What Josh thought would be the dullest summer of his life, spent with his eccentric great-aunt, turns chilling when he meets the ghost of a coal miner killed in a mine explosion. Willie has been waiting years for some kind soul to dig up his leg and rebury it with the rest of him—only then will he be at peace. Josh agrees to do the grisly deed, but when he digs in the old cemetery, he finds more than Willie’s leg bones! Who buried the box of cash in the grave, and why? How far will that person go to get the money back? The Ghost’s Grave is a deliciously spooky adventure from a master of suspense.
It takes a graveyard to raise a child. Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn't live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are adventures in the graveyard for a boy—an ancient Indigo Man, a gateway to the abandoned city of ghouls, the strange and terrible Sleer. But if Bod leaves the graveyard, he will be in danger from the man Jack—who has already killed Bod's family.
When Jake and his friends visited the town’s old, abandoned cemetery on Halloween night, he was a little anxious. But when Jake saw the gravedigger through the heavy fog, and then the gravestone with the name of a living person carved onto it—a person he knew—his anxiety turned to terror!
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
You leave us alone; we'll leave you alone. When Elaine Mercado and her first husband bought their home in Brooklyn, N. Y., in 1982, they had no idea that they and their two young daughters were embarking on a thirteen-year nightmare. thin a few days of moving in, Elaine and her older daughter began to experience the sensation of being watched. Then came scratching noises and weird smells, followed by voices whispering, maniacal laughter, shadowy figures scurrying along baseboards, and small balls of light bouncing along the ceilings. From the beginning of the haunting, "suffocating dreams" were experienced by everyone except the younger daughter. These eventually accelerated to physical aggression directed at Elaine and both the girls. This book is the true story of how one family tried to cope with living in a haunted house. It also describes how, with the help of parapsychologist Dr. Hans Holzer and medium Marisa Anderson, the family discovered the tragic and heartbreaking secrets buried in the house at Grave's End. I struggle to open my eyes, but achieve nothing but frustration and failure. I am not asleep. I am fully conscious, in a state of panic unthinkable during the day intolerable in the dark of night, held prisoner by some tortured, invisible presence, insistent on abruptly invading my slumber. The more I struggle toward freedom, the more I am pushed into the mattress, perspiring, heart palpitating, a scream involuntarily silenced within my throat. Some nights I experience my skin being stroked while I fight to regain control of my body, my sight. Thank God, this was not one of those nights. Tonight it lets me open my eyes, shaken but unviolated, frightened, but not as frightened as I know I can become. First Runner up for the 2001 Coalition of Visionary Resources (COVR) Award for Best Biographical/Personal Book
Left destitute by her unscrupulous ex-boyfriend, Grateful Knight accepts her father's offer of a rent-free house despite the fact that a graveyeard touches the home's back door. But the gorgeous cemetary caretaker, Rick, is set on helping her feel at home, and she can't keep her hands off him. And then a sexy ghost with a dark secret enters the home. Can she solve the mystery of the ghost and decide whether to give her love to Rick or to the ghost?
*NOW A NETFLIX SERIES* In this spine-tingling next book of the Lockwood & Co series, the ghost-hunting gang take on terrifying new challenges. Five months after the events in The Creeping Shadow, we join Lockwood, Lucy, George, Holly, and their associate Quill Kipps on a perilous night mission: they have broken into the booby-trapped Fittes Mausoleum, where the body of the legendary psychic heroine Marissa Fittes lies. Or does it? This is just one of the many questions to be answered in Book 5 of the Lockwood & Co. series. Will Lockwood ever reveal more about his family's past to Lucy? Will their trip to the Other Side leave Lucy and Lockwood forever changed? Will Penelope Fittes succeed in shutting down their agency forever? The young agents must survive attacks from foes both spectral and human before they can take on their greatest enemy in a climactic and chaotic battle. And to prevail they will have to rely on help from some surprising--and shadowy--allies. Jonathan Stroud once again delivers a rousing adventure full of danger, laughs, twists, and frights. The revelations will send readers back to Book 1 to start the series all over again. Exclusive to this paperback edition: a Lockwood & Co. short story, "The Dagger in the Desk," and an illustrated ghost guide.
The forever rebellious Clothilde’s gravestone only mentions her first name and date of death. A small bump in the ground next to her grave marks former police officer Robert’s last resting place. And in thirty years, no visitors for either of them. Confined within the cemetery borders and yearning for closure to move on, the two ghosts can’t go after the people who killed them. Until Clothilde receives her very first visitor — and along with it, the means to escape the cemetery. Beyond the Grave is the first novel in the Ghost Detective series, following Robert and Clothilde in their search for justice.
A past case comes back to haunt Twin Cities P.I. McKenzie as a stolen sum of money threatens to resurface in From the Grave, the next mystery in David Housewright’s award-winning series. Once a police detective in St. Paul, Minnesota, Rushmore McKenzie became an unlikely millionaire and an occasional unlicensed private investigator, doing favors for friends. But this time, he finds himself in dire need of working on his own behalf. His dear friend and first love Shelby Dunston attends a public reading by a psychic medium with the hope of connecting with her grandfather one final time. Instead, she hears McKenzie’s name spoken by the psychic in connection with a huge sum of stolen—and missing—money. Caught in a world of psychic mediums, with a man from his past with a stake in the future, and more than one party willing to go to great and deadly lengths to get involved, McKenzie must figure out just how much he’s willing to believe—like his life depends on it—before everything takes a much darker turn.
At the heart of the gospel is the message of the incarnation: God translating himself into the context of human culture and language so we might know him. Far from coming to an end with Christ’s life on earth, this process of contextualization is ongoing, reoccurring every time the gospel encounters the particularities of society and culture. In this book, Hann Tzuu Tan explores the significance of contextualized preaching within the Chinese context. Against the backdrop of three major festivals – the Spring Festival, the Qing Ming Festival, and the Hungry Ghost Festival – Tan examines the practices of six experienced Chinese preachers in order to demonstrate the theological and practical importance of contextualized preaching. As a result of his research, Tan suggests six main principles for contextual preaching – principles that are rooted within a Chinese context, yet applicable to anyone seeking to express the gospel’s relevance within a particular cultural setting. Combining insights from biblical studies, applied theology, and ethnography, this interdisciplinary study will enrich one’s understanding of Chinese culture, the gospel, and the important and necessary work of contextualization.
