The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
This fourth book in the four-volume narrative history series for elementary students will transform your study of history. The Story of the World has won awards from numerous homeschooling magazines and readers' polls—over 150,000 copies of the series in print! Where was the Crystal Palace? Who was the Sick Man of Europe? And how did cow fat start a revolution? Now more than ever, other countries and customs affect our everyday lives—and our children need to learn about the people who live all around the world. Susan Wise Bauer has provided a captivating guide to the history of modern nations all around the world. Written in an engaging, straightforward manner, the final volume of the popular Story of the World series weaves world history into a storybook format, covering major historical events in the years 1850-2000. From the Middle East and China to Africa and the Americas—find out what happened all around the world in the last century and a half. Designed as a read-aloud project for parents and children to share together, The Story of the World includes the stories of each continent and people group. Each Story of the World volume provides a full year of history study when combined with the Activity Book, Audiobook, and Tests—each available separately to accompany each volume of The Story of the World Text Book. Volume 4 Grade Recommendation: Grades 3-8.
For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.” A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.
The Great Exhibition of 1851 was the world's first international exposition of manufactured goods, inventions, works of art and artefacts from many cultures. A showcase of British manufacturing supremacy, an educational extravaganza, a lesson to foreigners and a deep source of public fascination, the Exhibition was closely connected with Queen Victoria's consort, Prince Albert, who put much effort into having it sited in Hyde Park against stiff opposition. Protesters feared the disappearance of the park under tons of bricks and mortar, but when the great structure was eventually chosen and built, it silenced dissenters and became the most famous new building in the world.
The nineteenth century is too often invoked as moment where Britain alone exerted global dominance, without the need for European collaboration. This book shows how this is fundamentally wrong by exploring British collaboration with France between 1848 and 1914. Gillen redefines our understanding of Britain’s role in the world in the age of empire.