Where paranormal romance meets suspense thriller. After Toby loses his wife in a car accident, he carries out the couple's dream of moving to the mountains of Tennessee. Shortly after he moves, he learns of the dark secrets of the house by his attractive realtor. The entity gains feelings for him, sparking a forbidden love triangle.
Dr. Christopher Allen knows how to deal with death. He's a psychiatrist who works with hospice patients and their families, helping them cope with grief and letting go. But Chris's job doesn't prepare him for the sudden death of his devil-may-care brother Cal. At Cal's funeral, Chris is completely thrown when he meets Elliot Rawlings, an artist Cal has been dating. Chris is hurt to discover that the brother he knew as straight was actually bisexual. Elliot is angry and resentful of having been kept hidden from Cal's family. After the funeral, a night of drinking at the bar with Cal's friends leads to Chris and Elliot falling into bed together. The next morning, they're overwhelmed by guilt and grief and agree to never speak of it again. But Cal's apartment needs to be packed up and Elliot reluctantly agrees to help Chris, as well as answer some questions about Cal's life and their relationship. Despite their guilt and initial dislike for one another, they sort through the pieces of Cal's life and begin to fall for each other.Despite his best efforts to fix things, Chris's family seems to be crumbling around him and he begins to question who he is and what his role with them is. As his feelings for Elliot grow, Chris must decide if they're worth further damaging his fragile relationships with his friends and family.Elliot's rough upbringing has left him distrustful of getting close to anyone, much less another man who isn't willing to acknowledge him in public. The odds seem stacked against Chris and Elliot, but if they can overcome them, they may be able to lay Cal's ghost to rest, along with their own demons.Reader Advisory: This story deals with themes related to alcoholism, death (of secondary characters), and past abuse/neglect.
The criminal underworld meets the spiritual otherworld in this thrilling debut collaboration between the inspiration for television's The Ghost Whisperer and an award-winning writer/director. Anza O'Malley is in most ways a typical single mom. She lives a happy, busy life with her five-year-old son in Cambridge, Massachusetts, juggling the joys and challenges of life as a doting parent and a freelance bookbinder. But there is more to Anza than meets the "ungifted" eye: she can see and speak with ghosts. Although she's been solving cold cases for the police for years, Anza has been hoping to focus her energies on her son and her bookbinding career. But when an exquisite and priceless illuminated manuscript is stolen from the Boston Athenaeum, and when its desecration spurs the appearance of some very unhappy spirits, Anza can neither look nor walk away. With an unlikely trio of ghosts by her side–a charming butler and two medieval monks–Anza leads us on an urgent journey through Boston's winding, cobbled streets to uncover a trail of deceit, danger, and ghoulish intrigue.
There's been an accident! Something's wrong! She doesn't know who she is, and doesn't know why she's invisibly floating through the buildings and grounds of a half-remembered boarding school. Then, to her horror, she encounters the ancient evil that four peculiar sisters have unwittingly woken -- and learns she is their only hope against a deadly danger. A ghost, uncertain of her identity, watches the four Melford sisters hatch a plan to get their parents' attention and slowly becomes aware of the danger from a supernatural power unleashed by the girls and their friends from the boys boarding school run by the Melfords.
At the end of a winter-long journey into manhood, Little Hawk returns to find his village decimated by a white man's plague and soon, despite a fresh start, Little Hawk dies violently but his spirit remains trapped, seeing how his world changes.
