Dickinsons' Comprehensive Pictures Of The Great Exhibition Of 1851
Dickinsons' Comprehensive Pictures Of The Great Exhibition Of 1851

Author: Nash Joseph 1809-1878

Publisher: Legare Street Press

Published: 2022-10-26

Total Pages: 0

ISBN-13: 9781015548343

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Photography and the 1851 Great Exhibition
Photography and the 1851 Great Exhibition

Author: Anthony Hamber

Publisher:

Published: 2018-09

Total Pages: 656

ISBN-13: 9781851779833

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The first comprehensive study of the diverse role and impact of photography at the 1851 Great Exhibition in London, drawing together two decades of research to create a broader understanding of the step-change in image making and distribution represented by The Great Exhibition of the Works of Industry of All Nations - the genesis of the Victoria and Albert Museum, London.0While the Great Exhibition has received a variety of examinations, its role in exhibiting and furthering the cause and exploitation of photography and its impact on illustration has been largely underappreciated. More broadly, 1851 saw a massive change in information management: in the creation and dissemination of visually based graphic information characterized by images of the building, its contents and their display that collectively constituted the Great Exhibition. Photography played a critical role in this quantum leap.00Exhibition: V&A Photography Centre, London, UK (October 2018).

1936-1937 Great Lakes Exposition, The
1936-1937 Great Lakes Exposition, The

Author: Brad Schwartz

Publisher: Arcadia Publishing

Published: 2016

Total Pages: 128

ISBN-13: 1467124133

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The Great Lakes Exposition was held in Cleveland during the summers of 1936 and 1937, drawing seven million visitors over its two-year run. The exposition was intended to observe the city's centennial anniversary and to celebrate the Great Lakes Region. It was also hoped that it would help lift the city's economy out of the Great Depression. The exposition boasted a staggering array of ever-changing national-level attractions and feature events. In a single day, exposition visitors could experience the latest technological innovations; see a world-class aquatics show; watch a Shakespearean play; ride in a blimp; and hear the music, taste the food, view the architecture, and experience the culture of 40 of the world's countries.

World of Fairs
World of Fairs

Author: Robert W. Rydell

Publisher: University of Chicago Press

Published: 1993-11

Total Pages: 281

ISBN-13: 0226732371

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In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.

The Great Exhibition of 1851
The Great Exhibition of 1851

Author: Jeffrey A. Auerbach

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 300

ISBN-13: 9780300080070

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"The book challenges the common view that the Exhibition symbolized peace, progress, prosperity, and the emergence of an industrial middle class. Auerbach suggests instead that the Great Exhibition became a cultural battlefield on which proponents of different visions of industrialization, modernization, and internationalism fought for ascendancy in the struggle for a new national identity."--BOOK JACKET.

Official Catalogue of the Great Exhibition of the Works of Industry of All Nations, 1851
Official Catalogue of the Great Exhibition of the Works of Industry of All Nations, 1851

Author: Great Britain Commissioners for the Exh

Publisher: Franklin Classics

Published: 2018-10-11

Total Pages: 330

ISBN-13: 9780342386451

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The World for a Shilling
The World for a Shilling

Author: Michael Leapman

Publisher: Faber & Faber

Published: 2011-08-18

Total Pages: 214

ISBN-13: 0571281664

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Conceived as a showcase for Britain's burgeoning manufacturing industries and the exotic products of its Empire, the Great Exhibition at the Crystal Palace was Britain's first truly national spectacle. Michael Leapman explores how the exhibition came into being; the key characters who made it happen (from Prince Albert, who was credited with the idea, to Thomas Cook, whose cheap railway trips ensured its accessibility to all); and the fascinating tales behind the exhibits that fired the imagination of the era. 'The best kind of popular history: exact, imaginative and full of fun.' Sunday Telegraph `Splendid... Michael Leapman brings a child's delight to the wonders of the Exhibition and his enthusiastic prose makes his readers feel they are almost walking down its aisles.' Mail on Sunday `Entertaining and engaging' Independent

A People Passing Rude
A People Passing Rude

Author: Anthony Cross

Publisher: Open Book Publishers

Published: 2012-11-01

Total Pages: 350

ISBN-13: 190925410X

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"The essays in this stimulating collection attest to the scope and variety of Russia's influence on British culture. They move from the early nineteenth century -- when Byron sent his hero Don Juan to meet Catherine the Great, and an English critic sought to come to terms with the challenge of Pushkin -- to a series of Russian-themed exhibitions at venues including the Crystal Palace and Earls Court. The collection looks at British encounters with Russian music, the absorption with Dostoevskii and Chekhov, and finishes by shedding light on Britain's engagement with Soviet film."--Back cover.

Whose Fair?
Whose Fair?

Author: James Gilbert

Publisher: University of Chicago Press

Published: 2009-12-15

Total Pages: 234

ISBN-13: 0226293122

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The 1904 St. Louis World’s Fair was a major event in early-twentieth-century America. Attracting millions of tourists, it exemplified the Victorian predilection for public spectacle. The Fair has long served as a touchstone for historians interested in American culture prior to World War I and has endured in the memories of generations of St. Louis residents and visitors. In Whose Fair? James Gilbert asks: what can we learn about the lived experience of fairgoers when we compare historical accounts, individual and collective memories, and artifacts from the event? Exploring these differing, at times competing, versions of history and memory prompts Gilbert to dig through a rich trove of archival material. He examines the papers of David Francis, the Fair’s president and subsequent chief archivist; guidebooks and other official publications; the 1944 film Meet Me in St. Louis; diaries, oral histories, and other personal accounts; and a collection of striking photographs. From this dazzling array of sources, Gilbert paints a lively picture of how fairgoers spent their time, while also probing the ways history and memory can complement each other.