After the destruction of the space-time continua, the infinity of the space-time continuum; the Ultimate Ensemble was recreated to fix the fundamental flaw of the former. However, one essence has escaped from the final resting place for discarded timelines overwritten by truth. In the new unified dimension, there are no happy endings. Because of the quantum fluctuation within the time between life and death, the gates of eternity have closed, and the continuum has been put out of order. Frames have appeared, collecting the Truths in order to reopen the doors to the future. If the doors are reopened, someone will fill the seat of empty Director's Chair.
A moving reflection on a subject that touches us all, by the bestselling author of Claire of the Sea Light Edwidge Danticat’s The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. “Writing has been the primary way I have tried to make sense of my losses,” Danticat notes in her introduction. “I have been writing about death for as long as I have been writing.” The book moves outward from the shock of her mother’s diagnosis and sifts through Danticat’s writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez’s One Hundred Years of Solitude to Toni Morrison’s Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a beautiful, heartrending prayer in the voice of Danticat’s mother. A moving tribute and a work of astute criticism, The Art of Death is a book that will profoundly alter all who encounter it.
The story of Nebraska Cornhusker quarterback Brook Berringer and his life of tragedy turned into triumph. At the age of 7 his father died after 5 yrs of cancer. Then a plane crash took Brook's life.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
On November 18, 1944, the end of the war in Europe finally in sight, American copilot Lieutenant Lee Lamar struggled alongside pilot Randall Darden to keep Bottoms Up, their B-24J Liberator, in the air. They and their crew of eight young men had believed the intelligence officer who, at the predawn briefing at their base in southern Italy, had confided that their mission that day would be a milk run. But that twenty-first mission out of Italy would be their last. Bottoms Up was staggered by an antiaircraft shell that sent it plunging three miles earthward, the pilots recovering control at just 5,000 feet. With two engines out, they tried to make it to a tiny strip on a British-held island in the Adriatic Sea and in desperation threw out everything not essential to flight: machine guns, belts of ammunition, flak jackets. But over Pula, in what is now Croatia, they were once more hit by German fire, and the focus quickly became escaping the doomed bomber. Seemingly unable to extricate himself, Lamar all but surrendered to death before fortuitously bailing out. He was captured the next day and spent the rest of the war as a prisoner at a stalag on the Baltic Sea, suffering the deprivations of little food and heat in Europe’s coldest winter in a century. He never saw most of his crew again. Then, in 2006, more than sixty years after these life-changing experiences, Lamar received an email from Croatian archaeologist Luka Bekic, who had discovered the wreckage of Bottoms Up. A veteran of the Balkan wars of the 1990s, Bekic felt compelled to find out the crew’s identities and fates. Lee Lamar, a boy from a hardscrabble farm in rural northwestern Missouri, had gone to college on the GI Bill, become a civil engineer, gotten married, and raised a family. Yet, for all the opportunity that stemmed from his wartime service, part of him was lost. The prohibition on asking prisoners of war their memories during the repatriation process prevented him from reconciling himself to the events of that November day. That changed when, nearly a year after being contacted by Bekic, Lamar visited the site, hoping to gain closure, and met the Croatian Partisans who had helped some members of his crew escape. In this absorbing, alternating account of World War II and its aftermath, Dennis R. Okerstrom chronicles, through Lee Lamar’s experiences, the Great Depression generation who went on to fight in the most expensive war in history. This is the story of the young men who flew Bottoms Up on her final mission, of Lamar’s trip back to the scene of his recurring nightmare, and of a remarkable convergence of international courage, perseverance, and friendship.
Based on his Pulitzer Prize-winning story, Jim Sheeler's unprecedented look at the way our country honors its dead; Final SaluteIs a stunning tribute to the brave troops who have lost their lives in Iraq and Afghanistan and to the families who continue to mourn them They are the troops that nobody wants to see, carrying a message that no military family ever wants to hear. It begins with a knock at the door. "The curtains pull away. They come to the door. And they know. They always know," said Major Steve Beck. Since the start of the war in Iraq, marines like Major Beck found themselves thrown into a different kind of mission: casualty notification. It is a job Major Beck never asked for and one for which he received no training. They are given no set rules, only impersonal guidelines. Marines are trained to kill, to break down doors, but casualty notification is a mission without weapons. For Beck, the mission meant learning each dead marine's name and nickname, touching the toys they grew up with and reading the letters they wrote home. He held grieving mothers in long embraces, absorbing their muffled cries into the dark blue shoulder of his uniform. He stitched himself into the fabric of their lives, in the simple hope that his compassion might help alleviate at least the smallest piece of their pain. Sometimes he returned home to his own family unable to keep from crying in the dark. In Final Salute, Pulitzer Prize-winning journalist Jim Sheeler weaves together the stories of the fallen and of the broken homes they have left behind. It is also the story of Major Steve Beck and his unflagging efforts to help heal the wounds of those left grieving. Above all, it is a moving tribute to our troops, putting faces to the mostly anonymous names of our courageous heroes, and to the brave families who have made the ultimate sacrifice for this country. Final Saluteis the achingly beautiful, devastatingly honest story of the true toll of war. After the knock on the door, the story has only begun.
Best known as the original screenwriter of Blade Runner, author Hampton Fancher makes his debut with this extraordinary collection that bears all of the hallmarks that have made him beloved to film fans. These are stories about people and places that exist just outside our perceptions of space and time: in “Narrowing the Divide,” an escaped lab rat winds up in a philosophical conversation with a man whose wife sleeps in the next room; in “Cargot,” a failed actor is reincarnated as a garden snail and avenges himself with a Hollywood producer’s wife; and in “The Black Weasel,” a washed-up bartender finds an unlikely traveling partner in a slow-witted drifter with a suspicious bankroll. These are also stories about survival and instinct, with elements of the absurd and the sublime. The Shape of the Final Dog is a rare literary work that is mordantly funny, deftly written, and bound to delight and entertain.
Towards a Final Story is the first history of the modern scientific epic. These epic stories pull together our knowledge of the universe, uniting material and biological origins, from beginning to end. The authors of these epics--among them Carl Sagan, E.O. Wilson, and Steven Weinberg--saw their task as providing an integrated schema that would not only bring together but also go beyond the particular scientific results and disciplines available as they wrote their histories. Nasser Zakariya traces how such epic stories could achieve what they claimed, how they inhabit culture and politics, and how they arrived at the present moment from a period in the previous century when inquiries into ultimate origins were regarded by many as unscientific and unanswerable. These prominent, popular historical narratives of science are important forms of knowledge in their own right. They expose what science means in the wider culture and at the same time focus attention on the near paradoxical nature of a universal history narrated by humanity for humanity.
