Performing the Temple of Liberty

Performing the Temple of Liberty

Author: Jenna M. Gibbs

Publisher: JHU Press

Published: 2014-06-20

Total Pages: 328

ISBN-13: 1421413396

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Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will take an interest in this provocative work.


Theatre, Society and the Nation

Theatre, Society and the Nation

Author: S. E. Wilmer

Publisher: Cambridge University Press

Published: 2002-09-23

Total Pages: 291

ISBN-13: 1139435663

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Theatre has often served as a touchstone for moments of political change or national definition and as a way of exploring cultural and ethnic identity. In this book Steve Wilmer selects key historical moments in American history and examines how the theatre, in formal and informal settings, responded to these events. The book moves from the Colonial fight for independence, through Native American struggles, the Socialist Worker play, the Civil Rights Movement, and up to works of the last decade, including Tony Kushner's Angels in America. In addition to examining theatrical events and play texts, Wilmer also considers audience reception and critical response.


Drama, Theatre, and Identity in the American New Republic

Drama, Theatre, and Identity in the American New Republic

Author: Jeffrey H. Richards

Publisher: Cambridge University Press

Published: 2005-10-27

Total Pages: 406

ISBN-13: 1139448048

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Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography.


A History of the American Theatre from Its Origins to 1832

A History of the American Theatre from Its Origins to 1832

Author: William Dunlap

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 473

ISBN-13: 0252091035

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As America passed from a mere venue for English plays into a country with its own nationally regarded playwrights, William Dunlap lived the life of a pioneer on the frontier of the fledgling American theatre, full of adventures, mishaps, and close calls. He adapted and translated plays for the American audience and wrote plays of his own as well, learning how theatres and theatre companies operated from the inside out. Dunlap's masterpiece, A History of American Theatre was the first of its kind, drawing on the author's own experiences. In it, he describes the development of theatre in New York, Philadelphia, and South Carolina as well as Congress's first attempts at theatrical censorship. Never before previously indexed, this edition also includes a new introduction by Tice L. Miller.


Drama as Rhetoric/rhetoric as Drama

Drama as Rhetoric/rhetoric as Drama

Author: Stanley Vincent Longman

Publisher: University of Alabama Press

Published: 1997

Total Pages: 148

ISBN-13: 9780817308872

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Part 1. Rhetorical dimensions of drama: the classical context: The enthymeme and the invention of troping in Greek drama / August W. Staub. Theorizing the spectacle: a rhetorical analysis of tragic recognition / Tom Heeney. Exile and the kingdom: reason as nightmare in the Aeschylean vision / John Arthos -- Part 2. The rhetorical in renaissance and neoclassical drama: Epideictic pastoral: rhetorical tensions in the staging of Torquato Tasso's Aminta / Maria Galli Stampino. Shakespeare's rhetoric versus the ideology of Ian McKellen's Richard III / George L. Geckle. And now for application: Venice preserv'd and the rhetoric of textual application / Odai Johnson -- Part 3. War, politics, and the drama: Federalist and republican theatre in the 1790s / Steve Wilmer. Uncle Tom's Cabin and the rhetoric of gradualism / Charles Wilbanks. Dario Fo's angry farce / Stanley Vincent Longman -- Part 4. Contemporary culture: Stain upon the silence: Samuel Beckett's deconstructive inventions / Leigh Anne Howard. Still angry after all these years: performing the language of HIV and the marked body in The normal heart and The destiny of me / Peter Michael Pober.