Acclaimed poet Singer serves up a helping of wit and humor with this collection of school-themed poems sure to get children in the mood for back to school. Full color.
In this riveting insider's chronicle, legendary Marine General "Brute" Krulak submits an unprecedented examination of U.S. Marines—their fights on the battlefield and off, their extraordinary esprit de corps. Deftly blending history with autobiography, action with analysis, and separating fact from fable, General Krulak touches the very essence of the Corps: what it means to be a Marine and the reason behind its consistently outstanding performance and reputation. Krulak also addresses the most basic but challenging question of all about the Corps: how does it manage to survive—even to flourish—despite overwhelming political odds and, as the general writes, ""an extraordinary propensity for shooting itself in the foot?"" To answer this question Krulak examines the foundation on which the Corps is built, a system of intense loyalty to God, to country, and to other Marines. He also takes a close look at Marines in war, offering challenging accounts of their experiences in World War II, Korea, and Vietnam. In addition, he describes the Corps's relationship to other services, especially during the unification battles following World War II, and offers new insights into the decision-making process in times of crisis. First published in hardcover in 1984, this book has remained popular ever since with Marines of every rank.
Although not a professional historian, the author raises several issues pertinent to the state of history today. Qualifying the 'non-historian' as an 'able' interventionist in historical studies, the author explores the relationship between history and theory within the current epistemological configurations and refigurations. He asks how history transcends the obsessive 'linguistic' turn, which has been hegemonizing literary/discourse analysis, and focuses greater attention on historical experience and where history stands in relation to our understanding of ethics, religion and the current state of global politics that underlines the manipulation and abuse of history.
'The Kreutzer Sonata' is the self-lacerating confession of a man consumed by sexual jealousy and eaten up by shame and eventually driven to murder his wife. The story caused a sensation when it first appeared and Tolstoy's wife was appalled that he had drawn on their own experiences together to create a scathing indictment of marriage. 'The Devil', centring on a young man torn between his passion for a peasant girl and his respectable life with his loving wife, also illustrates the impossibility of pure love. 'The Forged Coupon' shows how an act of corruption can spiral out of control, and 'After the Ball' examines the abuse of power. Written during a time of spiritual crisis in Tolstoy's life, these late stories reflect a world of moral uncertainties.
�On comparing with the original Russian some English translations of Count Tolstoi's works, published both in this country and in England, I concluded that they were far from being accurate. The majority of them were retranslations from the French, and I found that the respective transitions through which they had passed tended to obliterate many of the beauties of the Russian language and of the peculiar characteristics of Russian life. A satisfactory translation can be made only by one who understands the language and SPIRIT of the Russian people. As Tolstoi's writings contain so many idioms it is not an easy task to render them into intelligible English, and the one who successfully accomplishes this must be a native of Russia, commanding the English and Russian languages with equal fluency. The story of "Ivan the Fool" portrays Tolstoi's communistic ideas, involving the abolition of military forces, middlemen, despotism, and money. Instead of these he would establish on earth a kingdom in which each and every person would become a worker and producer. The author describes the various struggles through which three brothers passed, beset as they were by devils large and small, until they reached the ideal state of existence which he believes to be the only happy one attainable in this world. On reading this little story one is surprised that the Russian censor passed it, as it is devoted to a narration of ideas quite at variance with the present policy of the government of that country.
Life in the parched landscape of El Paso is the setting for this book of stories about people navigating their way through dysfunctional lives with the help of friends and family—people like Moníca Montoya, a housewife and mother whose affair leaves her pregnant, causing her to revisit the legacy of her father, a man who maintained two separate families on either side of the Mexican-American border. In spite of their bad choices, the characters in this collection never give up.
Named after Beethoven's Kreutzer Sonata. The novella was published in 1889 and promptly censored by the Russian authorities. The work is an argument for the ideal of sexual abstinence and an in-depth first-person description of jealous rage. The main character, Pozdnyshev, relates the events leading up to his killing his wife; in his analysis, the root cause for the deed were the "animal excesses" and "swinish connection" governing the relation between the sexes.
"The Kreutzer Sonata and Other Stories" is a compelling and startling collection of four stories. The main topic is a desire in its manifestations - from idealistic romance to sexual jealousy, from desperate lust to relentless longing. This volume includes "Family Happiness,"; "The Kreutzer Sonata,"; "The Devil," and "Father Sergius."
Example in this ebook ELSKET. "The knife hangs loose in the sheath." —Old Norsk Proverb. I spent a month of the summer of 188- in Norway—"Old Norway"—and a friend of mine, Dr. John Robson, who is as great a fisherman as he is a physician, and knows that I love a stream where the trout and I can meet each other alone, and have it out face to face, uninterrupted by any interlopers, did me a favor to which I was indebted for the experience related below. He had been to Norway two years before, and he let me into the secret of an unexplored region between the Nord Fiord and the Romsdal. I cannot give the name of the place, because even now it has not been fully explored, and he bound me by a solemn promise that I would not divulge it to a single soul, actually going to the length of insisting on my adding a formal oath to my affirmation. This I consented to because I knew that my friend was a humorous man, and also because otherwise he positively refused to inform me where the streams were about which he had been telling such fabulous fish stories. "No," he said, "some of those —— cattle who think they own the earth and have a right to fool women at will and know how to fish, will be poking in there, worrying Olaf and Elsket, and ruining the fishing, and I'll be —— if I tell you unless you make oath." My friend is a swearing man, though he says he swears for emphasis, not blasphemy, and on this occasion he swore with extreme solemnity. I saw that he was in earnest, so made affidavit and was rewarded. "Now," he said, after inquiring about my climbing capacity in a way which piqued me, and giving me the routes with a particularity which somewhat mystified me, "Now I will write a letter to Olaf of the Mountain and to Elsket. I once was enabled to do them a slight service, and they will receive you. It will take him two or three weeks to get it, so you may have to wait a little. You must wait at L—— until Olaf comes down to take you over the mountain. You may be there when he gets the letter, or you may have to wait for a couple of weeks, as he does not come over the mountain often. However, you can amuse yourself around L——; only you must always be on hand every night in case Olaf comes." Although this appeared natural enough to the doctor, it sounded rather curious to me, and it seemed yet more so when he added, "By the way, one piece of advice: don't talk about England to Elsket, and don't ask any questions." "Who is Elsket?" I asked. "A daughter of the Vikings, poor thing," he said. My curiosity was aroused, but I could get nothing further out of him, and set it down to his unreasonable dislike of travelling Englishmen, against whom, for some reason, he had a violent antipathy, declaring that they did not know how to treat women nor how to fish. My friend has a custom of speaking very strongly, and I used to wonder at the violence of his language, which contrasted strangely with his character; for he was the kindest-hearted man I ever knew, being a true follower of his patron saint, old Isaac giving his sympathy to all the unfortunate, and even handling his frogs as if he loved them. Thus it was that on the afternoon of the seventh day of July, 188-, having, for purposes of identification, a letter in my pocket to "Olaf of the Mountain from his friend Dr. Robson," I stood, in the rain in the so-called "street" of L——, on the —— Fiord, looking over the bronzed faces of the stolid but kindly peasants who lounged silently around, trying to see if I could detect in one a resemblance to the picture I had formed in my mind of "Olaf of the Mountain," or could discern in any eye a gleam of special interest to show that its possessor was on the watch for an expected guest. To be continue in this ebook