The Dark Angel: Gothic Elements in Shelley's Works

The Dark Angel: Gothic Elements in Shelley's Works

Author: John V. Murphy

Publisher: Bucknell University Press

Published: 1975

Total Pages: 212

ISBN-13: 9780838714072

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By establishing a relationship between Shelley's works and the Gothic tradition, this study offers a new way of approaching the center of Shelley's thought. Consideration of Shelley's application of the Gothic mode as an agency for psychological analysis is preceded by a brief introduction to Gothic sensibility.


Byronic Hero Types and Proto

Byronic Hero Types and Proto

Author: Thorslev

Publisher: U of Minnesota Press

Published: 1999-01-01

Total Pages: 240

ISBN-13: 1452912297

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One hundred years of remarkable Minnesota stories are brought together for the first time in Minnesota's Twentieth Century. A collection of writings and interviews that originated with the popular feature "A Century of Stories" in the St. Paul Pioneer Press, this book reveals the progress of a courageous, industrious people and their changing state. Lavishly illustrating these recollections are indelible images--contemporary photographs of the storytellers, as well as historical views of street scenes, prohibition arrests, and landscapes--that reflect the transformations of the past one hundred.


The Romantic Ethic and the Spirit of Modern Consumerism

The Romantic Ethic and the Spirit of Modern Consumerism

Author: Colin Campbell

Publisher: WritersPrintShop

Published: 2005

Total Pages: 316

ISBN-13: 9781904623335

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The Romantic Ethic and the Spirit of Modern Consumerism was first published by Basil Blackwell of Oxford in 1987. A paperback edition appeared two years later, while in the following five years it was reprinted four times. However although the intervening years have seen the appearance of Italian, Portuguese, Slovenian and Chinese editions, no copies have been available in English since 1998. This Alcuin Academic edition has therefore been published in order to fill this gap, and more specifically to meet the needs of those academics and students who have contacted me over the past six or seven years in search of an English-language version of the book. Naturally I have considered writing a revised edition (which indeed some critics, as well as a few friends, have suggested is long overdue). -- Amazon.com.


Author: Charles J. Rzepka

Publisher: iUniverse

Published: 1999

Total Pages: 306

ISBN-13: 158348440X

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The Romantic poetas exemplified by Wordsworth, Coleridge, and Keatsis attracted to and made anxious by two opposite ideas of the self. On the one hand, he identifies with the inner self as a mind wholly at one with its perceptions and with the world as an image within it. On the other hand, since this inner self is wholly private, the poet turns to others for confirmation of its reality, either literally in direct confrontations, or figuratively, in the "voice" and workmanship of his text. Because his dependence on others for a sense of his own reality jeopardizes the poet's feelings of self-possession, however, he tries to minimize this threat by manipulating of preempting others' responses to him. Previous discussions of the Romantic self have focused on the self as a mental power immanent in the vision of the world it shapes. Charles Rzepka now draws our attention to the poet's attitude toward the self as socially formed and confirmed, and the effects of this attitude on Romantic poetry and perception.


British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824

British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824

Author: T. Wein

Publisher: Springer

Published: 2002-07-22

Total Pages: 299

ISBN-13: 1403913684

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British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824 considers three interlocking developments of this period: the emergence of the Gothic novel at a time when national upheavals required the construction of a new nationalist identity, the Gothic novel's redefinition of heroes and heroism in that nationalist debate, and changes within class and gender as well as audience and author relations. The scope of this study extends beyond the confines of the novel proper to include chapbooks and illustrated redactions.


Encyclopedia of Romanticism (Routledge Revivals)

Encyclopedia of Romanticism (Routledge Revivals)

Author: Laura Dabundo

Publisher: Routledge

Published: 2009-10-15

Total Pages: 686

ISBN-13: 1135232350

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First Published in 1992, this encyclopedia is designed to survey the social, cultural and intellectual climate of English Romanticism from approximately the 1780s and the French Revolution to the 1830s and the Reform Bill. Focussing on ‘the spirit of the age’, the book deals with the aesthetic, scientific, socioeconomic – indeed the human – environment in which the Romantics flourished. The books considers poets, playwrights and novelists; critics, editors and booksellers; painters, patrons and architects; as well as ideas, trends, fads, and conventions, the familiar and the newly discovered. The book will be of use for everyone from undergraduate English students, through to thesis-driven graduate students to teaching faculty and scholars.


From Melancholia to Prozac

From Melancholia to Prozac

Author: Clark Lawlor

Publisher: OUP Oxford

Published: 2012-02-23

Total Pages: 278

ISBN-13: 0191633860

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Depression is an experience known to millions. But arguments rage on aspects of its definition and its impact on societies present and past: do drugs work, or are they merely placebos? Is the depression we have today merely a construct of the pharmaceutical industry? Is depression under- or over-diagnosed? Should we be paying for expensive 'talking cure' treatments like psychoanalysis or Cognitive Behavioural Therapy? Here, Clark Lawlor argues that understanding the history of depression is important to understanding its present conflicted status and definition. While it is true that our modern understanding of the word 'depression' was formed in the late nineteenth and early twentieth centuries, the condition was originally known as melancholia, and characterised by core symptoms of chronic causeless sadness and fear. Beginning in the Classical period, and moving on to the present, Lawlor shows both continuities and discontinuities in the understanding of what we now call depression, and in the way it has been represented in literature and art. Different cultures defined and constructed melancholy and depression in ways sometimes so different as to be almost unrecognisable. Even the present is still a dynamic history, in the sense that the 'new' form of depression, defined in the 1980s and treated by drugs like Prozac, is under attack by many theories that reject the biomedical model and demand a more humanistic idea of depression - one that perhaps returns us to a form of melancholy.