A collection of 25 chronicles of the 15th-16th centuries (translated from Hebrew, Spanish, Portuguese, and Latin) relating the events of the expulsions from Spain and Portugal.
Resum: "Medieval inheritance -- The long road into exile -- An age of perpetual migration -- Community and control in the Sephardic diaspora -- Families, networks, and the challenge of social organization -- Rabbinic and popular Judaism in the sixteenth-century Mediterranean -- Imagining Sepharad."
To Christians the Iberian Peninsula was Hispania, to Muslims al-Andalus, and to Jews Sefarad. As much as these were all names given to the same real place, the names also constituted ideas, and like all ideas, they have histories of their own. To some, al-Andalus and Sefarad were the subjects of conventional expressions of attachment to and pride in homeland of the universal sort displayed in other Islamic lands and Jewish communities; but other Muslim and Jewish political, literary, and religious actors variously developed the notion that al-Andalus or Sefarad, its inhabitants, and their culture were exceptional and destined to play a central role in the history of their peoples. In Iberian Moorings Ross Brann traces how al-Andalus and Sefarad were invested with special political, cultural, and historical significance across the Middle Ages. This is the first work to analyze the tropes of Andalusi and Sefardi exceptionalism in comparative perspective. Brann focuses on the social power of these tropes in Andalusi Islamic and Sefardi Jewish cultures from the tenth through the twelfth century and reflects on their enduring influence and its expressions in scholarship, literature, and film down to the present day.
"...the essays brought together in this volume ... were developed from conference papers presented at an international symposium entitled "The Jews of Spain and the Expulsion of 1492" held at the University of Southern California in April 1992" -- from p. xi.
The story of Jewish literature is a kaleidoscopic one, multilingual and transnational in character, spanning the globe as well as the centuries. In this broad, thought-provoking introduction to Jewish literature from 1492 to the present, cultural historian Ilan Stavans focuses on its multilingual and transnational nature. Stavans presents a wide range of traditions within Jewish literature and the variety of writers who made those traditions possible. Represented are writers as dissimilar as Luis de Carvajal the Younger, Franz Kafka, Bruno Schulz, Isaac Babel, Anzia Yezierska, Elias Canetti, Isaac Bashevis Singer, Irving Howe, Clarice Lispector, Susan Sontag, Philip Roth, Grace Paley, Amos Oz, Moacyr Scliar, and David Grossman. The story of Jewish literature spans the globe as well as the centuries, from the marrano poets and memorialists of medieval Spain, to the sprawling Yiddish writing in Ashkenaz (the "Pale of Settlement' in Eastern Europe), to the probing narratives of Jewish immigrants to the United States and other parts of the New World. It also examines the accounts of horror during the Holocaust, the work of Israeli authors since the creation of the Jewish State in 1948, and the "ingathering" of Jewish works in Brazil, Bulgaria, Argentina, and South Africa at the end of the twentieth century. This kaleidoscopic introduction to Jewish literature presents its subject matter as constantly changing and adapting.
The world would end in 1492 - so the prophets, soothsayers and stargazers said. They were right. Their world did end. But ours began. In search of the origins of the modern world, 1492 takes readers on a journey around the globe of the time, in the company of real-life travellers, drawing together the threads that began to bind the planet: from the way power and wealth are distributed around the globe to the way major religions and civilizations divide the world. Events that began in 1492 even transformed the whole ecological system of the planet. Wars and witchcraft, plagues and persecutions, poetry and prophecy, science and magic, art and faith - all the glories and follies of the time are in this book.
What does it mean to be a Jew? How does one begin to answer so extensive a question? In this insightful and completely updated tome, esteemed rabbi and bestselling author Joseph Telushkin helps answer the question of what it means to be a Jew, in the largest sense. Widely recognized as one of the most respected and indispensable reference books on Jewish life, culture, tradition, and religion, Jewish Literacy covers every essential aspect of the Jewish people and Judaism. In 352 short and engaging chapters, Rabbi Telushkin discusses everything from the Jewish Bible and Talmud to Jewish notions of ethics to antisemitism and the Holocaust; from the history of Jews around the world to Zionism and the politics of a Jewish state; from the significance of religious traditions and holidays to how they are practiced in daily life. Whether you want to know more about Judaism in general or have specific questions you'd like answered, Jewish Literacy is sure to contain the information you need. Rabbi Telushkin's expert knowledge of Judaism makes the updated and revised edition of Jewish Literacy an invaluable reference. A comprehensive yet thoroughly accessible resource for anyone interested in learning the fundamentals of Judaism, Jewish Literacy is a must for every Jewish home.
Vol. 4 covers the late Roman period to the rise of Islam. Focuses especially on the growth and development of rabbinic Judaism and of the major classical rabbinic sources such as the Mishnah, Jerusalem Talmud, Babylonian Talmud and various Midrashic collections.
In this magnificently illustrated cultural history—the tie-in to the pbs and bbc series The Story of the Jews—simon schama details the story of the jewish people, tracing their experience across three millennia, from their beginnings as an ancient tribal people to the opening of the new world in 1492 It is a story like no other: an epic of endurance in the face of destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life despite the steepest of odds. It spans the millennia and the continents—from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain. In The Story of the Jews, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world; candles are lit, chants are sung, mules are packed, ships loaded with gems and spices founder at sea. And a great story unfolds. Not—as often imagined—of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.