Ghosts of War picks up the story a month after the end of Ghosts of Manhattan. New York City is being plagued by a pack of ferocious brass raptors – strange, skeleton-like creations with bat-like wings that swoop out of the sky, attacking people and carrying them away into the night. The Ghost has been tracking these bizarre machines, and is close to finding their origin: a deranged military scientist who is slowly rebuilding himself as a machine. However, this scientist is not working alone, and his scheme involves more than a handful of abductions. He is part of a plot to escalate the cold war with Britain into a full-blown conflict, and he is building a weapon – a weapon that will fracture dimensional space and allow the monstrous creatures that live on the other side to spill through. He and his co-conspirators – a cabal of senators and businessmen who seek to benefit from the war – intend to harness these creatures and use them as a means to crush the British. But the Ghost knows only too well how dangerous these creatures can be, and the threat they represent not just to Britain, but the world. The Ghost’s efforts to put an end to the conspiracy bring him into an uneasy alliance with a male British spy, who is loose in Manhattan, protecting the interests of his country. He also has the unlikely assistance of Ginny, a drunken ex-lover and sharpshooter, who walks back into his life, having disappeared six years earlier in mysterious circumstances. Suffering from increasingly lucid flashbacks to WWI and subjected to rooftop chases, a battle with a mechanized madman, and the constant threat of airborne predators, and with the fate of the world hanging in the balance, can the Ghost derail the conspiracy and prevent the war with the British from escalating beyond control? From the Trade Paperback edition.
Set in a fascinating alternative world in which ghosts are real, the United States never came into existence and Russia is still ruled by the Romanovs, this sequel to Of Tangible Ghosts and The Ghost of the Revelator continues the adventures of semi-retired spy Dr. Johan Eschbach. His lovely wife Llysette du Boise, a refugee from the burning remains of France and a world-famous novelist, has been invited to provide a command performance for the Russian Imperial household. Johan accompanies her, allowing him to work on the oil concession in Russian Alaska that Columbia so desperately needs and do some spying on the side. Johan's espionage is carried out against the backdrop of the famous white nights of St. Petersburg, the nearly Arctic midsummer when the sun barely dips below the horizon and the sky seems to dissolve in ivory light. But even the oil shortage will fade to insignificance when Johan discovers what new weapons technology the Russians are developing, a threat even more fearsome than the atomic bombs of Austro-Hungary. Working in the tradition of Gordon R. Dickson and Poul Anderson for hard-edged adventure with sophisticated social and political dimensions, Modesitt provides a unique blend of speculation and intrigue that brings the trilogy to a rousing end.
In this charming fiction debut, a young woman moves to Manhattan in search of romance and excitement—only to find that her apartment is haunted by the ghost of a cantankerous Beat Generation writer in need of a rather huge favor. For Eve Weldon, moving to Greenwich Village is a dream come true. She’s following in the bohemian footsteps of her mother, who lived there during the early sixties among a lively community of Beat artists and writers. But when Eve arrives, the only scribe she meets is a grumpy ghost named Donald, and the only writing she manages to do is for chirpy segments on a morning news program, Smell the Coffee. The hypercompetitive network environment is a far cry from the genial camaraderie of her mother’s literary scene, and Eve begins to wonder if the world she sought has faded from existence. But as she struggles to balance her new job, demands from Donald to help him complete his life’s work, a budding friendship with a legendary fashion designer, and a search for clues to her mother’s past, Eve begins to realize that community comes in many forms—and that the true magic of the Village is very much alive, though it may reveal itself in surprising ways.
Can Michael get to heaven before the devil gets him first, and if it means leaving Sarah is he sure he still wants to go? Michael Andrews had everything - a loving family, a great girlfriend and a promising basketball career. That was before the accident that took his life. Now, he's a ghost, wandering among the living, struggling to understand why he's stuck. All he wants is to move on. That is until he meets Sarah, an attractive young girl who died just as tragically as he did. The only trouble is falling in love and binding oneself to another soul is forbidden, for it may keep one or both of the souls bound to earth for longer than they should be. To make matters worse, there's also a danger in going too far with Sarah, because the "joining" of two souls in the afterlife is also strictly forbidden and they don't know what will happen if they do go that far. Each time they touch they can feel the boundaries of their energies slipping perilously into one another. Things get even more complicated as Michael learns he's being pursued. Demons are after him because he's a marked soul, a soul the devil wants very badly for some unknown reason. So, maybe falling in love in the afterlife isn't such a good idea.