Futurist Painting Sculpture (Plastic Dynamism)

Futurist Painting Sculpture (Plastic Dynamism)

Author: Umberto Boccioni

Publisher: Getty Publications

Published: 2016-06-01

Total Pages: 306

ISBN-13: 1606064754

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Futurist Painting Sculpture (Plastic Dynamism), a truly radical book by Umberto Boccioni (1882–1916), claimed a central position in artistic debates of the 1910s and 1920s, exerting a powerful influence on the Italian Futurist movement as well as on the entire European historical avant-garde, including Dada and Constructivism. Today, Boccioni is best known as an artist whose paintings and sculptures are prized for their revolutionary aesthetic by American and European museums. But Futurist Painting Sculpture demonstrates that he was also the foremost avant-garde theorist of his time. In his distinctive, exhilarating prose style, Boccioni not only articulates his own ideas about the Italian movement’s underpinnings and goals but also systematizes the principles expressed in the vast array of manifestos that the Futurists had already produced. Featuring photographs of fifty-one key works and a large selection of manifestos devoted to the visual arts, Boccioni’s book established the canon of Italian Futurist art for many years to come. First published in Italian in 1914, Futurist Painting Sculpture has never been available in English—until now. This edition includes a critical introduction by Maria Elena Versari. Drawing on the extensive Futurist archives at the Getty Research Institute, Versari systematically retraces, for the first time, the evolution of Boccioni’s ideas and arguments; his attitude toward contemporary political, racial, philosophical, and scientific debates; and his polemical view of Futurism’s role in the development of modern art.


Italian Futurism 1909-1944

Italian Futurism 1909-1944

Author: Solomon R. Guggenheim Museum

Publisher: Guggenheim Museum

Published: 2014

Total Pages: 0

ISBN-13: 9780892074990

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February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.


Boccioni's Materia

Boccioni's Materia

Author:

Publisher: Guggenheim Museum

Published: 2004-02-02

Total Pages: 0

ISBN-13: 9780892073030

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Umberto Boccioni was perhaps the most versatile and impassioned of the Futurists--the literary, political and artistic movement that flourished in Italy during the first half of the twentieth century, proclaiming a revolutionary, spectacular style of life. His masterwork, "Materia," a huge canvas painted during July and August of 1912, depicts the artist's mother seated on the balcony of her apartment at Via Adige, 23, in Milan. Her monumental, sculpted hands sit at the center of the painting, and behind and above her are the rooftops and factory buildings of the Piazza Trento and beyond. The Cubist energy of the composition is enhanced by an open window that reflects rays of light over her, illustrating simultaneous visual impressions of indoors and outdoors. Boccioni's Materia: A Futurist Masterpiece and the European Avant-Garde is organized around a series of themes including the artist's evolution from Divisionism to Futurism, the exchanges between Cubism and Futurism, and the relationship between Boccioni's painting and sculpture. Through an exploration of related paintings by Boccioni, as well as works by his counterparts within the greater European sphere, from Picasso to Duchamp, this exhibition and catalogue demonstrate the pivotal role Boccioni played within the history of Modernism, broadening the current perspective on the artist and, by extension, the Italian Futurism movement. This publication will include drawings, sculptures, period photographs and archival documentation, providing an unprecedented understanding of Boccioni's working process, and the interconnected relationships between the works he executed in diverse media, underlining, for example, his exploration of the fusion of interiors and exteriors, an approach integral to the Futurist conceptualization of spatial relationships and motion. A series of scholarly essays completes the volume.


Boccioni, a Retrospective

Boccioni, a Retrospective

Author: Ester Coen

Publisher: Metropolitan Museum of Art

Published: 1988

Total Pages: 330

ISBN-13: 0870995227

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Traces the life and career of the Italian artist, discusses his connection to the Futurist movement, and looks at his paintings, drawings, and sculpture.


The Manifesto of Futurism

The Manifesto of Futurism

Author: Filippo Tommaso Marinetti

Publisher: Passerino Editore

Published: 2016-04-04

Total Pages: 10

ISBN-13: 8893450496

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Filippo Tommaso Emilio Marinetti (22 December 1876 – 2 December 1944) was an Italian poet, editor, art theorist, and founder of the Futurist movement. "The Manifesto of Futurism" written by the Italian poet Filippo Tommaso Marinetti, initiated an artistic philosophy, Futurism, that was a rejection of the past, and a celebration of speed, machinery, violence, youth and industry; it also advocated the modernization and cultural rejuvenation of Italy. Marinetti wrote the manifesto in the autumn of 1908 and it first appeared as a preface to a volume of his poems, published in Milan in January 1909. It was published in the Italian newspaper Gazzetta dell'Emilia in Bologna on 5 February 1909 then in French as Manifeste du futurisme (Manifesto of Futurism) in the newspaper Le Figaro on 20 February 1909. Translated by Jason Forbus


Graphic Design Discourse

Graphic Design Discourse

Author: Henry Hongmin Kim

Publisher: Chronicle Books

Published: 2018-03-20

Total Pages: 459

ISBN-13: 1616896728

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If the aim of graphic design is to communicate meaning clearly, there's an irony that the field itself has struggled between two contradictory opposites: rote design resulting from a rigorous, fixed set of rules, and eccentric design that expresses the hand of the artist but fails to communicate with its audience. But what if designers focused on process and critical analysis over visual outcome? Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, Graphic Design Discourse: Evolving Theories, Ideologies, and Processes of Visual Communication establishes a new paradigm for graphic design methodologies for the twenty-first century. This illuminating anthology is essential reading for practicing designers, educators, and students trying to understand how to design in a singular, expressive way without forgoing clear and concise visual communication.


Art Books

Art Books

Author: Wolfgang M. Freitag

Publisher: Routledge

Published: 2013-10-28

Total Pages: 572

ISBN-13: 1134830416

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First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.


Theories of Modern Art

Theories of Modern Art

Author: Herschel B. Chipp

Publisher: Univ of California Press

Published: 2023-12-22

Total Pages: 692

ISBN-13: 0520353269

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Herschel B. Chipp's Theories of Modern Art: A Source Book By Artists and Critics is a collection of texts from letters, manifestos, notes and interviews. Sources include, as the title says, artists and critics—some expected, like van Gogh, Gauguin, Apollinaire, Mondrian, Greenberg, just to name a few—and some less so: Trotsky and Hitler, in the section on Art and Politics. The book is a wonderful resource and insight into the way artists think and work.