The definitive source for how to write and publish in the field of biblical studies The long-awaited second edition of the essential style manual for writing and publishing in biblical studies and related fields includes key style changes, updated and expanded abbreviation and spelling-sample lists, a list of archaeological site names, material on qur’anic sources, detailed information on citing electronic sources, and expanded guidelines for the transliteration and transcription of seventeen ancient languages. Features: Expanded lists of abbreviations for use in ancient Near Eastern, biblical, and early Christian studies Information for transliterating seventeen ancient languages Exhaustive examples for citing print and electronic sources
"Why," an exasperated Jonathan Edwards asked, "can't we be contented with. . . the canon of Scripture?" Edwards posed this query to the religious enthusiasts of his own generation, but he could have just as appropriately put it to people across the full expanse of early American history. In the minds of her critics, Anne Hutchinson's heresies threatened to produce "a new Bible." Ethan Allen insisted that a revelation which spoke to every circumstance of life would require "a Bible of monstrous size." When the African-American prophetess Rebecca Jackson embarked on a spiritual journey toward Shakerism, she dreamt of a home in which she could find multiple books of scripture. Orestes Brownson explained to his skeptical contemporaries that the idea drawing him to Catholicism was the prospect of an "ever enlarging volume" of inspiration. Early Americans of every color and creed repeatedly confronted the boundaries of scripture. Some fought to open the canon. Some worked to keep it closed. Sacred Borders vividly depicts the boundaries of the biblical canon as a battleground on which a diverse group of early Americans contended over their differing versions of divine truth. Puritans, deists, evangelicals, liberals, Shakers, Mormons, Catholics, Seventh-day Adventists, and Transcendentalists defended widely varying positions on how to define the borders of scripture. Carefully exploring the history of these scriptural boundary wars, Holland offers an important new take on the religious cultures of early America. He presents a colorful cast of characters-including the likes of Franklin and Emerson along with more obscure figures--who confronted the intellectual tensions surrounding the canon question, such as that between cultural authority and democratic freedom, and between timeless truth and historical change. To reconstruct these sacred borders is to gain a new understanding of the mental world in which early Americans went about their lives and created their nation.
"Filled with humor, insight, and faith, this true story tells how one young woman overcame challenges, stereotypes, and personal struggles at Harvard Divinity School and emerged an ordained minister. As a bright, young girl from Ohio, Andrea Raynor was fascinated by religion. Then she landed--almost by accident--at Harvard Divinity School, which, she quickly discovered, was no typical seminary. When she attended in the 1980s, HDS was a place overflowing with creative expression and freedom of thought. Incognito is a humorous and poignant glimpse inside one of the nation's most revered institutions."--
Although scholars have widely acknowledged the prevalence of religious reference in the work of Cormac McCarthy, this is the first book on the most pervasive religious trope in all his works: the image of sacrament, and in particular, of eucharist. Informed by postmodern theories of narrative and Christian theologies of sacrament, Matthew Potts reads the major novels of Cormac McCarthy in a new and insightful way, arguing that their dark moral significance coheres with the Christian theological tradition in difficult, demanding ways. Potts develops this account through an argument that integrates McCarthy's fiction with both postmodern theory and contemporary fundamental and sacramental theology. In McCarthy's novels, the human self is always dispossessed of itself, given over to harm, fate, and narrative. But this fundamental dispossession, this vulnerability to violence and signs, is also one uniquely expressed in and articulated by the Christian sacramental tradition. By reading McCarthy and this theology alongside postmodern accounts of action, identity, subjectivity, and narration, Potts demonstrates how McCarthy exploits Christian theology in order to locate the value of human acts and relations in a way that mimics the dispossessing movement of sacramental signs. This is not to claim McCarthy for theology, necessarily, but it is to assert that McCarthy generates his account of what human goodness might look like in the wake of metaphysical collapse through the explicit use of Christian theology.
A new narrative history of medieval Christianity, spanning from A.D. 500 to 1500, focuses on the role of women in Christianity; the relationships among Christians, Jews and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion and worship; and instruction through drama, architecture and art.
This book provides a comparative, interdisciplinary analysis of the invocation and interaction of religious and national assertions in sacralizing local and global politics.
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR In 1985 Ari L. Goldman took a year’s leave from his job as a religion reporter for The New York Times and enrolled in the Harvard Divinity School. What began as a project to deepen his knowledge of the world’s sacred beliefs turned out to be an extraordinary journey of spiritual illumination, one in which Goldman reexamined his own faith as an Orthodox Jew and opened his mind to the great religions of the world. In his year at Harvard, Goldman found to his surprise that his fellow students were not straitlaced, somber clerics, but a diverse, vibrant, and sometimes embattled group from every major religion, united by their deep spiritual commitment. Even more surprising was the spiritual climate of the Divinity School itself: Far from being an ivory tower or a bastion of old-time Christian piety, the school was a forum for passionate debate on the relationships between religion and politics, social mores and sexuality. Written with warmth, humor, and penetrating clarity, The Search for God at Harvard is a book for anyone who has wrestled with the question of what it means to take religion seriously today. Praise for The Search for God at Harvard: “Personal yet informative, warm and humorous, beautifully written. In a word, superb.” –Elie Wiesel “Is it possible to honor the truth of one’s own religion while being genuinely open to others? In The Search for God at Harvard, Ari Goldman tells his story in so fine a manner that he helps us to understand why the answer must be yes.” –The New York Times Book Review “Excellent: intelligent, informative, infused with humor.” –Cleveland Plain Dealer “Enriching . . . well-written, absorbing.” –The Boston Globe “A valuable and unique contribution.” –The Washington Post Book World
Provides the first extended study of Calvin's 1559 Institutio in conversation with critical theorists of religion, modernity, sovereignty, and political theology.
The Therīgāthā, composed more than two millennia ago, is an anthology of poems in the Pali language by and about the first Buddhist women. These women were therīs, the senior ones, among ordained Buddhist women, and they bore that epithet because of their religious achievements. The poems they left behind are arguably among the most ancient examples of women's writing in the world and they are unmatched for their quality of personal expression and the extraordinary insight they offer into the lives of women in the ancient Indian past--and indeed, into the lives of women as such. This new version of the Therīgāthā, based on a careful reassessment of the major editions of the work and printed in the Roman script common for modern editions of Pali texts, offers the most powerful and the most readable translation ever achieved in English. The Murty Classical Library of India makes available original texts and modern English translations of the masterpieces of literature and thought from across the whole spectrum of Indic languages over the past two millennia in the most authoritative and accessible formats on offer anywhere.
