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Author: Michael S. Kinnear
Publisher: Popular Prakashan
Published: 1994
Total Pages: 328
ISBN-13: 9788171547289
DOWNLOAD EBOOKThis Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
Author:
Publisher:
Published: 2000
Total Pages: 388
ISBN-13:
DOWNLOAD EBOOKA complete numerical catalogue, by matrix serials, of Indian Gramophone recordings made from 1908 to 1910, detailing all known and traced recordings by The Gramophone Company, Ltd., in India. This is the second volume in the series of discographical studies on the recordings taken in India and released by The Gramophone Company, Ltd., of Indian repertoires, together with a detailed historical examination of the development of the sound recording industry in India up to 1914.
Author: Michael S. Kinnear
Publisher: Bajakhana
Published: 2003
Total Pages: 0
ISBN-13: 9780957735545
DOWNLOAD EBOOKAn encyclopaedia of the 78 rpm record labels produced in India and elsewhere, covering all known record labels and histories of the producing concerns from 1899 through to the late 1960's. With a Supplement on the numerical series of the major labels and an Appendix on the record labels of non-Indian and Asian repertoires made in or associated with India.
Author: Michael S. Kinnear
Publisher: Bajakhana
Published: 2001
Total Pages: 0
ISBN-13: 9780957735538
DOWNLOAD EBOOKA numerical listing of all known recordings produced by The Nicole Record Company, Limited, from 1903 to 1906. Together with information about reissued and transferred recordings. With Bibliography and indices and with illustrations in the text
Author: Michael Kinnear
Publisher: Bajakhana
Published: 2016-03-10
Total Pages: 0
ISBN-13: 9780957735569
DOWNLOAD EBOOKARSC Award for Excellence in Best Historical Research in Record Labels, Best Discography - 2017. First Published 1994 as: The Gramophone Company's First Indian Recordings 1899-1908. Revised, Corrected and Expanded Edition with a Lacuna of the first known disc recordings of Tibetan performers. The Gramophone Company's First Indian Recordings 1899 to 1907, is a discographical study of Indian recordings taken in London in 1899 for E. Berliner's Gramophone, and at various places in India between 1902 and 1907, detailing all the known or traced recordings of several dialects and musical styles together with a study of the history and development of the sound recording industry in India.
Author: Amar Nath Sharma
Publisher:
Published: 2012
Total Pages: 365
ISBN-13: 9789382001003
DOWNLOAD EBOOKAuthor: Vikram Sampath
Publisher: Taylor & Francis
Published: 2022-06-30
Total Pages: 229
ISBN-13: 1000590747
DOWNLOAD EBOOKIn 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
Author: Jayson Beaster-Jones
Publisher: Routledge
Published: 2016-05-12
Total Pages: 236
ISBN-13: 1317365380
DOWNLOAD EBOOKThis book examines music stores as sites of cultural production in contemporary India. Analyzing social practices of selling music in a variety of retail contexts, it focuses upon the economic and social values that are produced and circulated by music retailers in the marketplace. Based upon research conducted over a volatile ten-year period of the Indian music industry, Beaster-Jones discusses the cultural histories of the recording industry, the social changes that have accompanied India’s economic liberalization reforms, and the economic realities of selling music in India as digital circulation of music recordings gradually displaced physical distribution. The volume considers the mobilization of musical, economic, and social values as a component of branding discourses in neoliberal India, as a justification for new regimes of legitimate use and intellectual property, as a scene for the performance of cosmopolitanism by shopping, and as a site of anxiety about transformations in the marketplace. It relies upon ethnographic observation and interviews from a variety of sources within the Indian music industry, including perspectives of executives at music labels, family-run and corporate music stores, and hawkers in street markets selling counterfeit recordings. This ethnography of the practices, spaces, and anxieties of selling music in urban India will be an important resource for scholars in a wide range of fields, including ethnomusicology, anthropology, popular music studies, and South Asian studies.
Author: Karl Hagstrom Miller
Publisher: Duke University Press
Published: 2010-02-11
Total Pages: 386
ISBN-13: 0822392704
DOWNLOAD EBOOKIn Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Author: Javed Majeed
Publisher: Routledge
Published: 2018-08-31
Total Pages: 237
ISBN-13: 0429799373
DOWNLOAD EBOOKThis book is the first detailed examination of George Abraham Grierson’s Linguistic Survey of India, one of the most complete sources on South Asian languages. It shows that the Survey was characterised by a composite and collaborative mode of producing knowledge, which undermines any clear distinctions between European orientalists and colonised Indians in British India. Its authority lay more in its stress on the provisional nature of its findings, an emphasis on the approximate nature of its results, and a strong sense of its own shortcomings and inadequacies, rather than in any expression of mastery over India’s languages. The book argues that the Survey brings to light a different kind of colonial knowledge, whose relationship to power was much more ambiguous than has hitherto been assumed for colonial projects in modern India. It also highlights the contribution of Indians to the creation of colonial knowledge about South Asia as a linguistic region. Indians were important collaborators and participants in the Survey, and they helped to create the monumental knowledge of India as a linguistic region which is embodied in the Survey. This volume, like its companion volume Nation and Region in Grierson’s Linguistic Survey of India, will be a great resource for scholars and researchers of linguistics, language and literature, history, political studies, cultural studies and South Asian studies.
