The Good Monster

The Good Monster

Author: Diyora Rakhimova

Publisher: AuthorHouse

Published: 2019-06-28

Total Pages: 23

ISBN-13: 1728388155

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Blubby is a good and friendly monster, but he’s not just any kind of monster. He has a unique power and can shoot water out of his hair. Blubby is also kind, jolly and likes to help the people in the village. But when he tries to fit in, the other monsters laugh at him. I wonder why.


Monster, be Good!

Monster, be Good!

Author: Natalie Marshall

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9781609053147

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The reader is invited to tell seven naughty monsters how to behave.


Good Monster, Bad Monster

Good Monster, Bad Monster

Author: Tracey West

Publisher:

Published: 2002

Total Pages: 32

ISBN-13: 9780439344364

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When the Powerpuff Girls attempt to stop a new monster, they discover that Peter wants to be good, not bad, so they try to show him how to behave around people.


Good Morning, Monster

Good Morning, Monster

Author: Catherine Gildiner

Publisher: Penguin

Published: 2019-09-03

Total Pages: 331

ISBN-13: 0735236976

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A therapist creates moving portraits of five of her most memorable patients, men and women she considers psychological heroes. Catherine Gildiner is a bestselling memoirist, a novelist, and a psychologist in private practice for twenty-five years. In Good Morning, Monster, she focuses on five patients who overcame enormous trauma--people she considers heroes. With a novelist's storytelling gift, Gildiner recounts the details of their struggles, their paths to recovery, and her own tale of growth as a therapist. The five cases include a successful but lonely musician suffering sexual dysfunction; a young woman whose father abandoned her and her siblings in a rural cottage; an Indigenous man who'd endured great trauma at a residential school; a young woman whose abuse at the hands of her father led to a severe personality disorder; and a glamorous workaholic whose negligent mother had greeted her each morning with "Good morning, Monster." Each patient presents a mystery, one that will only be unpacked over years. They seek Gildiner's help to overcome an immediate challenge in their lives, but discover that the source of their suffering has been long buried. It will take courage to face those realities, and creativity and resourcefulness from their therapist. Each patient embodies self-reflection, stoicism, perseverance, and forgiveness as they work unflinchingly to face the truth. Gildiner's account of her journeys with them is moving, insightful, and sometimes humorous. It offers a behind-the-scenes look into the therapist's office and explains how the process can heal even the most unimaginable wounds.


Simone: the Best Monster Ever!

Simone: the Best Monster Ever!

Author:

Publisher: Owlkids

Published: 2017-05

Total Pages: 48

ISBN-13: 9781771472937

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"Meet Morris. He loves worms in his spaghetti and zombie bowling. Meet Simone. She loves flowers and puppies. Despite their differences, Simone and Morris are best friends. Even if Simone won't eat worms. Jokes abound as we join these two unlikely friends in their hilarious adventures in Morris's monster world!"--Page [4] of cover.


Perfect Copies

Perfect Copies

Author: Shiamin Kwa

Publisher: Rutgers University Press

Published: 2023-01-13

Total Pages: 161

ISBN-13: 1978826540

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Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.


Monster

Monster

Author: Steve Jackson

Publisher: Pinnacle Books

Published: 2013-04-19

Total Pages: 707

ISBN-13: 0786034424

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An account of serial killer Tom Luther that’s “one of the best books short of the famous Ann Rule works” from the New York Times bestselling author (True Crime Book Reviews). On a snowy winter evening in 1982, twenty-one-year-old Mary Brown accepted a ride from a handsome stranger in the resort town of Breckenridge, Colorado. The trip ended with her brutally beaten and raped. Mary survived, but her predator’s violence had only just begun. After ten years in prison, Tom Luther was released a far more vicious criminal. Soon, from the Rockies to West Virginia, like Ted Bundy, Luther enticed a chain of women into his murderous trap. In this gripping new edition of a true crime masterpiece, acclaimed author Steve Jackson recounts the intriguing pursuit and long-awaited conviction of a charismatic, monstrous psychopath, one who remains a suspect in three other crimes—and has never given up hope of escape. Includes sixteen pages of dramatic photos Praise for Steve Jackson “He writes with both muscle and heart.” —Gregg Olsen, #1 New York Times bestselling author of If You Tell “A born storyteller. He makes you sweat . . . and turn the page.” —Ron Franscell, national bestselling author of Alice & Gerald: A Homicidal Love Story


The Unnameable Monster in Literature and Film

The Unnameable Monster in Literature and Film

Author: Maria Beville

Publisher: Routledge

Published: 2013-10-30

Total Pages: 352

ISBN-13: 1135052298

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This book visits the 'Thing' in its various manifestations as an unnameable monster in literature and film, reinforcing the idea that the very essence of the monster is its excess and its indeterminacy. Tied primarily to the artistic modes of the gothic, science fiction, and horror, the unnameable monster retains a persistent presence in literary forms as a reminder of the sublime object that exceeds our worst fears. Beville examines various representations of this elusive monster and argues that we must looks at the monster, rather than through it, at ourselves. As such, this book responds to the obsessive manner in which the monsters of literature and culture are ‘managed’ in processes of classification and in claims that they serve a social function by embodying all that is horrible in the human imagination. The book primarily considers literature from the Romantic period to the present, and film that leans toward postmodernism. Incorporating disciplines such as cultural theory, film theory, literary criticism, and continental philosophy, it focuses on that most difficult but interesting quality of the monster, its unnameability, in order to transform and accelerate current readings of not only the monsters of literature and film, but also those that are the focus of contemporary theoretical discussion.