The Public Domain

The Public Domain

Author: Stephen Fishman

Publisher: Nolo

Published: 2023-06-02

Total Pages: 449

ISBN-13: 1413330800

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Find free content and save on permission fees Millions of creative works—books, artwork, photos, songs, movies, and more—are available copyright-free in the public domain. Frozen for decades due to lengthened copyright terms, the public domain has finally begun to grow again as copyrights for older works expire. Since 2019, classics such as The Great Gatsby, Sherlock Holmes, and early Alfred Hitchcock films have all entered the U.S. public domain. The only book that helps you find and identify which creative works are protected by copyright and which are not, The Public Domain covers the rules for: • writings • music • art • photography • architecture • maps • choreography • movies • video • software • databases • collections The 10th edition is completely updated to include new public domain resources and the latest legal changes to copyright protection of songs, books, photos, and other creative works, as well as public domain rules outside the U.S. It also covers when works created with artificial intelligence (AI) are in the public domain.


The Public Life of Cinema

The Public Life of Cinema

Author: Toby Lee

Publisher: University of California Press

Published: 2020-11-10

Total Pages: 209

ISBN-13: 0520379020

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Is culture a luxury? In this era of austerity, the value of the arts has been a topic of heated debate in Greece, where the country’s economic troubles have led to drastic cuts in public funding and much contention over the significance of cultural institutions and government-funded arts initiatives. At issue in these debates are larger questions regarding the very notions of publicness, hierarchies of value, and functions of the state that structure collective life. Beginning with the Thessaloniki International Film Festival, How to Be Public tracks this turbulence as it unfolded in the Greek film world in the early years of the crisis. Investigating the different forms of citizenship and collectivity being negotiated in cinema’s social spaces, this book considers how the arts and cultural production may illuminate the changing conditions of, and possibilities for, public and collective life in the neoliberal era.