The Fiend Queen

The Fiend Queen

Author: Barbara Ann Wright

Publisher: Bold Strokes Books Inc

Published: 2015-01-19

Total Pages: 416

ISBN-13: 1626392927

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Within the walls of her palace, Princess Katya’s best friend lies at her feet, close to death. Her pyradisté is overwhelmed by some mysterious power, and her former lady-in-waiting has stabbed her in the back. Wounded and nearly alone, Katya must find a way to sabotage the magic of her Fiendish uncle Roland, or those who fight for the capitol will be overwhelmed by hypnotized guards and Fiend-filled corpses. Starbride’s pain is nearly overwhelming. The agony inside her only lessens when she satisfies a strange new desire to hurt those around her. She may hold the key to banishing Fiendish power from Farraday, but only by using it herself. Together, Katya and Starbride must make a final desperate push to take back the kingdom, but even if they survive, can the strength of their love keep them from madness? After all, fighting evil with evil has its consequences.


The Lady of Linshui Pacifies Demons

The Lady of Linshui Pacifies Demons

Author:

Publisher: University of Washington Press

Published: 2021-02-15

Total Pages: 305

ISBN-13: 0295748362

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The Lady of Linshui—the goddess of women, childbirth, and childhood—is still venerated in south China, Taiwan, and Southeast Asia. Her story evolved from the life of Chen Jinggu in the eighth century and blossomed in the Ming dynasty (1368–1644) into vernacular short fiction, legends, plays, sutras, and stele inscriptions at temples where she is worshipped. The full-length novel The Lady of Linshui Pacifies Demons narrates Chen Jinggu’s lifelong struggle with and eventual triumph over her spirit double and rival, the White Snake demon. Among accounts of goddesses in late imperial China, this work is unique in its focus on the physical aspects of womanhood, especially the dangers of childbirth, and in its dramatization of the contradictory nature of Chinese divinities. This unabridged, annotated translation provides insights into late imperial Chinese religion, the lives of women, and the structure of families and local society.


A Fiend in Need

A Fiend in Need

Author: Maureen Child

Publisher: Maureen Child

Published: 2012-10-24

Total Pages: 527

ISBN-13:

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Freshly anointed as the Demon Duster, destined to protect the world from demons, Cass tries to look at the bright side. Sure, she has to kill demons (ew!), but her super-powered metabolism means she can eat all the donuts she wants. Plus, for the first time in forever, her hoo-hah is happy (gorgeous demon – they’re not all evil). But it’s hard to stay positive when you discover a website offering a reward for your death. The demon queen is ticked because her sex slave faery (not that kind of faery) has escaped and offered his “services” to Cass in exchange for sanctuary. How can Cass turn away a man in need… especially one with a godlike body and seriously magical fingers? Suddenly, her already complicated life is a lot more complicated, with not one, not two, but three hot guys who are hot for her… and a demon queen planning an all-out attack. This is soooo not the life Cass signed up for!


The Lives of George Frideric Handel

The Lives of George Frideric Handel

Author: David Hunter

Publisher: Boydell & Brewer

Published: 2015

Total Pages: 537

ISBN-13: 1783270616

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How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?


Performing Shakespeare's Women

Performing Shakespeare's Women

Author: Paige Martin Reynolds

Publisher: Bloomsbury Publishing

Published: 2018-12-13

Total Pages: 207

ISBN-13: 1350002615

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Shakespeare's women rarely reach the end of the play alive. Whether by murder or by suicide, onstage or off, female actors in Shakespeare's works often find themselves 'playing dead.' But what does it mean to 'play dead', particularly for women actors, whose bodies become scrutinized and anatomized by audiences and fellow actors who 'grossly gape on'? In what ways does playing Shakespeare's women when they are dead emblematize the difficulties of playing them while they are still alive? Ultimately, what is at stake for the female actor who embodies Shakespeare's women today, dead or alive? Situated at the intersection of the creative and the critical, Performing Shakespeare's Women: Playing Dead engages performance history, current scholarship and the practical problems facing the female actor of Shakespeare's plays when it comes to 'playing dead' on the contemporary stage and in a post-feminist world. This book explores the consequences of corpsing Shakespeare's women, considering important ethical questions that matter to practitioners, students and critics of Shakespeare today.