Twenty years after her son's abduction, Beverley Cottrell begins piecing her life together teaching literature to London's disadvantaged youth, until a young man claiming to be her son appears.
Beverley Cottrell had a dream life: a prestigious job, a beautiful husband and new baby boy. But then, one winter afternoon, when her son was barely a few weeks old, Malakay was kidnapped from a parked car. Despite a media campaign, a full police investigation and the offer of a reward, he was never found. Two decades later, Beverley starts to believe that she has finally pieced her life together - until a young man starts to appear wherever she goes. One dark evening the stalker gets past her security door and calls through her letterbox. He tells her not to be scared. He tells her that he is Malakay, her son.
Charles Dickens wrote a great story..., a story that resonated with his readers over a century ago and has continued to do so over the years. The story's power to touch people's hearts is undeniable and this version is offered for two reasons. First, the original version is, for today's readers, difficult to read and understand. Its verbiage and style were entirely appropriate for the day, but now are cumbersome at best. This version is written to be more reader-friendly while holding to the soul and integrity of the original. Our story also has been abridged to some degree to make the story line a bit simpler. Second, we take the liberty of reading between the lines of what Dickens wrote and making, we believe, the logical assumption that Scrooge's final transformation is a true spiritual rebirth. Many who have studied his life and work are convinced of his own Christianity as his work not only includes a beautifully written story about Jesus, but his other writings always told a story of redemption. Read it to your children and your grandchildren during this Christmas time and then put it on the shelf to be taken down and re-read Christmas after Christmas. This story doesn't get old. It is, indeed, a perennial favorite.
One dark November night a stranger rides into a small prairie town. Who is he? Why has he come? The townspeople wish he were a doctor, a dressmaker, or a trader. But the children have the greatest wish of all, a deep, quiet, secret wish. Then a young girl named Lucy befriends the newcomer. When he reveals his identity and shares with her the legend of the candy cane, she discovers fulfillment of her wishes and the answer to her town's dreams. Now will she share what she has learned? Warm, lavish illustrations by James Bernardin bring to life a timeless tale by Lori Walburg, a story that will help families celebrate the mystery and miracle of Christmas—for many Christmases to come.
A New Light on John’s Gospel The Gospel according to John has always been recognized as different from the “synoptic” accounts of Matthew, Mark, and Luke. But what explains the difference? In this new translation and verse-byverse commentary, Michael Pakaluk suggests an answer and unlocks a twothousand-year-old mystery. Mary’s Voice in the Gospel according to John reveals the subtle but powerful influence of the Mother of Jesus on the fourth Gospel. In his dying words, Jesus committed his Mother to the care of John, the beloved disciple, who “from that hour . . . took her into his own home.” Pakaluk draws out the implications of that detail, which have been overlooked for centuries. In Mary’s remaining years on earth, what would she and John have talked about? Surely no subject was as close to their hearts as the words and deeds of Jesus. Mary’s unique perspective and intimate knowledge of her Son must have shaped the account of Jesus’ life that John would eventually compose. With the same scholarship, imagination, and fidelity that he applied to Mark’s Gospel in The Memoirs of St. Peter, Pakaluk brings out the voice of Mary in John’s, from the famous prologue about the Incarnation of the Word to the Evangelist’s closing avowal of the reliability of his account. This remarkably fresh translation and commentary will deepen your understanding of the most sublime book of the New Testament.
SOCIETY WITHIN takes us back to the Greenside Estate, West London, scene of Courttia Newland's ground-breaking and hugely successful first novel, THE SCHOLAR. Newly arrived on the estate is Elisha: sweet, bright, sassy and just eighteen. As Elisha negotiates some new territory with more than fair share of dark corners, we take in the vividly interlocking lives of the other Greensiders: cool, ambitious Valerie, with some bad secrets to deal with; Little Stacey, looking for his first girl; Orin, dealing, stealing and trying to stay away from anything too lethal. Courttia Newland tells gripping stories from real lives - stories of dreamers and fighters, love and revenge, friendship and betrayal - in a language burning with energy, originality and conviction.
The blues speak of many things, most of all love. In these contemporary, often humorous and frequently surprising stories, Courttia Newland's collection of family, friends, lovers and strangers endeavour to navigate a world where love presents as many obstacles as opportunities. A music journalist suffers a crisis of faith in Miami. Young London goes hip-hop crazy circa 1988, turning from Farah's and Clarks to baggy jeans and fat-laced trainers. Old friends make a belated attempt to reconnect disparate lives, and a social recluse finds an unexpected companion in a Victorian cemetery. Threaded with the constant pulse of music, A Book of Blues explores both physical and internal landscapes via the never-ending diversity of human relationships. Weaving dialects and maintaining remarkable empathy, these heartfelt tales explore intimate moments of quiet drama. Illuminating and enigmatic, Newland composes vivid, inimitable songs of self-discovery, tenderness and hope.
SHORTLISTED FOR THE ARTHUR C. CLARKE AWARD 2022 LONGLISTED FOR THE GORDON BURN PRIZE A monumental speculative fiction story of love, loyalty, politics and conscience set in parallel Londons The Ark was built to save the lives of the many, but rapidly became a refuge for the elite, the entrance closed without warning. Years later, Markriss Denny is one of the select few granted entry. He carries with him a closely guarded secret: the ability of his spirit to leave his body and transcend the known world. But once in, he learns of another who carries the same power, and their existence could spell catastrophe for humanity. Denny is forced into a desperate race to understand his abilities, and in doing so uncovers the truth about the Ark, himself and the people he thought he once knew.
This collection of five award-winning plays by Charles Smith includes Jelly Belly, Free Man of Color, Pudd’nhead Wilson, Knock Me a Kiss, and The Gospel According to James. Powerful, provocative, and entertaining, these plays have been produced by professional theater companies across the country and abroad. Four of the plays are based on historical people and events from W.E.B. Du Bois and Countee Cullen to the Harlem Renaissance. Accurate in the way they capture the political and cultural milieu of their historical settings, and courageous in the way they grapple with difficult questions such as race, education, religion, and social class, these plays jump off the page just as powerfully as they come to life on stage. This first-ever collection from one of the nation’s leading African American playwrights is a journey down the complex road of race and history.