The Hat Industry of Luton and its Buildings

The Hat Industry of Luton and its Buildings

Author: Katie Carmichael

Publisher: Historic England

Published: 2015-04-01

Total Pages: 107

ISBN-13: 184802326X

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Although perhaps best known today as the home of Vauxhall Motors, Luton's industrial roots run much deeper. Long before it became associated with motor cars, Luton was the centre of ladies' hat production in this country - a success founded upon the earlier regional industry of straw-plaiting. Many surrounding towns and villages fed into the industry and helped to make the region globally renowned. At its peak in the 1930s, the region was producing as many as 70 million hats in a single year; however, it entered a rapid decline following the Second World War from which it never recovered. This has left Luton, Dunstable and a number of other local towns with a challenging inheritance of neglected and decaying fragments of a once vital industry. This book is intended to be an introduction and guide to the area's historical depth and to its distinctive and varied character, seeking to explain the development of the region as the centre of the hatting industry in the south and exploring the lives of the people working there during the nineteenth and early twentieth centuries. The historic links between the surviving building stock and the hatting industry are assessed and the book highlights the significance of the surviving fabric and the potential of the historic environment within future conservation and regeneration plans.


Hatless Jack

Hatless Jack

Author: Neil Steinberg

Publisher: Granta Books (Uk)

Published: 2005

Total Pages: 372

ISBN-13: 9781862077829

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This quirky social history traces the evolution of the hat over centuries and takes a fascinating look at how JFK's refusal to wear a hat changed American style forever.


Was the Cat in the Hat Black?

Was the Cat in the Hat Black?

Author: Philip Nel

Publisher: Oxford University Press

Published: 2017-07-06

Total Pages: 289

ISBN-13: 0190635088

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Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people. Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.