The Fancy: a Selection from the Poetical Remains of the Late Peter Corcoran, of Gray's Inn, Student at Law, with a Brief Memoir of His Life
Author: John Hamilton Reynolds
Publisher:
Published: 1820
Total Pages: 150
ISBN-13:
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Author: John Hamilton Reynolds
Publisher:
Published: 1820
Total Pages: 150
ISBN-13:
DOWNLOAD EBOOKAuthor: John Hamilton Reynolds
Publisher:
Published: 1820
Total Pages: 154
ISBN-13:
DOWNLOAD EBOOKAuthor: Denise Gigante
Publisher: Harvard University Press
Published: 2013-10-07
Total Pages: 552
ISBN-13: 0674263782
DOWNLOAD EBOOKJohn and George Keats—Man of Genius and Man of Power, to use John’s words—embodied sibling forms of the phenomenon we call Romanticism. George’s 1818 move to the western frontier of the United States, an imaginative leap across four thousand miles onto the tabula rasa of the American dream, created in John an abysm of alienation and loneliness that would inspire the poet’s most plangent and sublime poetry. Denise Gigante’s account of this emigration places John’s life and work in a transatlantic context that has eluded his previous biographers, while revealing the emotional turmoil at the heart of some of the most lasting verse in English. In most accounts of John’s life, George plays a small role. He is often depicted as a scoundrel who left his brother destitute and dying to pursue his own fortune in America. But as Gigante shows, George ventured into a land of prairie fires, flat-bottomed riverboats, wildcats, and bears in part to save his brothers, John and Tom, from financial ruin. There was a vital bond between the brothers, evident in John’s letters to his brother and sister-in-law, Georgina, in Louisville, Kentucky, which run to thousands of words and detail his thoughts about the nature of poetry, the human condition, and the soul. Gigante demonstrates that John’s 1819 Odes and Hyperion fragments emerged from his profound grief following George’s departure and Tom’s death—and that we owe these great works of English Romanticism in part to the deep, lasting fraternal friendship that Gigante reveals in these pages.
Author: J. Robinson
Publisher: Springer
Published: 2006-04-29
Total Pages: 305
ISBN-13: 140398283X
DOWNLOAD EBOOKThis book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
Author:
Publisher:
Published: 1821
Total Pages: 510
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1820
Total Pages: 736
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Campbell
Publisher:
Published: 1820
Total Pages: 744
ISBN-13:
DOWNLOAD EBOOKAuthor: David Stewart
Publisher: Springer
Published: 2018-01-08
Total Pages: 272
ISBN-13: 3319705121
DOWNLOAD EBOOKThe 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period’s doubt about poetry’s place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry.
Author: Frederick Wilse Bateson
Publisher: CUP Archive
Published: 1940
Total Pages: 1132
ISBN-13:
DOWNLOAD EBOOKAuthor: Kasia Boddy
Publisher: Reaktion Books
Published: 2013-06-01
Total Pages: 644
ISBN-13: 1861897022
DOWNLOAD EBOOKThroughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.