Part of the Peter Owen World Series: BalticsInstitutionalized in an asylum, a woman with a record of hallucinations commits her life story to paper. She records, from the age of six, her earliest memories of a drunken and abusive father, the strange men her mother introduced to repair the family, the imaginary forest to which she would run for safety and, of course, the talking Green Crow who appeared when she most needed her. The Green Crow is a conceited, boisterous creature who follows the novel's nameless protagonist throughout her life, until the day that the crow's presence begins to embarrass her. Confined to a tedious domestic life, she is desperate to hide the crow's very existence. Failing to do so, she winds up in a psychiatric hospital. Can she repress and renounce her acerbic, sharp-beaked daemon - or learn to love herself, bird and all? Translated from the Latvian by Zanete Vevere Pasqualini
Birth of a nation illuminated through its impact on two towering figures of the Irish pantheon, and their enigmatic partnership. O'Casey clawing his way out of poverty in the slum tenements to fame and relative fortune on the strength of his great trilogy of plays. Markievicz heading in an opposite direction has turned her back on the vast family estates in County Sligo to embrace the cause of Dublin's poor. Comrades in the Gaelic League, Larkin and Connolly's Transport Union, the great 1913 lock-out, and the Citizen Army; they have a serious falling out over co-operation with the nationalist Irish Volunteers approaching the rising of 1916, from which O'Casey earns his spurs as a writer while Markievicz earns a death sentence
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
UNTIL NOW, only a sparse selection of Golshiri's fiction has been available in English translation--three short stories, a novella written under a pseudonym, and his novel Prince Ehtejab, which was made into a film. Now, Black Parrot, Green Crow brings together the largest collection of Golshiri's writings in any language--eighteen short stories and three poems. They span the arc of Golshiri's career as a writer, from his days as a young student in Isfahan under the Pahlavi regime, to the 1980s and 1990s, and the disappointment of the Iranian people with the Islamic Republic. Golshiri's stories, crafted with a withering irony, expose the fanatical and draconian political apparatus of tyrannical regimes, while his wry humor and delicate sensitivity to the human condition tempers the blistering satire, making the narratives short but nonetheless harrowing and touching tragedies. The tales are filled with the uncertainty of life in a culture undergoing drastic change, and hauntingly etch the plight of the individual in a climate of political oppression. Fiction writer, critic, and editor, HOUSHANG GOLSHIRI was born in Isfahan in 1937. He was one of the first Iranian writers to use modern literary techniques, and is recognized as one of the most influential writers of Persian prose of the twentieth century. In 1965 Golshiri helped to found Iran's chief literary journal, and in 1968 he established, along with other writers protesting government censorship, the Iranian Writers Association. Golshiri's stories and efforts to establish basic rights for writers landed him in trouble--including imprisonment and a ban on his books--with both the Pahlavi regime and the Islamic Republic. In 1999 he was awarded the Erich-Maria Remarque Peace Prize for his struggle to promote democracy and human rights in Iran. Golshiri died, allegedly of meningitis, on June 5, 2000, in Tehran. HESHMAT MOAYYAD has been Professor of Persian Literature at the University of Chicago since 1966.
Though not generally perceived as graceful, crows are remarkably so—a single curve undulates from the tip of the bird’s beak to the end of its tail. They take flight almost without effort, flapping their wings easily and ascending into the air like spirits. Crow by Boria Sax is a celebration of the crow and its relatives in myth, literature, and life. Sax takes readers into the history of crows, detailing how in a range of cultures, from the Chinese to the Hopi Indians, crows are bearers of prophecy. For example, thanks in part to the birds’ courtship rituals, Greeks invoked crows as symbols of conjugal love. From the raven sent out by Noah to the corvid deities of the Eskimo, from Taoist legends to Victorian novels and contemporary films, Sax’s book ranges across history and culture and will interest anyone who has ever been intrigued, puzzled, annoyed, or charmed by these wonderfully intelligent birds.
The picture book inspiration for the Academy Award-winning film The Green Book Ruth was so excited to take a trip in her family's new car! In the early 1950s, few African Americans could afford to buy cars, so this would be an adventure. But she soon found out that Black travelers weren't treated very well in some towns. Many hotels and gas stations refused service to Black people. Daddy was upset about something called Jim Crow laws . . . Finally, a friendly attendant at a gas station showed Ruth's family The Green Book. It listed all of the places that would welcome Black travelers. With this guidebook—and the kindness of strangers—Ruth could finally make a safe journey from Chicago to her grandma's house in Alabama. Ruth's story is fiction, but The Green Book and its role in helping a generation of African American travelers avoid some of the indignities of Jim Crow are historical fact.
"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 23/03/1958 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXIII, No. 12. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 11-45 ARTICLE: 1. The Aesthetic Response 2. The Lad Who Roared Like A Tiger 3. Courtship Ceremonial Among Birds 4. Bertrand Russell on Modern Life AUTHOR: 1. Armando Menezes 2. Hirji R. Doctor 3. Dr. S. C. Law 4. D. Y. Deshpande KEYWORDS: Questions Non-Volitional Youth Tannamishra Tansen Indian Music Season Godwit Birds Hollows Original Russell Cambridge Document ID: APE-1958-(Jan-Jun)-VOL-I-12
