Catsby, twenty-something nobody, loses his girlfriend to another man. A richer man. His pan Houndu treats him to wine, women and song, but there’s no forgetting the lost Persu. The thousand humiliations of youth are poured upon Catsby, who feels far too much to begin with, and whose prospects go from bad to worse. Now he’s petrified by his father, now drunk on the floor, now freaking over a blind-date, now convinced it’s all for nothing. And that’s just volume one of this groundbreaking new series. No detail however vulgar or delicate is left out as the angst of youth is beautifully dissected.
Catsby, twenty-something nobody, loses his girlfriend to another man. A richer man. His pan Houndu treats him to wine, women and song, but there’s no forgetting the lost Persu. The thousand humiliations of youth are poured upon Catsby, who feels far too much to begin with, and whose prospects go from bad to worse. Now he’s petrified by his father, now drunk on the floor, now freaking over a blind-date, now convinced it’s all for nothing. And that’s just volume one of this groundbreaking new series. No detail however vulgar or delicate is left out as the angst of youth is beautifully dissected.
The subject of this book is a consideration of the usefulness of the concept of fidelity put forward by the philosopher Alain Badiou in the discussion of film adaptation. Fidelity or faithfulness is primarily a consideration that emerges in relation to so-called canonical texts in adaptation: Fitzgerald's The Great Gatsby occupies a position of global recognisability and, within the United States, cultural mythology that has triggered strong reactions to the four Hollywood adaptations. The various adaptations allow for the differing approaches to the adaptation of this novel to be meaningfully explored. The film adaptations’ paratextual elements will be discussed in order to show how these acted as limiting lenses. The strategies of the films for handling elements of Fitzgerald’s prose and themes will be compared across the adaptations. This will culminate in an assertion of the worth of a larger application of a Badiouian fidelity within the field.
This eBook features the unabridged text of ‘The Great Gatsby by F. Scott Fitzgerald - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of F. Scott Fitzgerald’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Fitzgerald includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Great Gatsby by F. Scott Fitzgerald - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Fitzgerald’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
NOW A NEW YORK TIMES BESTSELLER! Publisher's Weekly "Best Summer Books of 2013" The Daily Beast's "Brainy Summer Beach Reads" The classic literary canon meets the comics artists, illustrators, and other artists who have remade reading in Russ Kick's magisterial, three-volume, full-color The Graphic Canon, volumes 1, 2, and 3. Volume 3 brings to life the literature of the end of the 20th century and the start of the 21st, including a Sherlock Holmes mystery, an H.G. Wells story, an illustrated guide to the Beat writers, a one-act play from Zora Neale Hurston, a disturbing meditation on Naked Lunch, Rilke's soul-stirring Letters to a Young Poet, Anaïs Nin's diaries, the visions of Black Elk, the heroin classic The Man With the Golden Arm (published four years before William Burroughs' Junky), and the postmodernism of Thomas Pynchon, David Foster Wallace, Kathy Acker, Raymond Carver, and Donald Barthelme. The towering works of modernism are here--T.S. Eliot's "The Love Song of J. Alfred Prufrock" and "The Waste Land," Yeats's "The Second Coming" done as a magazine spread, Heart of Darkness, stories from Kafka, The Voyage Out by Virginia Woolf, James Joyce's masterpiece, Ulysses, and his short story "Araby" from Dubliners, rare early work from Faulkner and Hemingway (by artists who have drawn for Marvel), and poems by Gertrude Stein and Edna St. Vincent Millay. You'll also find original comic versions of short stories by W. Somerset Maugham, Flannery O'Connor, and Saki (manga style), plus adaptations of Lolita (and everyone said it couldn't be done!), The Age of Innocence, Siddhartha and Steppenwolf by Hermann Hesse, "The Negro Speaks of Rivers" by Langston Hughes, One Flew Over the Cuckoo's Nest, Last Exit to Brooklyn, J.G. Ballard's Crash, and photo-dioramas for Animal Farm and The Wonderful Wizard of Oz. Feast your eyes on new full-page illustrations for 1984, Brave New World, Waiting for Godot, One Hundred Years of Solitude,The Bell Jar, On the Road, Lord of the Flies, The Wind-Up Bird Chronicle, and three Borges stories. Robert Crumb's rarely seen adaptation of Nausea captures Sartre's existential dread. Dame Darcy illustrates Cormac McCarthy's masterpiece, Blood Meridian, universally considered one of the most brutal novels ever written and long regarded as unfilmable by Hollywood. Tara Seibel, the only female artist involved with the Harvey Pekar Project, turns in an exquisite series of illustrations for The Great Gatsby. And then there's the moment we've been waiting for: the first graphic adaptation from Kurt Vonnegut's masterwork, Slaughterhouse-Five. Among many other gems.
