The Golden Century of Venetian Painting

The Golden Century of Venetian Painting

Author: Terisio Pignatti

Publisher: Angeles County Museum of Art

Published: 1979

Total Pages: 184

ISBN-13:

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"In this volume, the evolution of the Venetian Renaissance in painting is traced back from Belini's subtle tonal gradations and Giorgione's chromatic poetry, through Titian's sensous opulence and intense realism, to Tintoretto's dynamic light and visionary fantasy, and to the final glory of Veronese's joyous iridescence. The introductory essay provides an overview of the period and the artists who populated it, while short biographies and the commentaries on each color plate offer the reader an insight into the specific artistic personalities and forces that shaped each oeuvre."--Book jacket.


Titian and the Golden Age of Venetian Painting

Titian and the Golden Age of Venetian Painting

Author: National Galleries of Scotland

Publisher: Museum of Fine Arts Houston

Published: 2010

Total Pages: 95

ISBN-13: 9780300166859

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"This book highlights twenty-five extraordinary Venetian Renaissance paintings and drawings from the National Galleries of Scotland, exhibited in the United States for the first time. The focal points are Titian's masterpieces Diana and Actaeon and Dianaand Callisto. Also featured are works by Lorenzo Lotto, Jacopo Bassano, Tintoretto, and Veronese"--Provided by publisher.


Painting in Renaissance Venice

Painting in Renaissance Venice

Author: Peter Humfrey

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 338

ISBN-13: 9780300067156

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The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.


The Golden Century of Venetian Painting

The Golden Century of Venetian Painting

Author: Terisio Pignatti

Publisher: George Braziller

Published: 1979

Total Pages: 173

ISBN-13: 9780875870885

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Works by Bellini, Tintoretto, and other Venetian Renaissance artists are reproduced and accompanied by short biographies and commentaries


Venice & Antiquity

Venice & Antiquity

Author: Patricia Fortini Brown

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 388

ISBN-13: 0300067003

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Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.


Venice and the Islamic World, 828-1797

Venice and the Islamic World, 828-1797

Author: Institut du Monde Arabe (Paris)

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 388

ISBN-13: 0300124309

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From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.


Venice, the Golden Age, 697-1797

Venice, the Golden Age, 697-1797

Author: Alvise Zorzi

Publisher:

Published: 1983

Total Pages: 286

ISBN-13:

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Patricians and bankers - Confraternities and guilds - Religious and other festivals - Sports - Development and architecture of Venice - Venetian empire - Trade and traders - Merchants - Murano glass - Weavers - Ships - List of Patrician families - List of Doges of Venice.