Lucia Arca was an ordinary, unremarkable laundrymaid in the royal palace. Even her unique magical power, Soap, was boring: it simply created soap bubbles that removed stains. But when she learned one day that Soap could also calm and stop rampaging monsters, the king decreed that Lucia must join the Sacred Maiden and her companions on their quest to cleanse the land and save the world. On a mission to save the world alongside the Sacred Maiden, the famed Dragonslayer, a prodigy magician, and other great heroes, what is an ordinary laundrymaid like Lucia to do? But she learns that even extraordinary heroes are ordinary people, in their own way. A heart-warming romantic comedy featuring an ordinary but earnest heroine!
“Hey! I’m an evil god, but I’m not actually evil!” Those were the first words I heard in the afterlife. My name’s Naofumi Kamiya, and my entire class died in a tragic bus accident. The god told my classmates that he would transport all of us to a dangerous new world, but he created skills for us on request, so maybe he was actually a good god? That’s what I thought at first, anyway. But when it sounds too good to be true, it probably is! I feel bad for my classmates who thought that gimmicky skills would make them invincible. I mean, the god did warn them that there were no cheat skills! Oh well. As for myself, I’m enjoying my life with my childhood friends, putting safety first and staying out of trouble. After all, this world might seem like a game, but it’s not. It’s reality.
On a quest to save the world, extraordinary people like the Sacred Maiden, Dragonslayer, and Prince are accompanied by... Lucia, a plain, ordinary laundrymaid with one special spell. After an incident following their cleansing of the first Cristallo Sacro, Lucia and the Knight Celes find themselves separated from the rest of the party! They head to the nearest town to stock up on supplies so they can catch up to the others as soon as possible. But Celes, wanting to hide their identities in this foreign country, tells the villagers that they're freshly eloped newlyweds!? "I can't act like your wife! They'll see right through us!"
In her delightful and moving memoir, Sissy Spacek writes about her idyllic, barefoot childhood in a small East Texas town, with the clarity and wisdom that comes from never losing sight of her roots. Descended from industrious Czech immigrants and threadbare southern gentility, she grew up a tomboy, tagging along with two older brothers and absorbing grace and grit from her remarkable parents, who taught her that she could do anything. She also learned fearlessness in the wake of a family tragedy, the grief propelling her "like rocket fuel" to follow her dreams of becoming a performer. With a keen sense of humor and a big-hearted voice, she describes how she arrived in New York City one star-struck summer as a seventeen-year-old carrying a suitcase and two guitars; and how she built a career that has spanned four decades with films such as Carrie, Coal Miner's Daughter, 3 Women, and The Help. She details working with some of the great directors of our time, including Terrence Malick, Robert Altman, David Lynch, and Brian De Palma-who thought of her as a no-talent set decorator until he cast her as the lead in Carrie. She also reveals why, at the height of her fame, she and her family moved away from Los Angeles to a farm in rural Virginia. Whether she's describing the terrors and joys of raising two talented, independent daughters, taking readers behind the scenes on Oscar night, or meditating on the thrill of watching a pair of otters frolicking in her pond, Sissy Spacek's memoir is poignant and laugh-out-loud funny, plainspoken and utterly honest. My Extraordinary Ordinary Life is about what matters most: the exquisite worth of ordinary things, the simple pleasures of home and family, and the honest job of being right with the world. "If I get hit by a truck tomorrow," she writes, "I want to know I've returned my neighbor's cake pan."
It's the summer of 1960 in Atkinson, Vermont. Maria Fermoyle is a strong but vulnerable divorced woman whose loneliness and ambition for her children make her easy prey for dangerous con man Omar Duvall. Marie's children are Alice, seventeen—involved with a young priest; Norm, sixteen—hotheaded and idealistic; and Benny, twelve—isolated and misunderstood, and so desperate for his mother's happiness that he hides the deadly truth he knows about Duvall. We also meet Sam Fermoyle, the children's alcoholic father; Sam's brother-in-law, who makes anonymous "love" calls from the bathroom of his failing appliance store; and the Klubock family, who—in contrast to the Fermoyles—live an orderly life in the house next door. Songs in Ordinary Time is a masterful epic of the everyday, illuminating the kaleidoscope of lives that tell the compelling story of this unforgettably family.
One of the great bestseller of our time: the novel that inspired Robert Redford’s Oscar-winning film starring Donald Sutherland and Mary Tyler Moore In Ordinary People, Judith Guest’s remarkable first novel, the Jarrets are a typical American family. Calvin is a determined, successful provider and Beth an organized, efficient wife. They had two sons, Conrad and Buck, but now they have one. In this memorable, moving novel, Judith Guest takes the reader into their lives to share their misunderstandings, pain, and ultimate healing. Ordinary People is an extraordinary novel about an "ordinary" family divided by pain, yet bound by their struggle to heal. "Admirable...touching...full of the anxiety, despair, and joy that is common to every human experience of suffering and growth." -The New York Times "Rejoice! A novel for all ages and all seasons." -The Washington Post Book World
Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
