Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Freiburg, course: 20th Century American Short Stories, language: English, abstract: In his stylistic masterpiece, “A Clean, Well-Lighted Place,” Ernest Hemingway confronts his readers with the omnipresent fear of nothingness. The main characters of the story show different ways of dealing with that problem, but only the older waiter is able to present a satisfying solution. By establishing a haven for all desperate people who need a dignified place to dispel their fear, the old waiter has found his meaning in life and therefore, his way to combat his fear of nothingness. According to him, life does not need to be senseless and end in despair, as long as one keeps composure and protects one’s own dignity and the dignity of others.
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Freiburg, course: 20th Century American Short Stories, 4 entries in the bibliography, language: English, abstract: In his stylistic masterpiece, "A Clean, Well-Lighted Place," Ernest Hemingway confronts his readers with the omnipresent fear of nothingness. The main characters of the story show different ways of dealing with that problem, but only the older waiter is able to present a satisfying solution. By establishing a haven for all desperate people who need a dignified place to dispel their fear, the old waiter has found his meaning in life and therefore, his way to combat his fear of nothingness. According to him, life does not need to be senseless and end in despair, as long as one keeps composure and protects one's own dignity and the dignity of others.
Fourteen of some of Hemingway’s finest short stories that examine life’s different stages through Hemingway’s unique perspective. Ernest Hemingway's Winner Take Nothing contains fourteen stories of varying length. Some of them have appeared in magazines but the majority have not been published before. The characters and backgrounds are widely varied. Some stories included are “A Clean, Well-Lighted Place,” a story about one man’s night in a café; “Homage to Switzerland” concerns various conversations at a Swiss railway-station restaurant; “The Gambler, the Nun, and the Radio” is laid in the accident ward of a hospital in Western United States; and so on. Ernest Hemingway made his literary start as a short-story writer. He has always excelled in that medium, and this volume reveals him at his best.
This stunning collection of short stories by Nobel Prize–winning author, Ernest Hemingway, contains a lifetime of work—ranging from fan favorites to several stories only available in this compilation. In this definitive collection of short stories, you will delight in Ernest Hemingway's most beloved classics such as “The Snows of Kilimanjaro,” “Hills Like White Elephants,” and “A Clean, Well-Lighted Place,” and discover seven new tales published for the first time in this collection. For Hemingway fans The Complete Short Stories is an invaluable treasury.
The history and theology of figural reading -- Figural history as a question -- The fate of figural reading -- Imagining figural time -- Creative omnipotence and the figures of scripture -- Figural speech and the incarnational synecdoche -- Figural reading in practice -- Juxtapositional reading and the force of the lectionary -- Trinitarian love means two testaments -- The Word's work: figural preaching and scriptural conformance -- Four figural sermons.
In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from “the good fight,” For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. “If the function of a writer is to reveal reality,” Maxwell Perkins wrote to Hemingway after reading the manuscript, “no one ever so completely performed it.” Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.
Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.
A gorgeous new centennial edition of Ernest Hemingway’s landmark short story of returning veteran Nick Adams’s solo fishing trip in Michigan’s rugged Upper Peninsula, illustrated with specially commissioned artwork by master engraver Chris Wormell and featuring a revelatory foreword by John N. Maclean. "The finest story of the outdoors in American literature." —Sports Illustrated A century since its publication in the collection In Our Time, “Big Two-Hearted River” has helped shape language and literature in America and across the globe, and its magnetic pull continues to draw readers, writers, and critics. The story is the best early example of Ernest Hemingway’s now-familiar writing style: short sentences, punchy nouns and verbs, few adjectives and adverbs, and a seductive cadence. Easy to imitate, difficult to match. The subject matter of the story has inspired generations of writers to believe that fly fishing can be literature. More than any of his stories, it depends on his ‘iceberg theory’ of literature, the notion that leaving essential parts of a story unsaid, the underwater portion of the iceberg, adds to its power. Taken in context with his other work, it marks Hemingway’s passage from boyish writer to accomplished author: nothing big came before it, novels and stories poured out after it. —from the foreword by John N. Maclean
There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. “I had quite a trip,” the author told his friend Philip Percival, with characteristic understatement. Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.