will he find Uncle William? And why is Xan drawn to the spirit that haunts Lincoln Cathedral—could a ghost reconnect Xan with his dead parents? Join Xan and his friends to solve the mystery of The Haunted Cathedral.
"Borley Rectory was the house that gained infamy as "the most haunted house in England" after its ten-year-long paranormal investigation by the psychic researcher; Harry Price. Price dedicated his life to uncovering the truth behind the paranormal, leading him to become one of the most well-known psychical researchers of all time. It was his investigation into Borley Rectory which by far became the most famous case in Price's long career, eventually leading to the Victorian house being crowned the 'most haunted in England'. This book ... document[s] his ten-year investigation into exploring the nature of paranormal phenomena surrounding Borley Rectory. The rectory was attributed to classic poltergeist activity, wall-writing, mysterious fires and supernatural manifestations. Most notable of these is that of the figure of a nun, known for walking across the garden. Also appearing was a spectral carriage and team of horses driven by a headless coachman. It could be said that the story of Borley Rectory is as much a story of a haunted house and ghosts as it is about the living. Borley's saga includes sensationalist tabloid headlines, a scandalous affair and a captivating investigator whose discoveries are still questioned to this day"--Amazon.com.
'Ninety-eight keys, none of them labelled. Ninety-eight keys, and they say there are ninety-nine rooms . . . What will you find in the ninety-ninth room, I wonder?'Maggi is delighted when her father takes a new job, renovating a crumbling stately home in Cheshire. It's a chance to escape from the North-East, from the predatory Doris Streeton, and perhaps from the grief at the heart of Maggi's family. But Maggi gradually comes to realize that their new home holds secrets far more sinister than anything they have left behind . . .
Strange things are known to happen in the rugged Garfagnana region of Tuscany. A friendly ghost in a monastery. A visit from a soldier from the other side. A village that sleeps for a hundred years. The legend of ghosts in the theater. All these make their appearance in The Ghosts of the Garfagnana: Seven Strange Stories from Haunted Tuscany—a new book by Paul Salsini, the award-winning author of the popular six-volume A Tuscan Series.
A deadly storm is brewing over the sleepy little town of Wattsville, Maine. Mystery and intrigue creep into the village like a fetid fog blown by an ill wind. The untimely deaths of two young men shake the quiet peace of the small community, and threaten to destroy the life of a revered religious leader. The spirits of those slain cry out for justice from their graves, while restless ghosts walk the hallways and grounds of the old monastery; silent victims of the horrors that took place by the pond. Faith, forensics and falsehood mix together to thicken the plot of this elaborate murder mystery. The twists and turns of the case will lead the team into the darkest heart of evil, and the mind of a serial killer. Follow the determined team of investigators in the first book of the Monastery Murder Series, as they begin their efforts to pit science and religion in a battle for the truth. Haunted by ghosts and stalked by a killer, will the team become victims themselves, or will they discover the 'Secrets in the Shallows'? (NOTE: NEW 3rd edition has been re-released as of December, 2014.)
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
