This book analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah.
'One day there is life . . . and then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.
In this wide-ranging guide to twentieth-century French thought, leading scholars offer an authoritative multi-disciplinary analysis of one of the most distinctive and influential traditions in modern thought. Unlike any other existing work, this important work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more.
First published in 1964, this is not just a chronicle or encyclopaedia, but deals thoroughly in turn with meaning, view about reason, and views about values, particularly moral values. The author's knowledge of French literature is extensive and thorough, and a feature of the book is his analysis of the philosophical implications of literary works by Sartre, Paul Valery, Camus and others.
Unrivaled in its scope and depth, "The Columbia History of Twentieth-Century French Thought" assesses the intellectual figures, movements, and publications that helped shape and define fields as diverse as history and historiography, psychoanalysis, film, literary theory, cognitive and life sciences, literary criticism, philosophy, and economics. More than two hundred entries by leading intellectuals discuss developments in French thought on such subjects as pacifism, fashion, gastronomy, technology, and urbanism. Contributors include prominent French thinkers, many of whom have played an integral role in the development of French thought, and American, British, and Canadian scholars who have been vital in the dissemination of French ideas.
Aidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.
An award-winning historian presents an absorbing account of the French mind, shedding light on France's famous tradition of intellectual life Why are the French such an exceptional nation? Why do they think they are so exceptional? The French take pride in the fact that their history and culture have decisively shaped the values and ideals of the modern world. French ideas are no less distinct in their form: while French thought is abstract, stylish and often opaque, it has always been bold and creative, and driven by the relentless pursuit of innovation. In How the French Think, the internationally-renowned historian Sudhir Hazareesingh tells the epic and tumultuous story of French intellectual thought from Descartes, Rousseau, and Auguste Comte to Sartre, Claude Lé-Strauss, and Derrida. He shows how French thinking has shaped fundamental Westerns ideas about freedom, rationality, and justice, and how the French mind-set is intimately connected to their own way of life-in particular to the French tendency towards individualism, their passion for nature, their celebration of their historical heritage, and their fascination with death. Hazareesingh explores the French veneration of dissent and skepticism, from Voltaire to the Dreyfus Affair and beyond; the obsession with the protection of French language and culture; the rhetorical flair embodied by the philosophes, which today's intellectuals still try to recapture; the astonishing influence of French postmodern thinkers, including Foucault and Barthes, on postwar American education and life, and also the growing French anxiety about a globalized world order under American hegemony. How the French Think sweeps aside generalizations and easy stereotypes to offer an incisive and revealing exploration of the French intellectual tradition. Steeped in a colorful range of sources, and written with warmth and humor, this book will appeal to all lovers of France and of European culture.
In what tense should we refer to the dead? The question has long been asked, from Cicero to Julian Barnes. Answering it is partly a matter of grammar and stylistic convention. But the hesitation, annoyance, and even distress that can be caused by the "wrong" tense suggests that more may be at stake—our very relation to the dead. This book, the first to test that hypothesis, investigates how tenses were used in sixteenth and early seventeenth-century France (especially in French but also in Latin) to refer to dead friends, lovers, family members, enemies, colleagues, writers, officials, kings and queens of recent times, and also to those who had died long before, whether Christ, the saints, or the ancient Greeks and Romans who posthumously filled the minds of Renaissance humanists. Did tenses refer to the dead in ways that contributed to granting them differing degrees of presence (and absence)? Did tenses communicate dimensions of posthumous presence (and absence) that partly eluded more concept-based affirmations? The investigation ranges from funerary and devotional writing to Eucharistic theology, from poetry to humanist paratexts, from Rabelais's prose fiction to Montaigne's Essais. Primarily a work of literary and cultural history, it also draws on early modern grammatical thought and on modern linguistics (with its concept of aspect and its questioning of "tense"), while arguing that neither can fully explain the phenomena studied. The book briefly compares early modern usage with tendencies in modern French and English in the West, asking whether changes in belief about posthumous survival have been accompanied by changes in tense-use.
Grounded in medical, juridical, and philosophical texts of sixteenth- and seventeenth-century France, this innovative study tells the story of how the idea of woman contributed to the emergence of modern science. Rebecca Wilkin focuses on the contradictory representations of women from roughly the middle of the sixteenth century to the middle of the seventeenth, and depicts this period as one filled with epistemological anxiety and experimentation. She shows how skeptics, including Montaigne, Marie de Gournay, and Agrippa von Nettesheim, subverted gender hierarchies and/or blurred gender difference as a means of questioning the human capacity to find truth; while "positivists" who strove to establish new standards of truth, for example Johann Weyer, Jean Bodin, and Guillaume du Vair, excluded women from the search for truth. The book constitutes a reevaluation of the legacy of Cartesianism for women, as Wilkin argues that Descartes' opening of the search for truth "even to women" was part of his appropriation of skeptical arguments. This book challenges scholars to revise deeply held notions regarding the place of women in the early modern search for truth, their role in the development of rational thought, and the way in which intellectuals of the period dealt with the emergence of an influential female public.
