Provides interpretations of William Shakespeare's plays and poems, along with background information, discussions of characters and themes, and explications of key passages.
Among the most enjoyed and performed plays in the world, Shakespeare's comedies capture the spirit of his age and offer students a wealth of information about his era.
Shakespeare's tragedies are among the most sublime and influential works ever written. But because of the themes and issues they address, they are also among the most difficult.
Providing a unique combination of well-written, up-to-date background information and intriguing selections from primary documents, The Bedford Companion to Shakespeare introduces students to the topics most important to the study of Shakespeare in their full historical and cultural context. This new edition contains many new documents, particularly by women and other marginalized voices from the early modern period. There is also a new chapter on Shakespeare in performance, which introduces students to the great variety of productions of Shakespeare's works over the centuries.
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeare’s comedies on film, Shakespeare’s relation to other comic writers of his time, Shakespeare’s cross-dressing comedies, and the geographies of Shakespearean comedy.
With summaries, discussions, and excerpts from primary source documents, this book examines Shakespeare's world through careful consideration of the historical background of four of his comedies. Comedy was popular during the Renaissance, and it was also one of Shakespeare's specialties. The four plays discussed in this book, A Midsummer Night's Dream, The Merchant of Venice, Twelfth Night and The Tempest, span Shakespeare's career and remind us that Shakespeare, more than any of his contemporaries, explored the possibilities of comedy, consistently developing new approaches to the genre. Shakespeare was a fairly traditional playwright, well aware of the long tradition of comedy, which dates back to the Greeks and Romans. This book places Shakespeare's comedies in their historical context. It includes dedicated chapters on each of the four comedies, with each chapter providing a plot summary, a discussion of the play's historical background and significance, and excerpts from primary source documents related to the play. An introduction surveys the historical background of the plays, while a timeline chronicles key events that influenced them. Suggestions for further reading direct readers to additional sources of information.
The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. All the chapters offer contemporary perspectives on the plays even as they gesture to critical traditions, and they illuminate as well as challenge some of our most cherished expectations about the ways in which Shakespearean comedy affects its audiences. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.
Touching viewers and readers with his presentation of social, moral, and political issues, Shakespeare holds ageless and unequaled appeal primarily because of the universal themes at the heart of his dramatic works. Shakespeare scholar Victor Cahn takes a unique approach to exploring the plays by identifying and explicating the themes that recur throughout the canon. Written in lively language, each of the 35 essays explores a core theme or topic and discusses its implications in several key plays in which it figures prominently. This user-friendly guide not only allows readers to better understand the significance of concepts such as power, politics, marriage or money; the organization by theme also helps users to compare and contrast these important topics across relevant plays. Cahn draws vivid connections between related works of Shakespeare, but just as importantly, enlightens readers as to the pertinence of these themes in contemporary life. While this thematic guide examines all of Shakespeare's plays, particular attention is devoted to those works most often read by students; the tragedies such as Romeo and Juliet, Julius Caesar, Hamlet, and Macbeth, the comedies including A Midsummer Night's Dream and Merchant of Venice, as well as the historical plays like Richard II, and the romantic works such as The Tempest. Students who wish to investigate a particular play in greater depth can refer to this book's title index to identify all citations of that work. This valuable literary resource serves myriad uses, enabling students to trace the thread of a theme, to compare its treatment in several plays, and to understand better a play, its characters, plot and language, by examining Shakespeare's central themes.