Presents interviews, photographs, letters, oral histories, stories, eyewitness accounts, and excerpts from historical writings from different perspectives on a wide variety of topics related to the Second World War.
In a book arranged in chapters which deal separately with the Home Fronts of each country, Beck is able to provide a comprehensive picture of the effects of the world's only 'total war' upon the civilians who often faced bewilderment, fear, death, and destruction all around them. Beck considers the effects of bombing and sometimes actual fighting in the streets and towns in which people lived, and the policies of individual governments that attempted to encourage and retain support for the war effort in varying ways.
The People's War lifts the Stalinist veil of secrecy to probe an almost untold side of World War II: the experiences of the Soviet people themselves. Going beyond dry and faceless military accounts of the eastern front of the "Great Patriotic War" and the Soviet state's one-dimensional "heroic People," this volume explores how ordinary citizens responded to the war, Stalinist leadership, and Nazi invasion. Drawing on a wealth of archival and recently published material, contributors detail the calculated destruction of a Jewish town by the Germans and present a chilling picture of life in occupied Minsk. They look at the cultural developments of the war as well as the wartime experience of intellectuals, for whom the period was a time of relative freedom. They discuss women's myriad roles in combat and other spheres of activity. They also reassess the behavior and morale of ordinary Red Army troops and offer new conclusions about early crushing defeats at the hands of the Germans--defeats that were officially explained as cowardice on the part of high officers. A frank investigation of civilian life behind the front lines, The People's War provides a detailed, balanced picture of the Stalinist USSR by describing not only the command structure and repressive power of the state but also how people reacted to them, cooperated with or opposed them, and adapted or ignored central policy in their own ways. By putting the Soviet people back in their war, this volume helps restore the range and complexity of human experience to one of history's most savage periods.
Modern military history, inspired by social and cultural historical approaches, increasingly puts the national histories of the Second World War to the test. New questions and methods are focusing on aspects of war and violence that have long been neglected. What shaped people’s experiences and memories? What differences and what similarities existed in Eastern and Western Europe? How did the political framework influence the individual and the collective interpretations of the war? Finally, what are the benefits of Europeanizing the history of the Second World War? Experts from Belgium, Germany, France, Great Britain, Italy, Luxembourg, Poland, and Russia discuss these and other questions in this comprehensive volume.
Faith in the Fight tells a story of religion, soldiering, suffering, and death in the Great War. Recovering the thoughts and experiences of American troops, nurses, and aid workers through their letters, diaries, and memoirs, Jonathan Ebel describes how religion--primarily Christianity--encouraged these young men and women to fight and die, sustained them through war's chaos, and shaped their responses to the war's aftermath. The book reveals the surprising frequency with which Americans who fought viewed the war as a religious challenge that could lead to individual and national redemption. Believing in a "Christianity of the sword," these Americans responded to the war by reasserting their religious faith and proclaiming America God-chosen and righteous in its mission. And while the war sometimes challenged these beliefs, it did not fundamentally alter them. Revising the conventional view that the war was universally disillusioning, Faith in the Fight argues that the war in fact strengthened the religious beliefs of the Americans who fought, and that it helped spark a religiously charged revival of many prewar orthodoxies during a postwar period marked by race riots, labor wars, communist witch hunts, and gender struggles. For many Americans, Ebel argues, the postwar period was actually one of "reillusionment." Demonstrating the deep connections between Christianity and Americans' experience of the First World War, Faith in the Fight encourages us to examine the religious dimensions of America's wars, past and present, and to work toward a deeper understanding of religion and violence in American history.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.
The Great War’s bitter outcome left the experience largely overlooked and forgotten in American history. This timely book is a reexamination of America’s first global experience as we commemorate WWI's centennial. The U.S. steered clear of the Great War for more than two years, but President Woodrow Wilson reluctantly led the divided country into the conflict with the goal of making the world “safe for democracy.” The country assumed a global role for the first time and attempted to build the foundations for world peace, only to witness the experience go badly awry and it retreated into isolationism.The Great War was the first continent-wide conflagration in a century, and it drew much of the world into its fire. By the end, four empires and their royal houses had fallen, communism was unleashed, the map of the Middle East was redrawn, and the United States emerged as a global power—only to withdraw from the world’s stage.The United States was disillusioned with what it achieved in the earlier war and withdrew into itself. Americans have tried to forget about it ever since. The Great War in America presents an opportunity to reexamine the country’s role on the global stage and the tremendous political and social changes that overtook the nation because of the war.
From a bestselling historian, a daringly revisionist history of World War I The Pity of War makes a simple and provocative argument: the human atrocity known as the Great War was entirely England's fault. According to Niall Ferguson, England entered into war based on naive assumptions of German aims, thereby transforming a Continental conflict into a world war, which it then badly mishandled, necessitating American involvement. The war was not inevitable, Ferguson argues, but rather was the result of the mistaken decisions of individuals who would later claim to have been in the grip of huge impersonal forces. That the war was wicked, horrific, and inhuman is memorialized in part by the poetry of men like Wilfred Owen and Siegfried Sassoon, but also by cold statistics. Indeed, more British soldiers were killed in the first day of the Battle of the Somme than Americans in the Vietnam War. And yet, as Ferguson writes, while the war itself was a disastrous folly, the great majority of men who fought it did so with little reluctance and with some enthusiasm. For anyone wanting to understand why wars are fought, why men are willing to fight them and why the world is as it is today, there is no sharper or more stimulating guide than Niall Ferguson's The Pity of War.