The Great Gatsby is widely regarded as one of the masterpieces of American fiction. It tells of the mysterious Jay Gatsby’s grand effort to win the love of Daisy Buchanan, the rich girl who embodies for him the promise of the American dream. Deeply romantic in its concern with self-making, ideal love, and the power of illusion, it draws on modernist techniques to capture the spirit of the materialistic, morally adrift, post-war era Fitzgerald dubbed “the jazz age.” Gatsby’s aspirations remain inseparable from the rhythms and possibilities suggested by modern consumer culture, popular song, the movies; his obstacles inseparable from contemporary American anxieties about social mobility, racial mongrelization, and the fate of Western civilization. This Broadview edition sets the novel in context by providing readers with a critical introduction and crucial background material about the consumer culture in which Fitzgerald was immersed; about the spirit of the jazz age; and about racial discourse in the 1920s.
“The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each others’ names.” After the dizzying success of Tales of the Jazz Age in 1922, Fitzgerald submitted a very different work to his publishers two years later. Originally entitled Tremalchio, the novel was extensively revised at the galley stage, and emerged with a new title: The Great Gatsby. The novel sold poorly, however, and it was not until after Fitzgerald’s death in 1940 that The Great Gatsby began to be regarded as his greatest work—and by many as the great American novel. When Nick Carraway rents a cottage in an exclusive part of Long Island, he becomes curious about his neighbour in the mansion next door, where extravagant parties extend into the early hours. Jay Gatsby turns out to care little for partying, but is obsessed with winning back Daisy Buchanan, an early love who is now married and living just across the water. This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices or introduction.
Gateway to the Great Books are great writings which selections include short stories, plays, essays, scientific papers, speeches, and letters. Each selection represents a primary, original, and fundamental contribution to ones understanding of the universe and themselves. There are over 135 Authors, 225 Selections and 95 original illustrations. Selections include works from Ernest Hemingway, F. Scott Fitzgerald, T. S Eliot, Mark Twain and more. This set will help introduce oneself to good literature and the Great Books of the Western World.
Book 1: Step into the opulent world of the Jazz Age with “The Great Gatsby by F. Scott Fitzgerald.” Fitzgerald's classic novel unravels the glamour, decadence, and tragedy of the American Dream. Through the enigmatic Jay Gatsby, the author explores themes of love, wealth, and the elusive pursuit of happiness, creating a timeless commentary on the Roaring Twenties. Book 2: Explore the darker side of wealth and excess with “The Beautiful and Damned by F. Scott Fitzgerald.” Fitzgerald's novel delves into the lives of Anthony and Gloria Patch, a couple navigating the pitfalls of wealth, hedonism, and societal expectations. This introspective work offers a poignant reflection on the consequences of unrestrained ambition. Book 3: Experience the coming-of-age tale of Amory Blaine in “This Side of Paradise by F. Scott Fitzgerald.” Fitzgerald's debut novel captures the essence of youth, love, and disillusionment. Through Amory's journey, the author paints a vivid portrait of the post-World War I generation, exploring the evolving values and aspirations of the Lost Generation.
Romance in the Time of Modernism: A Literature of Silence reasserts the theme of love in an age of anguish. Modernism has been and still is studied and interpreted under multiple perspectives. However, there is a lacuna in the corpus of scholarship: the theme of love has been ignored. Being modernism iconoclastic and obscure in its premises, but also dark in its conclusion, how do modernist characters love? This book emphasizes the persistence of romance in an age of dissolution. In spite of the homologation process that the industrial revolution has started, modernist characters are still individuals of passion but it is a passion they are incapable of telling. Love is a romance that is blended with everything modernism is synonymous with: alienation, nihilism, fragmentation, the terror of those who live in a universe meant to be silent.
