The History of Futurism
The History of Futurism

Author: Geert Buelens

Publisher: Lexington Books

Published: 2012-08-31

Total Pages: 445

ISBN-13: 0739173871

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Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.

The Genesis of Futurism
The Genesis of Futurism

Author: Günter Berghaus

Publisher: Routledge

Published: 1995

Total Pages: 120

ISBN-13:

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The first part of this text studies the aesthetic and ideological currents with which Marinetti came into contact during his early, pre-Futurist, career. The second part focuses on Marinetti's early publications, showing how he assimilated his sources and how he progressively assembled the basic ingredients of the Futurist manifesto.

The Manifesto of Futurism
The Manifesto of Futurism

Author: Filippo Tommaso Marinetti

Publisher: Passerino Editore

Published: 2016-04-04

Total Pages: 10

ISBN-13: 8893450496

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Filippo Tommaso Emilio Marinetti (22 December 1876 – 2 December 1944) was an Italian poet, editor, art theorist, and founder of the Futurist movement. "The Manifesto of Futurism" written by the Italian poet Filippo Tommaso Marinetti, initiated an artistic philosophy, Futurism, that was a rejection of the past, and a celebration of speed, machinery, violence, youth and industry; it also advocated the modernization and cultural rejuvenation of Italy. Marinetti wrote the manifesto in the autumn of 1908 and it first appeared as a preface to a volume of his poems, published in Milan in January 1909. It was published in the Italian newspaper Gazzetta dell'Emilia in Bologna on 5 February 1909 then in French as Manifeste du futurisme (Manifesto of Futurism) in the newspaper Le Figaro on 20 February 1909. Translated by Jason Forbus

The History of Futurism
The History of Futurism

Author: Geert Buelens

Publisher: Rowman & Littlefield

Published: 2012

Total Pages: 445

ISBN-13: 0739173863

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Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.

Futurism
Futurism

Author: Sascha Bru

Publisher: Routledge

Published: 2017-09-25

Total Pages: 276

ISBN-13: 9781781884850

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This volume offers a unique and fresh perspective on Italian Futurism by approaching it, for the first time, through the lens of microstoria. In this 'history from below' of what is one of Europe's most famous and important avant-garde movements, large-scale questions on the history of Futurism are explored by focusing on objects, practices and situations as diverse as The Church, Puppets, The Letterhead or Gymnastics. With contributions from fifteen renowned international scholars, the book offers an exciting, kaleidoscopic view of Futurism and its multiple artistic, political and societal connections. The final chapter of the book is an interview with GUnter Berghaus, one of Futurism's most dedicated and prolific scholars today, to whom the book is dedicated. Sascha Bru is Professor of General and Comparative Literature at the University of Leuven; Luca Somigli is Professor of Italian at the University of Toronto; Bart Van den Bossche is professor of Italian Literature at the University of Leuven.

Futurism
Futurism

Author: Caroline Tisdall

Publisher:

Published: 1977

Total Pages: 216

ISBN-13: 9780500181621

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Italian Futurism 1909-1944
Italian Futurism 1909-1944

Author: Solomon R. Guggenheim Museum

Publisher: Guggenheim Museum

Published: 2014

Total Pages: 0

ISBN-13: 9780892074990

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February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.

Conditional Futurism
Conditional Futurism

Author: James Goetz

Publisher: Wipf and Stock Publishers

Published: 2012-01-11

Total Pages: 195

ISBN-13: 1608998665

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Conditional Futurism introduces a new perspective of end-time theology (eschatology). The book holds to Christian futurism while integrating the Apocalypse of John with the conditional dynamics of prophecy taught in Jeremiah, Ezekiel, Daniel, and various other books throughout the Old Testament. The new paradigm concludes that the final antichrist (also known as the man of lawlessness, the beast, and the eighth king) may read the apocalyptic prophecy of his doom while deciding instead to repent of evil and turn to the Lord, which is a biblical option that would fulfill the divine purposes of the apocalypse. This cutting-edge scholarship also develops new biblical models of angels appearing as humans, the descent of Christ into hell, and the kings in Revelation that incorporate with this end-time theology that encourages hope in all circumstances.

Contemporary Futurist Thought
Contemporary Futurist Thought

Author: Thomas Lombardo

Publisher: AuthorHouse

Published: 2006-06-23

Total Pages: 476

ISBN-13: 1467805955

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Contemporary Futurist Thought describes recent thinking about the future, dealing with both the hopes and the fears expressed in modern times concerning what potentially lies ahead. There are many such hopes and fears perhaps an overpowering number, competing with each other and swirling about in the collective mind of humanity. Psychologist and futurist Tom Lombardo describes this mental universe of inspiring dreams and threatening premonitions regarding the future. The book begins with an in-depth examination of the highly influential literary genre of science fiction, which Dr. Lombardo identifies as the mythology of the future. He next describes the modern academic discipline of future studies which attempts to apply scientific methods and principles to an understanding of the future. Social and technological trends in the twentieth century are then reviewed, setting the stage for an analysis of the great contemporary transformation occurring in our present world. Given the powerful and pervasive changes taking place across the globe and throughout all aspects of human life, the questions arise: Where are we potentially heading and, perhaps more importantly, where should we be heading? The final chapter provides an extensive review of different answers to these questions. Describing theories and approaches that highlight science, technology, culture, human psychology, and religion, among other areas of focus, as well as integrative views which attempt to provide big pictures of all aspects of human life, the book provides a rich and broad overview of contemporary ideas and visions about the future. In the conclusion, Dr. Lombardo assesses and synthesizes these myriad perspectives, proposing a set of key ideas central to understanding the future. This book completes the study of future consciousness begun in its companion volume, The Evolution of Future Consciousness. These two volumes, rich in historical detail and concise observations on the interrelatedness of a wide range of interdisciplinary topics, are a significant contribution to the field of future studies and a valuable resource for educators, consultants, and anyone wishing to explore the significance of thinking about the future.

Luigi Russolo, Futurist
Luigi Russolo, Futurist

Author: Luciano Chessa

Publisher: Univ of California Press

Published: 2012-03-31

Total Pages: 296

ISBN-13: 0520270630

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“Luigi Russolo is increasingly being recognized as an important figure in 20th century art and music, and his work deserves to be better understood. Chessa’s archival research and readings of esoteric or otherwise little-known texts are impressive, and he offers a convincing account of the influence of the occult on Russolo and the Futurists in general. This book alters our conception of Russolo, Futurism, and the early artistic avant-garde.”—Christoph Cox, Hampshire College “This book is timely, and merits the attention of a wider audience. Luigi Russolo, futurista makes a compelling argument that radically revises our views on a major creative figure of the twentieth century. Luciano Chessa provides vast amounts of information on the ideas and trends that influenced the Futurists, and offers a wealth of insight and observations that point the way for further research on avant-garde music and art in the twentieth century.”—Paul DeMarinis, Department of Art and Art History, Stanford University