Elite Romans periodically chose to limit or destroy the memory of a leading citizen who was deemed an unworthy member of the community. Sanctions against memory could lead to the removal or mutilation of portraits and public inscriptions. Harriet Flower provides the first chronological overview of the development of this Roman practice--an instruction to forget--from archaic times into the second century A.D. Flower explores Roman memory sanctions against the background of Greek and Hellenistic cultural influence and in the context of the wider Mediterranean world. Combining literary texts, inscriptions, coins, and material evidence, this richly illustrated study contributes to a deeper understanding of Roman political culture.
Secrets and half-truths. These litter Renia Baranczka's past, but the city of Paris had offered an escape and the refuge of her dream job. The specialty plant shop kept her busy, but also had brought her to a new friend, Alain. His presence buffered the guilt that kept her up at night, dwelling on the endless replays of what happened to her sister. All too suddenly, the City of Light seems more sinister when Alain turns up dead. His demise threatens every secret Renia holds dear, including the rare plant hidden in the shop's tiny nook. It emits a special fragrance that can erase a person's memory--and perhaps much more than that. As Renia races to figure out the extent of the plant's powers, she's confronted by figures from her past who offer a proposal she can't outright refuse. Bit by bit, she descends into a menacing underworld of black market mobsters, navigating threats and fending off abuse to protect the safe peaceful life she's worked so hard for in Paris. Desperate to outwit her enemies, Renia maneuvers carefully, knows one wrong move will destroy not only the plant, but the lives of her and her sister.
Perhaps this book and its contents can help kick-start a social gathering that is fun and rewarding. At least it will help keep you from nightly "fast-food" offerings and frozen dinners. And Don't Forget the Flowers.
From the acclaimed author/artist of Beyond the Pond and Rulers of the Playground comes a breathtaking new book with a powerful message about the environment, perfect for fans of Peter Brown’s The Curious Garden and Kadir Nelson’s If You Plant a Seed. Each day, the big trucks go to work. They scoop and hoist and push. But when Digger discovers something growing in the rubble, he sets in motion a series of events that will change him, and the city, forever. "This story contains bold graphic illustrations and a wonderful message about the environment," proclaims Brightly.com in their article "18 Must-Read Picture Books of 2018."
NEW YORK TIMES BESTSELLER The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness. Look for special features inside. Join the Circle for author chats and more. Praise for The Language of Flowers "Instantly enchanting . . . [Diffenbaugh] is the best new writer of the year."—Elle “I would like to hand Vanessa Diffenbaugh a bouquet of bouvardia (enthusiasm), gladiolus (you pierce my heart) and lisianthus (appreciation). In this original and brilliant first novel, Diffenbaugh has united her fascination with the language of flowers—a long-forgotten and mysterious way of communication—with her firsthand knowledge of the travails of the foster-care system. . . . This novel is both enchanting and cruel, full of beauty and anger. Diffenbaugh is a talented writer and a mesmerizing storyteller. She includes a flower dictionary in case we want to use the language ourselves. And there is one more sprig I should add to her bouquet: a single pink carnation (I will never forget you).”—Washington Post "A fascinating debut . . . Diffenbaugh clearly knows both the human heart and her plants, and she keeps us rooting for the damaged Victoria."—O Magazine "Diffenbaugh effortlessly spins this enchanting tale, making even her prickly protagonist impossible not to love."—Entertainment Weekly
